The queen's first album for Alligator, and still one of her very best to date. A tasty combo sparked by guitarists Mighty Joe Young and Sammy Lawhorn and saxist Abb Locke provide sharp support as the clear-voiced Taylor belts Bobby Saxton's "Trying to Make a Living," and Magic Sam's "That's Why I'm Crying," her own "Honkey Tonkey" and "Voodoo Woman," and Ruth Brown's swinging "Mama, He Treats Your Daughter Mean".
This is the expanded 'I Got Kinda Lost' unofficial Big Star box set. Previously this set contained four discs and was jam packed with all kinds of Big Star related tracks. Like the previous incarnations of 'I Got Kinda Lost', this expanded 2013 release attempts to tell the story chronologically of Big Star through their studio outtakes and alternate versions by keeping it more Big Star centric through the prism of Chris Bell and Alex Chilton - the architects of the band.
With three discs featuring a total of 63 tracks, this is Mahalia Jackson's complete output for the Apollo label from 1946 to 1954. These are the recordings that brought Jackson to a national audience right up to her breakthrough with Columbia Records and the ones that literally made gospel recording history. Highlights can be found anywhere the laser beam falls on any of the three discs in this set, but her performances of "Go Tell It on the Mountain," "His Eye Is on the Sparrow," "In the Upper Room, Pts. 1 & 2" "Move on Up a Little Higher," "What Could I Do," "Ever Me," "I'm Going to Tell God," "Dig a Little Deeper," and "Walk with Me," "In My Home Over There," "Just Over the Hill, Pts. 1 & 2," and "Walking in Jerusalem" are too perfect for words and should simply be in everyone's gospel collection as some of the best the genre has to offer. Marvelous transfers of the original master tapes plus great notes by AMG contributor Opal Louis Nations are just extra icing on the cake to this essential collection.
Debbie Davies doesn't play straight blues on All I Found, her eighth release as a bandleader and her first for Telarc Records, so much as a kind of blues-inflected country-pop somewhat reminiscent of Bonnie Raitt, only without Raitt's distinctive, drop-dead slide guitar technique. Make no mistake, Davies plays some solid guitar on this album (she got her start playing in Albert Collins' Icebreakers, after all), and she has Arthur Neilson on loan from Shemekia Copeland on second guitar to keep things sizzling on three cuts, but somehow under all that stellar guitar work, several of these songs seem a little tired, and "Troughin'," a humorous ditty about overeating, is downright irritating…