Motörhead's overwhelmingly loud and fast style of heavy metal was one of the most groundbreaking styles the genre had to offer in the late '70s. Though the group's leader, Lemmy Kilmister, had his roots in the hard-rocking space rock band Hawkwind, Motörhead didn't bother with his old group's progressive tendencies, choosing to amplify the heavy biker rock elements of Hawkwind with the speed of punk rock. Motörhead wasn't punk rock – they formed before the Sex Pistols and they loved the hell-for-leather imagery of bikers too much to conform with the safety-pinned, ripped T-shirts of punk – but they were the first metal band to harness that energy and, in the process, they created speed metal and thrash metal. Unlike many of their contemporaries, Motörhead continued performing into the next century. Although they changed their lineup many, many times – Lemmy was their only consistent member – they never changed their raging sound.
The queen's first album for Alligator, and still one of her very best to date. A tasty combo sparked by guitarists Mighty Joe Young and Sammy Lawhorn and saxist Abb Locke provide sharp support as the clear-voiced Taylor belts Bobby Saxton's "Trying to Make a Living," and Magic Sam's "That's Why I'm Crying," her own "Honkey Tonkey" and "Voodoo Woman," and Ruth Brown's swinging "Mama, He Treats Your Daughter Mean".
This is the expanded 'I Got Kinda Lost' unofficial Big Star box set. Previously this set contained four discs and was jam packed with all kinds of Big Star related tracks. Like the previous incarnations of 'I Got Kinda Lost', this expanded 2013 release attempts to tell the story chronologically of Big Star through their studio outtakes and alternate versions by keeping it more Big Star centric through the prism of Chris Bell and Alex Chilton - the architects of the band.
With three discs featuring a total of 63 tracks, this is Mahalia Jackson's complete output for the Apollo label from 1946 to 1954. These are the recordings that brought Jackson to a national audience right up to her breakthrough with Columbia Records and the ones that literally made gospel recording history. Highlights can be found anywhere the laser beam falls on any of the three discs in this set, but her performances of "Go Tell It on the Mountain," "His Eye Is on the Sparrow," "In the Upper Room, Pts. 1 & 2" "Move on Up a Little Higher," "What Could I Do," "Ever Me," "I'm Going to Tell God," "Dig a Little Deeper," and "Walk with Me," "In My Home Over There," "Just Over the Hill, Pts. 1 & 2," and "Walking in Jerusalem" are too perfect for words and should simply be in everyone's gospel collection as some of the best the genre has to offer. Marvelous transfers of the original master tapes plus great notes by AMG contributor Opal Louis Nations are just extra icing on the cake to this essential collection.