Decca, the opera company, presents a premium collection of the 100 most beautiful opera tracks on 6 CDs. Enjoy classic arias and overtures, performed by the greatest opera stars of all time. This is a fine compendium of opera's "greatest hits" by great singers including Pavarotti, Bartoli, Caballe, Horne and Sutherland from opera's latest "golden age" in the last decades of the 1900s. They're all there on six CDs, from Pavarotti's great "Nessun Dorma" to Sutherland's "Casta Diva."
Opera Prima by Italian duo Rustichelli & Bordini is an excellent keyboard-dominated symphonic album from 1973. The simplest way to describe the music here is to imagine ELP with the addition of a Mellotron and a gravel-throated Italian vocalist. This album is almost up there alongside Tarkus and Trilogy, and wipes the floor with just about everything else ELP did. The main issue with Opera Prima seems to be the vocals, which are something of an acquired taste. To be blunt keyboards player Paolo Rustichelli has a particularly gruff, ugly singing voice. However if you can get over the vocals you'll be rewarded with some of the richest keyboard textures in the RPI canon.
Igor Stravinsky The Complete Columbia Album Collection is an unprecedented reissue of the complete recordings of his works that Igor Stravinsky made for CBS/American Columbia, bringing together for the very first time on CD all of the mono "Stravinsky conducts Stravinsky" recordings issued in the 1940s and 1950s alongside the more familiar stereo remakes from the 1960s, as well as all the authorized performances that Stravinsky's assistant Robert Craft conducted for the label in the composer's presence, after age and infirmity had restricted his own ability to do so.
This is a problem recording, and even fans of Leonard Bernstein and Marilyn Horne will find it odd. The Maestro's tempi are weirdly slow, Horne sings the role note-by-note rather than phrase-by-phrase, and when she finally does decide to emote, in the final scene, she sounds like she's gone loony. James McCracken was an artist with a huge but unappealing voice who also had brains and power, but he's no delight for the ear.
This is a worthy reading of one of Massenet's best scores, thoughtfully conducted by Kent Nagano. Anne Sofie von Otter combines intelligence and a beautiful voice with passion and conviction in the complicated character of Charlotte. Tenor Jerry Hadley is occasionally afflicted by a musical-theater tendency to croon but expresses most of the torments of the title role, while Dawn Upshaw makes a better-rounded character of Sophie than the average soubrette.
Veteran Italian rock band Pooh formed in Bologna in 1966. During the late '60s, the band featured Roby Facchinetti, Valerio Negrini, Dodi Battaglia, and Riccardo Fogli, but after Negrini left in 1971, the band recruited guitarist, bassist, and vocalist Red Canzian plus drummer and percussionist Stefano D'Orazio, and began a long run as one of the best and most popular Italian rockers of their times. The band recorded for many labels, including CBS, Vedette, CGD (Compagnia Generale del Disco), and Warner Music Italy, selling over 100 million records in the process. Pooh continued to tour and record continually up into the 2010s, but in late 2016 they decided to call it quits by the end of the year, in order to complete their 50-year anniversary as a band.