Decca, the opera company, presents a premium collection of the 100 most beautiful opera tracks on 6 CDs. Enjoy classic arias and overtures, performed by the greatest opera stars of all time. This is a fine compendium of opera's "greatest hits" by great singers including Pavarotti, Bartoli, Caballe, Horne and Sutherland from opera's latest "golden age" in the last decades of the 1900s. They're all there on six CDs, from Pavarotti's great "Nessun Dorma" to Sutherland's "Casta Diva."
Taken from a Jazz at the Philharmonic tour, Ella Fitzgerald is backed by pianist Oscar Peterson, guitarist Herb Ellis, bassist Ray Brown, and drummer Jo Jones on two well-rounded sets. Actually, the two dates are quite similar, with eight of the nine songs being repeated (although the second "Stompin' at the Savoy" and "Oh, Lady Be Good" find her backed by a riffing eight-horn all-star group), so this album is mostly recommended to her greatest fans. However, the music is wonderful, there are variations between the different versions, and her voice was at its prime.
The long-awaited follow-up to their hit CD FIRECRACKER is a beautifully produced live album featuring a majority of tracks that have not appeared on previous releases, including their long sought after version of Jane Siberry's classic "Calling All Angels." the recording is also the first to feature the Jenny's most popular and current line-up, with newcomer Heather Masse joining Ruth Moody and Nicky Mehta with her lush vocals and tasteful bass playing and virtuoso instrumentalist Jeremy Penner on fiddle and mandolin.
Mula is blessed with superb poise and wonderful assurance together with a tremendous ability to emotionally affect the listener.
Lyric-coloratura soprano Inva Mula has released an alluring recital of French and Italian arias for the Virgin Classics label. ‘Courtesan’ might be a more appropriate title for the disc as by my reckoning four of the heroine roles operate in that profession.
– Michael Cookson, MusicWeb International
This disc of Mozart's opera arias manages to capture the perfection of Kathleen Battle's first disc of Mozart concert arias conducted under Previn. We are accorded the opportunity and privilege to hear Ms. Battle essay characters that she never did in the opera house, Constanze, Cherubino, and the Countess among them. In "Porgi amor," the CD's opening track, she negotiates the long passages of the Countess' aria with seeming ease. Hers is a smaller voice than we are used to hearing in the role but this is unimportant as her vocal acting is superb, bringing the heartache housed in the libretto fully to life…By M. Bish
Essential: a masterpiece of progressive rock music
Swimming in mellotron
“Waters of change” was Beggar’s opera’s best album in my opinion, full of strong melodies and well constructed songs. Having introduced themselves with the innovative, classically driven “Act one”, the band invested in a mellotron, which instantly became the dominant instrument in their sound. The band moved away from the intricate symphonic prog of their first album, towards the art rock of the Moody Blues and Barclay James Harvest.
Kathleen Battle ended her operatic career on a sour note when she was fired from the MET, and this album somehow reflects that–it lacks her usual vivacity and joy. This is the only recital I've heard form her that's routine, and things aren't helped by the fact that her voice, a light colorature, isn't substantial enough for many of these arias, which are for a lyric soprano.By Santa Fe Listener
Excellent addition to any prog rock music collection
What a mindblowing debut-album this is! The very melodic and harmonic music from this five-piece band is based upon an incredible dynamic and propulsive rhythm-section and splendid, very exciting Hammond organ work, often accompanied by a powerful and fiery electric guitar. The interplay between the musicians is magnificent and the excertions on keyboards and guitar are very compelling, in the spirit of the late Sixties and early Seventies.