5CD box set mini LP replica sleeves, containing a quintet of original albums from the legendary Soul diva: "Aretha Now", "I Never Loved A Man The Way I Love You", "Lady Soul", "Live At The Fillmore" and "Spirit In The Dark".
Aretha Franklin (March 25, 1942) is a Memphis, Tennessee-born but Detroit, Michigan-reared American iconic gospel, soul, and R&B singer. Many have called her "The Queen Of Soul" and "Lady Soul".
She is renowned for her soul and R&B recordings (on many, of which, she accompanies herself on keyboards and piano - a skill she learned at an early age, learning to play by ear, according to lifetime friend Smokey Robinson) but is also adept at jazz, rock, blues, pop, and gospel…
Issued in a foldout cardboard sleeve vinyl replica, with 24-page booklet and obi. This package contains previously released material. Obi: "The complete studio sessions with over two hours of audio including false starts, alternate takes, studio dialogue, and non-album tracks. 24-page deluxe booklet contains detailed liner notes alongside rare, unforgettable images, and Grammy®-nominated essay Kind Of Blue At 50 by Francis Davis."
If you're looking for the roots of alternative rock or obscure college playlist fodder, look elsewhere; this is prime-time '80s pop chart glory, as seen on MTV (over and over and over). Though the songs here cover a breadth of style and genre (if not necessarily substance), there's a remarkable unity of purpose and hook-laden musical accomplishment that's sorely missed. If this collection woefully shortchanges hip-hop, it still underscores a distinctly irony-free era where style admittedly triumphed over substance, as opposed to the '90s, where style caricatured substance.
Playing a melodious synthesis of symphonic hard rock that has occcasionally been compared to Pink Floyd, Hanover Krautrockers Jane can trace their origins back to the late sixties psychedelic band Justice Of Peace. Releasing a single Save Me/War, the band featured future Jane members Peter Panka on vocals, Klaus Hess on bass and Werner Nadolny on saxophone…
This gargantuan package – a ten-LP set now compressed into a chunky six-CD box – once was derided as the ultimate ego trip, probably by many who didn't take the time to hear it all. You have to go back to Art Tatum's solo records for Norman Granz in the '50s to find another large single outpouring of solo jazz piano like this, all of it improvised on the wing before five Japanese audiences in Kyoto, Osaka, Nagoya, Tokyo, and Sapporo. Yet the miracle is how consistently good much of this giant box is.
This disc is a perfect demonstration of what treasures might be waiting to be rediscovered among Charles Koechlin's huge and still drastically undervalued output. Both the Piano Quintet and the Third String Quartet were begun during the first world war, and the bulk of work on them was completed soon after hostilities ended; the Quartet was first performed in 1924, but Koechlin continued to revise the Quintet for another 10 years before it received its premiere.
The first ever CD release of Ania Dorfmann’s complete RCA Victor recordings from 1939–1959. The collaborations with Arturo Toscanini include her rare 1939 recording of Beethoven’s Choral Fantasy and the 1945 Beethoven Piano Concerto No.1.