A Completely Off-the-wall Collection of Covers from Out in Gonzoland that Somehow Work in a Wacky Way as a Chesive Collection of Fun! Includes Telex's Classic "Rock around the Clock", Cornershop's Version of "Norwegian Wood" (In Hindi!), Fantastic Plastic Machine's Spaced Out Version of the Eurythmics' "There Must Be an Angel" is Probably Played in the Ballrooms of Mars...and The List Goes On. A Characteristically French Presentation Package, Realized by Beatrice Ardisson, Wife of French TV Personality Thierry Ardisson, Purveyors of Great Music.
On their 2012 debut Boys & Girls, Alabama Shakes never hid that they were creatures of the New South – a band with old-fashioned blues, soul, gospel, and country in their blood but raised on modern rock. On their 2015 follow-up, Sound & Color, they free themselves from the vestiges of the past, let loose, and push themselves further in either direction. This could've resulted in a disjointed record pulling itself in two opposing directions, but the mess of Sound & Color is invigorating, likely because the album uses its title as a creed. Where Boys & Girls sometimes seemed a shade austere – the band took pains to color within the lines, almost as if to convey their good taste – Sound & Color bursts with oversaturated hues so vivid they seem almost tangible.
Mick Taylor's self-titled debut album is rather different than one would imagine for an ex-Rolling Stone and former Bluesbreaker. As to whether this is due to the conformist sound of the lighter numbers ("Leather Jacket," "Baby I Want You," etc.) or the fact that his singing voice is so much more average than Jagger or Mayall's is debatable. In any case, Mick Taylor is an undeniably attractive and often surprising album. The highlight and thrust of the album is Taylor's astounding guitar playing. His fusion of blues and rock styles, and, of course, his slide guitar work, is constantly impressive. "Slow Blues," "Giddy-Up," and "Spanish/A Minor" feature some particularly gob-smacking guitar solos. Lyrically, Mick Taylor is a little lightweight, but at worst competent. Similarly, some of the music is at times cheesy, attempting to blend in with the sound of the time. Nevertheless, Mick Taylor's first attempt at a solo recording is a fine effort and one that improves with time.
In the '40s, Getz played with Goodman, Herman and Kenton. In the '60s, he helped spark the bossa-nova explosion. In between, he became one of the top sax stars in jazz, and this 154-track set captures him in that '50s prime. You'll hear scads of studio sessions plus live stuff including gems taped at the Shrine Auditorium in '57; includes And the Angels Swing; Stardust; What's New; My Old Flame; The Lady in Red; Imagination; Prelude to a Kiss, and more!