One can hardly believe the SACD sound Sony has achieved here, trumping even the "Carnegie Hall Presents" remaster! It is almost unbelievable that the original sound we were able to hear back in 1961 has been so revived from that original recorded in New York's Manhattan Center.
This new remastering by Andreas K. Meyer is nothing short of sensational. Some of the finest performances of Mahler & Bernstein, it's amazing how much detail Sony/CBs can get from this stunning SACD!
"This legendary first commercial recording by Leonard Bernstein of Mahler's Symphony No. 2 has until now, only been available in generally inferior-sounding LP, open-reel, and CD formats, using a master tape derived from the original recording session tapes. It has never until now, been given the opportunity to show the sonics it likely had, and which it now reveals via SACD"
The 1st & final movements of Brahms’s 3rd Symphony contain some of the most dramatic music he was to compose, yet both end serenely & enclose 2 beautiful inner movements. The equally exquisite Serenade No 2, unusually scored for wind instruments, violas, cellos & double basses, was 1 of his own personal favourites & both receive superb performances under Bernard Haitink in the 3rd part of his internationally acclaimed LSO Live Brahms cycle.
Gerhard was one of last century's major composers, and his Third Symphony is one of the first and most successful works to incorporate electronic sounds into a live orchestral context. It's very difficult to describe exactly what this music sounds like–it's not tonal, certainly, but it's also very attractive as pure sound, and there are recurring ideas ("gestures" or "structures" may best describe them) that unify the musical argument. To that extent, the music is certainly "difficult," but it would be wrong to assume that it's difficulty is a function of some fiendish complexity designed to mystify the listener…….David Hurwitz @ Amazon.com