Adaptation Film Studies

Film/Music Analysis: A Film Studies Approach  eBooks & eLearning

Posted by AvaxGenius at Oct. 15, 2017
Film/Music Analysis: A Film Studies Approach

Film/Music Analysis: A Film Studies Approach By Emilio Audissino
English | PDF,EPUB | 2017 | 247 Pages | ISBN : 3319616927 | 4.96 MB

This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.

A Dictionary of Film Studies (Oxford Quick Reference)  eBooks & eLearning

Posted by IrGens at June 29, 2017
A Dictionary of Film Studies (Oxford Quick Reference)

A Dictionary of Film Studies (Oxford Quick Reference) by Annette Kuhn, Guy Westwell
English | September 8, 2012 | ISBN: 0199587264 | EPUB | 528 pages | 1.2 MB

AS Film Studies: The Essential Introduction  eBooks & eLearning

Posted by tanas.olesya at May 12, 2017
AS Film Studies: The Essential Introduction

AS Film Studies: The Essential Introduction by Sarah Casey Benyahia
English | 30 Aug. 2006 | ISBN: 0415393108, 0415393116 | 368 Pages | PDF | 2 MB

Specifically designed to be user friendly, the second edition of AS Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than 100 colour photographs and is jam packed with features such as:…

An Annotated Bibliography of Chinese Film Studies  eBooks & eLearning

Posted by thingska at March 26, 2017
An Annotated Bibliography of Chinese Film Studies

An Annotated Bibliography of Chinese Film Studies by Jim Cheng
English | 2004 | ISBN: 9622097030 | 416 Pages | PDF | 23.48 MB
Post-War Italian Cinema: American Intervention, Vatican Interests (Routledge Advances in Film Studies)

Post-War Italian Cinema: American Intervention, Vatican Interests (Routledge Advances in Film Studies) by Daniela Treveri Gennari
English | 2008 | ISBN: 0415962870 | 218 Pages | PDF | 41.47 MB
Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (Routledge Advances in Film Studies)

Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (Routledge Advances in Film Studies) by Julian Hanich
English | 2010 | ISBN: 0415871395 | 314 Pages | PDF | 10.60 MB

Feminist Film Studies  eBooks & eLearning

Posted by Nice_smile) at Feb. 22, 2017
Feminist Film Studies

Feminist Film Studies by Karen Hollinger
English | 2012 | ISBN: 0415575265 | 320 Pages | PDF | 2.40 MB
Cinema and Language Loss: Displacement, Visuality and the Filmic Image (Routledge Advances in Film Studies)

Cinema and Language Loss: Displacement, Visuality and the Filmic Image (Routledge Advances in Film Studies) by Tijana Mamula
English | 2013 | ISBN: 0415807182 | 300 Pages | PDF | 2.65 MB

Screens (The Key Debates: Mutations and Appropriations in European Film Studies)  eBooks & eLearning

Posted by lengen at Jan. 18, 2017
Screens (The Key Debates: Mutations and Appropriations in European Film Studies)

Screens (The Key Debates: Mutations and Appropriations in European Film Studies) by Dominique Chateau
English | Aug. 15, 2016 | ISBN: 9462981906 | 358 Pages | PDF | 25 MB

We live in an era of screens. No longer just the place where we view movies or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. And this transformation has happened almost without us realizing it—and certainly without the full theoretical and intellectual analysis it deserves.
Subjectivity: Filmic Representation and the Spectator's Experience (European Film Studies - Key Debates)

Subjectivity: Filmic Representation and the Spectator's Experience (European Film Studies - Key Debates) by Dominique Chateau
English | Feb. 29, 2012 | ISBN: 9089643176 | 273 Pages | PDF | 5 MB

With the rise of French and Italian New Wave cinema, the concept of subjectivity came to the forefront of film criticism and theory. The subjective camera allows for the audience to experience film in a wholly different way, manipulating or enriching viewers and forcing them to engage with film as a medium. Subjectivity advances the debate over its role in the history, philosophy, and culture of cinema.