The Dutch National Opera presents this World Premiere Recording of the opera 'Waiting for Miss Monroe' by leading Dutch composer Robin de Raaff. Star soprano Laura Aikin performs as the main protagonist in the role of Marylin Monroe, backed by the Netherlands Chamber Orchestra, conducted by Steven Sloane.
The "100 Years of Italian Opera" series released by Opera Rara is unique in the annals of opera recordings. However, this installment is especially exciting as it documents the evolution of Italian opera during the 1820's, the decade when romanticism truly began to come into its own on the operatic stage. Opera Rara has lovingly compiled a variety of arcana written by composers famous and forgotten. Included is everything from overtures to arias, duets, ensembles, and entire scenes.
Recommended: not so much for the performance or even the work as for the experience. And even that is not necessarily something you will want to repeat very often. The point is that it may be now or never. Robert le diable, received triumphantly in Paris at its premiere in 1831, took centre- stage in the opera houses of Europe for two or three decades: a pantechnicon of an opera I was about to call it, and then thought to see what the dictionary had to say, finding there ‘the name of a bazaar of all kinds of artistic work’ – and the date 1830!
Based on Shakespeare’s most famous romantic play, Prokofiev’s realisation of Romeo and Juliet as a full-length narrative ballet was audacious in its day. It was written during a period of artistic turmoil under a Soviet regime in which arguments raged over such fundamental aspects as the choice between a happy or a tragic ending. Famous movements such as the Dance of the Knights have helped maintain Romeo and Juliet as Prokofiev’s bestloved stage work. Marin Alsop’s acclaimed cycle of Prokofiev’s Symphonies has been described as ‘an outstanding achievement’ by BBC Music Magazine.
Esbjörn Svensson, the Swedish original who consistently turned crossovers between jazz, pop and classical music into lasting art with EST, would have got around to this orchestral venture himself but for his accidental death in 2008. With its shapely themes, subtle pacing and big climaxes, his popular trio’s music was ideal material, eloquently confirmed here by arranger Hans Ek, the Royal Stockholm Philharmonic and four star jazz soloists, including brilliant Finnish pianist Iiro Rantala and Norwegian saxophonist Marius Neset.
Here, for the first time the two versions of this delightful opera which Donizetti wrote for Naples. Betrayed by her fiancée and abandoned by her father, Emilia has turned her back on the world. In a most operatic coincidence, her fiancée appears on the same day as her father returns to England.
'The work has charm and wild improbability in equal proportion' - John Higgins, The Times