Originally unveiled in December 1975, T.N.T. was the second AC/DC album released in their native Australia, but is often overlooked outside the Land Down Under because its best tracks were later combined with those from the band's first domestic album, High Voltage, for reissue as their international debut from 1976 – also entitled High Voltage…
The hugely popular ‘JAM with’ book and CD series has now been upgraded to a 2 DVD+CD format. Learn to play seven songs at your own pace in a series of easy to understand visual lessons on DVD. Once you have mastered the songs you can jam along with a professional session band. The complete backing tracks, recorded with live drums, bass, keyboards and rhythm guitar where applicable are supplied on CD in each ‘JAM with’ title.
Filmed with Panavision cameras and lenses on 35mm film with 26 cameras, including one helicopter, AC/DC: Live at Donington is presented in high definition 1080p on this Blu-ray Disc release in its original 1.78:1 aspect ratio. For this release, Sony-BMG and Columbia Music Video have provided three listening options: 48kHz/24bit PCM stereo, Dolby Digital 5.1 (640 kbps) and PCM 5.1 48kHz/24bit. Because of the use of so many cameras from various distances and the differing levels of lighting throughout the performance the quality of the picture does vary, often times from one shot to the next, but this has more to do with the things I've mentioned than with the encoding. For example, in certain darker shots from more distant cameras, there is a higher level of grain present than in well-lit shots from cameras closer to or actually on the stage where little to no grain can be seen at all.
Bon Scott , the charismatic and now legendary front man for AC/DC who died on the eve of superstardom and who left a incredible musical legacy, the man who gave us such memorable quotes as “people ask me if i’m AC or DC, neither I’m the lightning in the middle” is the subject, or catalyst, for this exciting new release. Without alot of hoopla along comes this box set that presents all of the soundboard live recordings that feature Bon Scott on vocals. Since the band was in their formative years and were a touring band they used radio as a means to get their music out to people to be heard, the majority of this set is culled from these radio broadcasts. They are not only among the best in quality but also performance.
from allmusic: Originally unveiled in December 1975, TNT was the second AC/DC album released in their native Australia, but is often overlooked outside the Land Down Under because its best tracks were later combined with those from the band's first domestic album, High Voltage, for reissue as their international debut from 1976 — also entitled High Voltage. Confused? That's actually quite understandable, since the songs culled from TNT also formed the backbone of that international release, including the entire, flawless first album side, made up of such all-time classics as "It's a Long Way to the Top," "Rock 'n' Roll Singer," "The Jack," and "Live Wire." TNT's B-side was nearly as formidable: boasting both of those Australian album title tracks — the proto-punk crunch of "T.N.T." and the suitably electrifying "High Voltage" — as well as a much-needed remake of the group's very first single, "Can I Sit Next to You Girl," recorded two years earlier with original singer Dave Evans. All three also made it into the international edition of High Voltage, and as for the two tracks that did not: one was concert favorite, "Rocker," which would be duly unearthed for the Dirty Deeds Done Dirt Cheap LP, a short time later; and the other was a reverential but not exactly life-altering cover of Chuck Berry's "School Days," which eventually surfaced on the Bonfire box set. In other words, TNT, though largely lost to ancient history, was a stellar album in its own right, and especially crucial in that it marked AC/DC's definitive break with their now seemingly heretical glam rock inclinations, in order to embrace the blue collar hard rock hat would forever after be their trademark.