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Digital Compensation for Analog Front-Ends: A New Approach to Wireless Transceiver Design (Repost)

Prof François Horlin, André Bourdoux, "Digital Compensation for Analog Front-Ends: A New Approach to Wireless Transceiver Design"
English | 2008-06-17 | ISBN: 0470517085 | 268 pages | PDF | 5 MB

(Fr3) Dalida, la femme qui rêvait d'une autre scène (2017)  Video

Posted by Morocco at May 20, 2017
(Fr3) Dalida, la femme qui rêvait d'une autre scène (2017)

(Fr3) Dalida, la femme qui rêvait d'une autre scène (2017)
Webrip | French | Subtitles : French | 1h40min | 1024 x 576 | 25.000 fps | MKV | AVC Main@L3.1 @ 1391 Kbps | AAC @ 66 Kbps | 1,02 GB
Genre : Documentaire

Le 3 mai 1987, à 54 ans, Dalida s'est donné la mort. Juste avant de disparaître, elle griffonna sur une feuille de papier : «La vie m'est insupportable. Pardonnez-moi.» Saluée tout au long de sa carrière comme la réussite la plus foudroyante de l'histoire du music-hall, l'artiste la plus populaire, la chanteuse la plus programmée, Dalida imaginait-elle que ses chansons de même que sa personnalité survivraient trente ans plus tard à sa disparition ? Gérard Miller et Anaïs Feuillette retracent le parcours de la star et recueillent les témoignages d'Orlando, Line Renaud, Serge Lama, Bertrand Delanoë, Liza Azuelos, Jean Sobieski, David Lelait-Helo et Rosy Gigliotti.

Scènes de la Vie Hormonale - Tome 1  Comics

Posted by Mendose at May 20, 2017
Scènes de la Vie Hormonale - Tome 1

Scènes de la Vie Hormonale - Tome 1
French | CBR | 82 pages | 35.9 MB
V.A. - Mercury Living Presence: The Collector's Edition Vol.3 (53CDs, 2015)

V.A. - Mercury Living Presence: The Collector's Edition Vol.3 (53CDs, 2015)
Classical | MP3 CBR 320 kbps | 7,38 Gb
Label: Decca Classics

This 53-CD set is more than the sum of its parts. While not all the performances and recordings are top-notch, the overall quality is very high and as a historical overview of a label known for its sonic as well as musical merits, it's full of treasures. The Mercury sound at its best is vivid and still sounds remarkable and many of these recordings - such as the marches, show tunes and orchestral showpieces conducted by Frederic Fennell - demonstrate this amply. But it's not all lollipops by any means.

V.A. - Decca Sound – Dutoit: The Montreal Years (35CDs, 2016)  Music

Posted by Discograf_man at May 1, 2017
V.A. - Decca Sound – Dutoit: The Montreal Years (35CDs, 2016)

V.A. - Decca Sound – Dutoit: The Montreal Years (35CDs, 2016)
Classical | MP3 CBR 320 kbps | 5,31 Gb
Label: Decca (Universal Music)

This limited edition box set includes 35 sonic spectacular albums from the early golden age of digital when Decca’s engineers created a new DECCA SOUND. This set is a celebration of the nearly 25-year partnership between conductor Charles Dutoit and the Orchestre Symphonique de Montréal. Highlights include recordings of Ravel, Saint-Saëns, Berlioz, Bizet, Respighi, Stravinsky, Holst, Debussy and much more.
Carolyn Sampson, Ex Cathedra, Jeffrey Skidmore - A French Baroque Diva: Arias for Marie Fel (2014)

A French Baroque Diva: Arias for Marie Fel
by Lacoste, Lalande, Rameau, Rousseau, Fiocco & Mondonville
Carolyn Sampson (soprano), Ex Cathedra, Jeffrey Skidmore (conductor)

EAC | FLAC | Image (Cue&Log) ~ 370 Mb | Mp3 (CBR320) ~ 172 Mb | Artwork included
Genre: Classical, Vocal | Label: Hyperion | # CDA68035 | Time: 01:12:55

GRAMOPHONE AWARD 2015 WINNER (RECITAL CATEGORY). A welcome return of Carolyn Sampson and Ex Cathedra to Hyperion, performing the rich, fulsome music of the French Baroque. Their recording of love songs from Rameau’s operas (Hyperion CDA67447) was hugely acclaimed for Sampson’s stylish, fluid, seductive performances, and ten years later her artistry is even more dazzling. This album is of particular interest as rather than concentrating on one composer it showcases the works written for the premiere soprano of the day, Marie Fel. Voltaire called her his ‘adorable nightingale’. For d’Aquin, she was an enchanted being. Marie Fel was the soprano who held an entire generation spellbound at the Paris Opéra and at Louis XV’s court during one of the most glorious periods of French music. With a voice described as ‘pure, charming, silvery’ (La Borde), ‘touching and sublime’ (Grimm) and ‘always lovely, always seductive’ (d’Aquin), she inspired some of Jean-Philippe Rameau’s finest music and introduced a whole new level of virtuosity and expression into the French singing tradition. Her long, triumphant career is traced through this fascinating recording.

Mise-en-scène: Mise-en-scene: Film Style and Interpretation (Short Cuts)  eBooks & eLearning

Posted by thingska at April 12, 2017
Mise-en-scène: Mise-en-scene: Film Style and Interpretation (Short Cuts)

Mise-en-scène: Mise-en-scene: Film Style and Interpretation (Short Cuts) by John Gibbs
English | 2002 | ISBN: 190336406X, 9781903364062, B0092X8SNM | 144 Pages | EPUB | 7.70 MB

Osez 52 scénarios de week-ends érotiques  eBooks & eLearning

Posted by iBooker at April 11, 2017
Osez 52 scénarios de week-ends érotiques

Osez 52 scénarios de week-ends érotiques
La Musardine | 2012 | ISBN: 2842714288 | French | EPUB | 134 pages | 0.9 MB
Innovation in the Family Business: Succeeding Through Generations (A Family Business Publication) (Repost)

Innovation in the Family Business: Succeeding Through Generations (A Family Business Publication) By Joseph Schmieder
2014 | 144 Pages | ISBN: 1137386231 | PDF | 2 MB

Alexander Spence - Oar (1969) {Sundazed SC 11075 rel 1999}  Music

Posted by ruskaval at March 29, 2017
Alexander Spence - Oar (1969) {Sundazed SC 11075 rel 1999}

Alexander Spence - Oar (1969) {Sundazed SC 11075 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 372 Mb | MP3 @320 -> 151 Mb
Full Artwork @ 600 dpi (png) -> 183 Mb | 5% repair rar
© 1969, 1999 Columbia / Sony Music / Sundazed Music | SC 11075
Rock / Folk Rock / Psychedelic Rock

No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut out and bargain bins shortly after its release in the spring of 1969. However those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a pastiche of folk and rock. In reality, however, while these original compositions may draw from those genres, each song has the individuality of a fingerprint. As a solo recording, Oar is paramount as Spence performed and produced every sound on the album himself at Columbia Records studios in Nashville in the space of less than two weeks.