…For lovers of the Schumann symphonies, I would suggest they try this disc; I think they will find it does indeed 'Open Doors'.
Karajan’s Deutsche Grammophon complete recordings is recorded on chronological order. From the “Magic Flute” overture of the 1938 recording used as first recording to the recording of the last in 1989, and the Symphony No.7 of Bruckner. There is no selling separately. It becomes ordering limited production.
The historical-performance movement has extended its reach into much of the 19th century, but this is the world-premiere recording of Robert Schumann's trios on historical instruments. Actually only the piano dates from Schumann's lifetime, but it's especially the violin and cello that differ markedly from their contemporary counterparts with their gut strings. The result is a pair of Schumann chamber music performances of a quieter cast than the common run, yet also moody and full of strong affect and characterization.
The exceptional and unaffected Martha Argerich gives here a spellbinding performance of Schumann's Piano Concerto.
The San Francisco Symphony under the baton of Michael Tilson Thomas performs one of the most astounding symphonies in the repertoire, the Symphonie Fantastique by Hector Berlioz. What presumption by this 26-year-old French composer, to think that he could write and produce (he personally hired the players) a massive five-movement symphony! Strange things happen when presumption is matched by genius: the young man created an enduring masterpiece that is still fresh and exciting today, nearly 200 years later…