Schumann Lieder Dieskau

Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]

Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 257 MB
Classical | Label: Decca | Catalog Number: 452898 | TT: 1:11;06

Barbara Bonney's recital of the Schumanns' songs is prefaced, in the booklet-note, with a little feminist homily from the singer defending the reputation of Clara as woman and artist. Clara hardly needs that kind of defence nowadays, witness recent CDs by Skovhus and Stutzmann, plus several others not reviewed in these pages; her songs are far from patronized, let alone neglected. Yet, for all the advocacy of these singers, her inspiration remains for me intermittent, though thoroughly conventional songs are occasionally leavened by notably individual ones, such as, here, her very last and unpublished song, Loreley, which vividly conjures up that dangerous creature, particu lady in the hectic piano part, evocatively played by Ashkenazy. Indeed it seems that Heine most inspired her, as "Sic liebten sich beide" from her Op. 13 provoked a setting of economically intense meaning, to which Bonney finely responds.
– Gramophone [9/1997].
John Axelrod - Brahms Beloved: Symphonies 1 & 3 / Clara Schumann Lieder (2014)

John Axelrod - Brahms Beloved: Symphonies 1 & 3 / Clara Schumann Lieder
Classical | FLAC (tracks) 24-bit/44.1 kHz | 118:31 min | 1.09 GB | Digital booklet
Label: Telarc | Tracks: 18 | Rls.date: 2014

Once in his later years, Johannes Brahms wrote to the love of his life that all his works should be signed, “really by Clara Schumann.” It was a moving testament from an emotionally guarded old bachelor to the woman who had long been his muse. It was also a recognition that the composer whose work, then as now, has been regarded as the epitome of musical abstraction acknowledged that his music was grounded in his life and feelings. And Clara Schumann was always connected to Brahms’s deepest feelings. This recording is a testament to their lifelong connection.
John Axelrod - Brahms Beloved: Symphonies 2 & 4 / Clara Schumann Lieder (2013) [TR24][OF]

John Axelrod - Brahms Beloved: Symphonies 2 & 4 / Clara Schumann Lieder
Classical | FLAC (tracks) 24-bit/44.1 kHz | 113:42 min | 1.03 GB | Digital booklet
Label: Telarc | Tracks: 18 | Rls.date: 2013

John Axelrod has recorded unique Brahms symphonies + Clara Schumann Lieder cycle, exploring the symphonies as four sides of the woman with whom Brahms was obsessed. In a fascinating new concept, John Axelrod (2012 ICMA Award winner and winner of the ResMusica “Best Classical album of 2012”) is spearheading an exploration of the relationship between Brahms and the woman he loved, Clara Schumann, as depicted in their music.

Murray, Martineau - Brahms, Schumann: Lieder (2015)  Music

Posted by peotuvave at July 27, 2016
Murray, Martineau - Brahms, Schumann: Lieder (2015)

Murray, Martineau - Brahms, Schumann: Lieder (2015)
EAC Rip | Flac (Tracks + cue + log) | 217 MB | MP3 320Kbps CBR | 160 MB | 1 CD | Full Scans
Genre: Classical | Label: Linn Records | Catalog Number: 443

Brahms & Schumann: Lieder sees Dame Ann Murray, one of the great vocal artists of the past decades, return to the recording studio to perform a personal selection of Lieder. Brahms & Schumann: Lieder, Ann’s first solo album in over a decade, will be her final Lieder recording and a fitting way to draw her long and distinguished recording career to a close.
Robert Schumann - Dietrich Fischer-Dieskau - Kerner-Lieder & Liederkreis (2007, audite # 95.582)

Robert Schumann - Kerner-Lieder & Liederkreis
Dietrich Fischer-Dieskau / Hertha Klust / Günther Weißenborn, piano
EAC+LOG+CUE | FLAC: 264 MB | Full Artwork: 78 MB | 5% Recovery Info
Label/Cat#: audite # 95.582 | Country/Year: Germany 2007
Genre: Classical | Style: Romantic, Vocal, Lieder

"The song cycles “Kerner-Lieder” op. 35 and Liederkreis op. 39 by Schumann, recorded in 1954-55 for West German Radio, are amongst the foremost examples of Dietrich Fischer-Dieskau’s mastery of the art of Lieder singing. The listener is treated to pioneering interpretations which laid the foundations for these sets of songs to become established in the recital programmes of younger singers. In the case of the “Kerner-Lieder” this may well be the first complete recording. In both recordings Dietrich Fischer-Dieskau is heard at the early zenith of his powers as regards both his vocal technique and his crafting of the songs."
Prégardien - Wanderer: Songs by Schumann, Killmayer & Mahler (2011) {Hybrid-SACD // ISO & HiRes FLAC}

Christoph Prégardien / Ensemble Kontraste - Wanderer: Songs by Schumann, Killmayer & Mahler
SACD ISO: 3,39 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 1,05 GB | Full Artwork | 5% Rec. Info
Label/Cat#: Challenge Classics # CC72518 | Country/Year: Europe 2011
Genre: Classical | Style: Vocal, Songs

All those concerned with this Wanderer project are to be heartily congratulated. I will listen to this splendidly performed release again and again. (…) There are twenty four works on this disc. The vast majority of these are established in the standard repertoire but are presented here in a different guise by tenor Christoph Prégardien and the Ensemble Kontraste. The impressive Prégardien has a distinct baritonal quality to his lower register. Across the scores the concept of the Wanderer from German Romantic literature is a constant theme that works superbly well.

Schumann - The Masterworks (Boxset) (2010)  Music

Posted by hoot009 at Oct. 9, 2010
Schumann - The Masterworks (Boxset) (2010)

Schumann - The Masterworks (Boxset) (2010)
EAC Rip | FLAC (tracks + cue + log) | No scans | 35 CDs | 8.42 GB (RAR 4% Rec.)
Genre: Classical | Label: Deutsche Grammophon | Catalog #: 001422902

June 8, 2010 marks the 200th anniversary of the birth of robert Schumann, one of the most important romantic composers of the 19th century. To celebrate his vast and impressive output, Deutsche Grammophon and Decca have compiled this 35-CD box set of his most important masterworks. Though this is not a complete edition, it includes every major work and a number of rarities covering every aspect of Schumann’s output.
Hugo Wolf - Lieder (Daniel Barenboim & Dietrich Fischer-Dieskau) (1995) (6CD Box Set) {Deutsche Grammophon}

Hugo Wolf - Lieder (Daniel Barenboim & Dietrich Fischer-Dieskau) (1995) (6CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1.66 Gb | MP3 CBR 320kbps | RAR | 1.11 Gb
Classical | Label: Deutsche Grammophon - 477 8707

This 6-CD set captures Dietrich Fischer-Dieskau and Daniel Barenboim in some of their most significant recordings together and features the astonishingly beautiful and highly regarded lieder of Hugo Wolf.
Matthias Goerne & Markus Hinterhäuser - Schumann: Einsamkeit - Lieder (2017)

Matthias Goerne & Markus Hinterhäuser - Schumann: Einsamkeit - Lieder
Classical | WEB FLAC (tracks) & d. booklet | 51:05 min | 172 MB
Label: Harmonia Mundi | Tracks: 19 | Rls.date: 2017

Following a Schubertian venture that has revealed, over the past few years, his immense stature as an interpreter of the lied, Matthias Goerne has now selected twenty or so of the little gems lovingly fashioned by Schumann in the year of his marriage (1840) or in the darker Düsseldorf period (1849-52). This anthology proves to be nothing less than a mise en abyme: an entire world seems to creep in between the fragrant flowers of the bouquet of ‘Myrtles’ and the nocturnal atmosphere of the ‘Six Poems and Requiem’. Yes: a whole world!
Christian Immler, Georges Starobinski - Im Schonen Strome: Heine Lieder - Robert Schumann, Franz Liszt, Robert Franz (2015)

Im Schönen Strome: Heine Lieder - Songs by Robert Schumann, Franz Liszt, Robert Franz (2015)
Christian Immler (baritone), Georges Starobinski (piano)

EAC | FLAC | Image (Cue&Log) ~ 281 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: BIS | # BIS-SACD-2143 | Time: 01:07:35

Although highly productive and respected in his lifetime as a composer of Lieder, Robert Franz (1815–92) has since become a peripheral figure in music history. One reason may be that he avoids dramatic contrasts and instead aims at an emotional ambiguity: ‘My representation of joy is always tinged with melancholy, whilst that of suffering is always accompanied by an exquisite sensation of losing oneself’, he once wrote to Liszt. As a consequence his music appeals to those who are able ‘to admire the nuances of a charcoal drawing without longing for the colours of a painting’, to quote from Georges Starobinski’s liner notes to this recording. As they began to explore the songs of Franz, Starobinski and the baritone Christian Immler were moved by their findings to devise a programme which includes 23 of the composer’s often quite brief songs. Using the poet Heinrich Heine as their guiding star, they present these – all Heine settings but from different opus groups – in the form of two ‘imagined’ song cycles.