Schoenberg Flac

Fort Worth SO, Miguel Harth-Bedoya - Lutoslawski: Concerto for Orchestra; Brahms-Schoenberg: Piano Quartet No.1 (2016)

Witold Lutosławski: Concerto for Orchestra
Johannes Brahms: Piano Quartet No.1 in G minor, Op. 25 (orch. Arnold Schoenberg)
Fort Worth Symphony Orchestra; Miguel Harth-Bedoya, conductor

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Mp3 (CBR320) ~ 169 Mb | Artwork included
Classical | Label: Harmonia Mundi USA | # HMU807668 | Time: 01:11:40

On his fourth recording for harmonia mundi, GRAMMY-nominated conductor Miguel Harth-Bedoya leads the Fort Worth Symphony Orchestra in an all-orchestral program featuring Witold Lutoslawski's Concerto for Orchestra and Arnold Schoenberg's orchestration of Brahms's Piano Quartet No.1. With its use of folk melodies to generate tremendous momentum and dramatic impact, the Concerto for Orchestra established Lutoslawski as Poland's leading contemporary composer. Harth-Bedoya couples this powerful and complex score with Schoenberg's rich and colorful arrangement of one of Brahms's most popular chamber works.
Pierre Boulez conducts Schoenberg, Berio, Carter, Kurtag, Xenakis, Birtwistle, Grisey, Dufourt, Ferneyhough (1995) 5CD Box Set

Pierre Boulez conducts Arnold Schoenberg, Luciano Berio, Elliott Carter, György Kurtág
Iannis Xenakis, Harrison Birtwistle, Gérard Grisey, Hugues Dufourt, Brian Ferneyhough
Chicago Symphony Orchestra; Orchestre National de France; Ensemble InterContemporain
New Swingle Singers, Heinz Holliger, Régis Pasquier, André Trouttet, Sophie Cherrier
Choeur John Alldis, Adrienne Csengery, Marta Fabian, Istvan Matuz

EAC | FLAC | Tracks (Cue&Log) ~ 1.03 Gb | Mp3 (CBR320) ~ 681 Mb | Scans ~ 78 Mb
Genre: Classical | Label: Erato | # 4509-98496-2 | Time: 04:57:24

Collecting five CDs for about the price of three, this set of Boulez recordings is without parallel among the conductor's new-music releases. Imagine getting Boulez's celebrated single CD of Luciano Berio's Sinfonia and Eindrücke and his equally impressive single CD of Arnold Schoenberg's Pelleas und Melisande and Variations for Orchestra, bundled with four pivotal Elliott Carter works, Sir Harrison Birtwistle's electrifying …AGM…, Gérard Grisey's Modulations, Iannis Xenakis's Jalons, Hugues Dufourt's Antiphysis, and Brian Ferneyhough's Funerailles, and you have an idea how far this set stretches.
Susan Platts, Charles Reid, Roderick Williams & JoAnn Falletta - Mahler: Songs (Arr. A. Schoenberg) (2016)

Susan Platts, Charles Reid, Roderick Williams & JoAnn Falletta - Mahler: Songs (Arr. A. Schoenberg)
Classical | WEB FLAC (tracks) & d. booklet | 80:57 min | 323 MB
Label: Naxos | Tracks: 10 | Rls.date: 2016

Arnold Schoenberg founded the Society for Private Musical Performances in 1918 to perform contemporary music from ‘Mahler to the present’. Mahler had been an early supporter of Schoenberg’s music, and Schoenberg repaid the favour by arranging Mahler’s orchestral works for chamber ensemble and including them at the society’s concerts. The colourful Lieder eines fahrenden Gesellen are given a feel of great intimacy in this form, while the lighter scoring of Das Lied von der Erde has the advantage of clarifying instrumental textures, its magical effects capturing ‘the finite nature of earthly things’.
Pierre Boulez - Schoenberg: Serenade, 5 Pieces for Orchestra, Ode to Napoleon (1993)

Pierre Boulez - Schoenberg: Serenade, 5 Pieces for Orchestra, Ode to Napoleon (1993)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:05:22 | 321 MB
Genre: Classical | Label: Sony Music | Catalog: SMK 48463

The three works presented here reveal distinctly different phases of Arnold Schoenberg's development, each a critical point of departure. In the Pieces (5) for Orchestra (1909), Schoenberg's atonal language appears full-blown and marks a clear break with tonality. For the first time, Schoenberg places content over form and dispenses with any pretenses toward classical objectivity or balance.
Gurzenich-Orchester Koln, Markus Stenz, Soloists - Arnold Schoenberg: Gurre-Lieder (2015) 2CDs

Arnold Schoenberg - Gurre-Lieder (2015) 2CDs
Barbara Haveman (soprano), Claudia Mahnke (mezzo), Brandon Jovanovich (tenor)
Gerhard Siegel (tenor), Thomas Bauer (baritone), Johannes Martin Kränzle (speaker)
Gürzenich-Orchester Köln, conducted by Markus Stenz

EAC | FLAC | Image (Cue&Log) ~ 545 Mb | Mp3 (CBR320) ~ 251 Mb | Artwork included
Genre: Classical, Choral | Label: Hyperion | # CDA68081/2 | Time: 01:48:01

Markus Stenz and the Gürzenich Orchestra Köln have demonstrated a special aptitude for performing large scale post-Romantic works, notably the symphonies of Gustav Mahler, which they recorded for Oehms Classics as a series of hybrid SACDs. They have followed that impressive cycle with what is probably the most Mahlerian work Arnold Schoenberg ever composed, the massive Gurrelieder for solo voices, multiple choruses, and large orchestra. This 2015 Hyperion release is impressive in its crisp details, vibrant tone colors, and startling clarity, all of which are evident in the opening instrumental passages in the Prelude, and which continue through the nearly operatic vocal parts, which have remarkable presence in the face of an orchestra that exceeds Wagnerian proportions. The recording is presented on two CDs that offer extraordinary sound for digital stereo, and the only disappointment is that this wasn't released as a multichannel recording. Listeners who find Schoenberg's modernist music difficult may be more receptive to this cantata, which is his most openly Romantic score and strongly reminiscent of Wagner's music dramas. Highly recommended.
Anton Webern - Schoenberg Quartet - Chamber Music for Strings (2003, Chandos # CHAN 10083) [RE-UP]

Anton Webern - Chamber Music for Strings
Schoenberg Quartet / Sepp Grotenhuis
EAC+LOG+CUE | FLAC: 227 MB | Artwork | 5% Recovery Info
Label/Cat#: Chandos # CHAN 10083 | Country/Year: UK 2003
Genre: Classical | Style: Early 20th Century

"…The whole disc is a great success. Recording quality is first rate, with the necessary clarity tempered by warmth and just the right amount of resonance. Excellent notes are by Dr. Christopher Hailey. Recommended, even if you still find Webern hard work." ~musicweb-international
Schoenberg, Berg, Webern, Zemlinsky  - Complete String Quartets (2013) (LaSalle Quartet) (6CD Box set)  {Deutsche Grammophon}

Schoenberg, Berg, Webern, Zemlinsky - Complete String Quartets (2013) (LaSalle Quartet) (6CD Box set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1720 mb | MP3 CBR 320kbps | RAR | 902 mb
Classical | Label: Deutsche Grammophon / B00E5YNBSU

These first complete recordings of the string quartets of Schoenberg, Berg, Webern and Zemlinsky have won numerous international awards and been hailed as landmarks in the discography of 20th-century music. Impeccable ensemble, superbly blended timbre and pure intonation ….This set [Schoenberg, Berg, Webern] is indeed a wonderful achievement (MusicWeb International). Febrile intensity and faultless proportioning of each formal structure [Zemlinsky] (Guardian).
Arnold Schoenberg - Pierre Boulez - Lied der Waldtaube etc. (1993 reissue, Sony Classical # SMK 48466)

Arnold Schoenberg - Erwartung / Pierrot Lunaire / Lied der Waldtaube (Version for Chamber Orchestra)
Daniel Barenboim / Pinchas Zukerman / BBC Symphony Orchestra / Pierre Boulez
EAC+LOG+CUE | FLAC: 293 MB | Full Artwork: 150 MB | 5% Recovery Info
Label/Cat#: Sony Classical # SMK 48466 | Country/Year: Europe 1993, 1978/1982
Genre: Classical | Style: Early 20th Century

Arnold Schoenberg is unquestionably one of the pivotal composers of the 20th century. By opening new aesthetic horizons, he played a crucial role in the development of contemporary classical music. This Sony Classical CD includes 1978 recordings of two works from Schoenberg's expressionist period: Erwartung (1909) and Pierrot Lunaire (1912). It also features an excerpt from the Gurre-Lieder: “Der Lied Der Waldtaube”.
Dagmar Peckova - Wagner, Schoenberg, Zemlinsky, Brahms (1999, Supraphon # SU 3417-2 231)

Dagmar Peckova - Wagner, Schoenberg, Zemlinsky, Brahms
Dagmar Peckova, mezzo-soprano / The Prague Philhamonia / Jirí Belohlávek
EAC+LOG+CUE | FLAC: 238 MB | Full Artwork: 174 MB | 5% Recovery Info
Label/Cat#: Supraphon # SU 3417-2 231 | Country/Year: Czech Republic 1999
Genre: Classical | Style: Romantic, Early 20th Century, Vocal, Songs

"…The program she presents here is terrific: the Wesendonk Lieder and Zemlinsky songs are pretty common in recitals, but I know of no other recital disc where the “Song of the Wood Dove” from Schoenberg’s massive Gurrelieder appears, and the Brahms Alto Rhapsody is similarly rarely recorded outside of complete Brahms sets. Pecková, whose voice is a hair light for all the music here (she sings Rosina and Cherubino, and the lighter soprano role of Varvara in Katya Kabanova), does much of the program proud…" ~classicstoday
Arnold Schoenberg, Anton Webern, Alban Berg - The String Quartet and the Voice (2010) [Quatuor Diotima]

Arnold Schoenberg, Anton Webern, Alban Berg - The String Quartet and the Voice (2010)
Quatuor Diotima, string quartet; Sandrine Piau, soprano; Marie-Nicole Lemieux, contralto

EAC | FLAC | Image (Cue&Log) ~ 278 Mb (incl 5%) | Mp3 (CBR320) ~ 167 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naive | # V 5240 | Time: 01:04:19

Recordings that include strings quartets by Schoenberg, Berg, and Webern are common, but an album that includes music for quartet and voice by each of them is a rarity. Schoenberg's Second String Quartet, with a part for soprano in its third and fourth movements, is standard repertoire, but the version of Berg's Lyric Suite with a vocal part in the final movement is highly unusual, and Webern's bagatelle with voice, an unpublished movement apparently once intended to be part of the Six Bagatelles, Op. 9, receives what is probably its first recording. Novelty aside, the high standards of these performances make this a formidable release. Founded just before the turn of the millennium, Quatuor Diotima plays with the assurance and mutual understanding of a seasoned ensemble. The quartet has a lean, clean sound and the ensemble is immaculate, playing with exquisite expressiveness, an ideal combination for this repertoire.