Scarlatti Scarlatti 1 Pierre Hantai

Pierre Hantai - Domenico Scarlatti: Volume 2 (2005)  Music

Posted by Designol at May 5, 2017
Pierre Hantai - Domenico Scarlatti: Volume 2 (2005)

Pierre Hantaï - Domenico Scarlatti: Volume 2 (2005)
EAC | FLAC | Image (Cue&Log) ~ 514 Mb | Mp3 (CBR320) ~ 193 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9920 | Time: 01:16:13

The astonishing technical variety and wide emotional range contained in Domenico Scarlatti’s keyboard sonatas make each and every encounter a rewarding adventure in which the listener is seldom left untouched. This is Pierre Hantaï’s third solo disc of Scarlatti’s sonatas though only the second in his current series for the Mirare label. It contains several pieces less frequently performed than others and with which many readers may find themselves unfamiliar. The first item, in fact, is one of only seven sonatas of Scarlatti’s that is a straightforward fugue. It is an uncharacteristically didactic piece, even a shade austere compared to the rest of Hantaï’s recital which contains a kaleidoscope of colourful images. What Hantaï seems to be emphasising in his choice is that elusive, somewhat abstracted improvisatory quality present in so many of the pieces and of which the Sonata in E major K 215 provides a well-sustained example. Generally speaking, Hantaï follows Ralph Kirkpatrick’s suggestion that Scarlatti probably intended to group his sonatas into pairs or occasionally threes according to key.
Le Concert Francais, Pierre Hantai - J.S. Bach: Concerti Pour Clavecin (1994) (Repost)

Le Concert Francais, Pierre Hantai - J.S. Bach: Concerti Pour Clavecin (1994)
EAC | FLAC (tracks+.cue, log) - 423 MB | MP3 (CBR 320 kbps) - 180 MB | Covers Included | 70:05
Genre: Baroque | Label: Astrée Auvidis | Catalog: E 8523

In the Baroque period, there really was no such thing as an "orchestra" as we understand the term today. There were large collections of singers and players brought together for special occasions, but aside from those, an "orchestral" work was anything that required more than five or six players. Bach's harpsichord concertos, for example, can be performed by a couple of dozen string players plus the soloist, or with an accompaniment of one person per part, which is more or less what we get here. These small forces permit an unprecedented transparency of sound and sharpness of attack, even if some weight and body of tone necessarily get sacrificed. It's a perfectly legitimate way to play the music, however, and you won't find it better done than here.

Pierre Hantai - Scarlatti 4 (2016)  Music

Posted by LoveHive at April 29, 2016
Pierre Hantai - Scarlatti 4 (2016)

Pierre Hantai - Scarlatti 4 (2016)
Classical | MP3 CBR 320 kbps | 01:16:31 | 176 MB
Label: Mirare

A fourth volume of Domenico Scarlatti's Sonatas from the doyen of French harpsichordists, Pierre Hantaï, of whom Gramophone said: 'an astonishing display of dexterity in which the harpsichord he uses (a 1999 copy of an anonymous Thuringian instrument of 1720) and the acoustic help in preserving total clarity. Even at maximum velocity (did Scarlatti and his pupil reach such speeds?) he manages to shape his phrases with micro-second dwellings.

Domenico Scarlatti - Scarlatti Vol.1 - Pierre Hantaï  Music

Posted by basa005 at Dec. 4, 2009
Domenico Scarlatti - Scarlatti Vol.1 - Pierre Hantaï

Domenico Scarlatti - Scarlatti Vol.1 - Pierre Hantaï
EAC RIP | APE + CUE + LOG | NO COVER | CD 453 Mb
Classical | Mirare MIR 9918

VA - 111 The Piano: Legendary Recordings 40 CD Box Set Part 1 (2015)  Music

Posted by Discograf_man at Aug. 10, 2015
VA  - 111 The Piano: Legendary Recordings 40 CD Box Set Part 1 (2015)

VA - 111 The Piano: Legendary Recordings 40 CD Box Set Part 1 (2015)
Classical | MP3 CBR 320 kbps | 1,50 Gb | Covers 17 Mb
Label: Deutsche Grammophon | Release Year: 2015

The piano repertoire occupies a central position in Deutsche Grammophon’s long, distinguished history. Almost from the beginning, the yellow label has been home to established keyboard luminaries and promising newcomers alike. Born between 1895 and 1991, the 32 pianists presented alphabetically in this set, encompass a wide range of performing styles, aesthetic orientations, and composer affinities.
Dmitry Egorov: Il primo uomo - arias for Nicolini (Scarlatti Alessandro, Handel) [2011]

Dmitry Egorov: Il primo uomo - arias for Nicolini (Scarlatti Alessandro, Handel) [2011]
EAC Rip | FLAC, IMG+CUE, LOG | Scans | 272.72 MB
Classical | Label: DHM (Sony Music) | Catalog Number: 88697 816252

Es ist üblich geworden, dass aufstrebende Countertenöre versuchen, mit dem Repertoire berühmter Kastraten des 18. Jahrhunderts auf sich aufmerksam zu machen. Der aus St. Petersburg stammende Dmitry Egorov hat sich dafür Nicolo Grimaldi alias Nicolini ausgesucht: ein Sänger, der seine Karriere als Sopranist unter Alessandro Scarlatti in Neapel startete und seine nachhaltigsten Erfolge als Altist und Hauptdarsteller in Händels Londoner Opern feierte…
Guillaume Lekeu : Orchestral Works vol.1 - Pierre Bartholomée, conductor

Guillaume Lekeu : Orchestral Works vol.1 - Pierre Bartholomée, conductor
Unknown Rip | APE tracks (No Cue+No Log) | Complete Scans | 64 min. | 212 MB
19th Century Music | Orchestral Music | Ricercar RIS 084067 | 1992


Jean-Joseph-Nicolas-Guillaume Lekeu, belgian composer (Heusy, Verviers, january 20, 1870 - Angers, january 21, 1894).
In early age he studied with the village organist, then in Poitiers (where his family lived from 1879). He started to compose music in 1885. From 1888, when he lived in Paris with his family, he studied with G.Vallin and, in 1889, with the great composer and organist César Franck. At the death of Franck, in 1890, he started to take lessons from Vincent D'Indy. He won the second prize of the Prix the Rome in 1891 with the Andromède cantata. He died at the age of 24, caused by typhus.
Johann Sebastian Bach - Le Clavier bien tempéré, premier livre - Pierre Hantaï

Johann Sebastian Bach - Le Clavier bien tempéré, premier livre - Pierre Hantaï
EAC RIP | APE + CUE + LOG | NO COVER | 2 CD 744 Mb
Classical | Mirare MIR9930
Ludwig van Beethoven - Complete Works for Cello & Piano -  Pierre Fournier &  Friedrich Gulda - 1960 (2006)

Ludwig van Beethoven - Complete Works for Cello & Piano - Pierre Fournier & Friedrich Gulda - 1960 (2006)
Lossless (Flac Image File + Cue + Log + Audiochecker Log): 588 Mb | EAC Secure Mode Rip | Mp3 (CBR 320 kbps): 329 Mb | Covers
Orig Year: 1960 - Audio CD (August 8, 2006) - SPARS Code: ADD - Number of Discs: 2 - Label: Deutsche Grammophon - ASIN: B000FBHSQI
Classical
Pierre Monteux in France · The 1952-58 Concerts With The Orchestre National de France [8 CDs] [RE-UP]

Pierre Monteux in France - The 1952-58 Concert Performances With the ONF [8 CDs]
EAC rip | Flac, IMG+CUE, Log | 2.11 GB | Full Booklet Scans | WinRar 5% Rec.
Label: Music & Arts CD-1182 | 8 CD set | Released 2006 | Live Recordings 1952-58

From the notes: 'In his later years Monteux came to resent being labeled "a French conductor" and being asked to program mostly French music. (His favorite composer was Brahms, followed by Wagner.) As he told Ross Parmenter of The New York Times, "… Debussy didn't exist when I was educated. Neither did Ravel. I was brought up on Haydn, Mozart, and a little Brahms. I have learned the French since. But I am not a French conductor. I'm just a conductor". Yet his rapport with Debussy was very great. He said that Debussy had little patience for those who performed his music in an overly delicate and perfumed manner Debussy rehected the term "impressionism" as applied to his music, and said, according to Monteux, "When I write forte, I mean forte". In the three Images and Jeux Monteux takes the composer at his word, and achieves great transparency of textures without undue delicacy…'