Sebastian Bach Angel

Sebastian Bach - Angel Down (2007) (Japanese, TOCP-66727)  Music

Posted by Necromandus at Nov. 3, 2011
Sebastian Bach - Angel Down (2007) (Japanese, TOCP-66727)

Sebastian Bach - Angel Down (2007)
EAC Rip | FLAC, IMG+CUE+LOG | 640 MB | MP3 CBR 320 Kbps | 190 MB | Complete HQ Scans | PNG -> 160 MB
Traditional/Heavy Metal | Label: Toshiba-EMI, Japan #TOCP-66727 | RAR 3% Rec. | FilePost
… Ex-Skid Row frontman, Japanese press with bonus track …
Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs

Ophélie Gaillard - Johann Sebastian Bach: Cello Suites (2011) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 596 Mb | Mp3 (CBR320) ~ 319 Mb | Artwork included
Genre: Classical | Label: Aparté | # AP017 | Time: 02:16:57

Over the years, the Bach Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest did not record these works until they reached their years of maturity (Casals was over 60, Rostropovich was 63), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard’s first recording of the Suites, released on Ambrosie in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of Aparte and indeed Ambroisie, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece.
Murray Perahia - Johann Sebastian Bach: The French Suites (2016) {Deutsche Grammophon}

Murray Perahia - Johann Sebastian Bach: The French Suites (2016)
EAC Rip | FLAC (tracks+.cue, log) | Covers, d.booklet | RAR | 255 mb
Classical | Label: Deutsche Grammophon

One of the piano's most lyrical contemporary proponents, Murray Perahia was born in New York City. After first sitting down at the piano at the age of four, he entered Mannes College at 17, later graduating with degrees in conducting and composition. At the same time, Perahia spent his summers in Marlboro, Vermont, collaborating with musicians including Rudolf Serkin, Pablo Casals and the members of the Budapest Quartet; he also studied with Mieczyslaw Horszowski. Upon winning the Leeds International Piano Competition in 1972, Perahia gave his first concert at the Aldeburgh Festival a year later, where he met and worked with Benjamin Britten and Peter Pears, subsequently accompanying the latter in many lieder recitals. Perahia became co-artistic director of the Aldeburgh Festival in 1981, a position he held for eight years; his recordings include the complete concertos of Mozart, Beethoven and Chopin.
Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.
Hopkinson Smith - Johann Sebastian Bach: L'Oeuvre De Luth (Works for Lute) (1987) 2CDs

Hopkinson Smith - Johann Sebastian Bach: L'Œuvre De Luth (1987) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 526 Mb | Mp3 (CBR320) ~ 252 Mb | Scans included
Genre: Classical | Label: Astrée | # E 7721 | Time: 01:41:18

The American lutenist, Hopkinson Smith, began as a teenager he began to study the classical guitar and in his early 20's, he became acquainted with the lute which he started to learn by himself. He majored in musicology at Harvard and graduated with honors in 1972. In 1973, Hopkinson Smith came to Europe to devote himself to the lute in earnest. He worked in Catalonia with Emilio Pujol, a profound pedagogue in the 19th century tradition who instilled in him a sense for higher artistic values, and in Switzerland with Eugen Dombois whose sense of happy organic unity between performer, instrument and historic period has had a lasting effect on him. From the mid 1970's, he was involved in various ensemble projects including the founding of the ensemble Hespèrion XX and a ten-year collaboration with Jordi Savall. This collaboration led to important experiences in chamber music which were a creative complement to his work as a soloist.

The Routledge Research Companion to Johann Sebastian Bach  eBooks & eLearning

Posted by ksveta6 at Aug. 3, 2017
The Routledge Research Companion to Johann Sebastian Bach

The Routledge Research Companion to Johann Sebastian Bach by Robin A Leaver
2016 | ISBN: 1409417905 | English | 592 pages | PDF | 4 MB

Harmonic Brass - Bach: Johann Sebastian Bach (2017)  Music

Posted by Pisulik at May 29, 2017
Harmonic Brass - Bach: Johann Sebastian Bach (2017)

Harmonic Brass - Bach: Johann Sebastian Bach (2017)
Classical | MP3 CBR 320 kbps | 01:03:49 | 147 MB
Label: Brass Works Munich | Release Year: 2017

The most popular pieces by Johann Sebastian Bach from all previous Harmonic Brass CDs.
Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)

Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)
EAC | FLAC | Image (Cue&Log) ~ 429 Mb | Mp3 (CBR320) ~ 254 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02397 | Time: 01:46:55

Equally adept with both the cello and organ, Alexander Knyazev, a graduate of the Moscow Conservatory specializing in cello and Nizhny Novgorod Conservatory specializing in organ has long focused on the organ and cello repertory of J.S. Bach. Lauded for his innate musicality and interpretative skills, Knyazevs first public acclaim came as a cellist. This collection presents the rarely performed chorale preludes composed by Bach during his stay in Leipzig in the last decade of his life and not published until after his death. Recorded in 2012 in the Riga Cathedral in Latvia renowned for its historic pipe organ.
Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009) 2CDs

Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009)
EAC | FLAC | Image (Cue&Log) ~ 380 Mb | Mp3 (CBR320) ~ 260 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 0289 477 8078 GH2 | Time: 01:50:24

There's nothing at all wrong with Maurizio Pollini's 2009 performance of Bach's Well-Tempered Clavier, Book 1. The Italian pianist's intellectual lucidity, interpretive clarity, and technical virtuosity are apparent in every prelude and fugue, and his probing insights and penetrating analysis inform every note. However, there is almost nothing right with the sound quality of the recording. The piano sounds too distant, making it hard to hear precisely what Pollini is doing, but oddly, the ambient sound is too present, making every extraneous noise too loud. One should not hear the pedals being pressed and lifted, much less the clatter of the hammers and the twanging of the strings above the sound of the music. Worse yet, one can hear what sounds like every breath Pollini takes nearly as loudly as every note he plays. These are all grievous flaws that should have been eliminated, and their presence fatally undermines the brilliance of Pollini's performances. A reengineered version of these performances would be most welcome, but the present recording is so flawed that it virtually destroys Pollini's playing.
Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs

Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 462 Mb | Mp3 (CBR320) ~ 346 Mb | Scans included
Genre: Classical | Label: SoLid Records | # SLR 0001/2 | Time: 02:28:01

The Russian composer, pianist and electronic musician, Anton Batagov, graduated from the Gnessin School and the Moscow Tchaikovsky Conservatory. He was prize-winner at the International Tchaikovsky Competition (1986) and other competitions. Anton Batagov introduced the music by John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. His discographical debut was a recording of Olivier Messiaen's Vingt regards sur l'Enfant Jesus for Melodiya. From 1989 to 1996 he was one of the leaders and organizers of the Alternativa, the annual international new music festival in Moscow. Heralded as “one of the most significant and unusual figures of Russian contemporary music” (Newsweek, Russian edition, 1997) and "a Russian Terry Riley" (Mark Swed, Los Angeles Times, 2008), Anton Batagov is one of the most influential Russian composers and performers of our time. The well-known American musicologist Richard Kostelanetz characterized Batagov's 1993 piano recording of J.S. Bach’s The Art of the Fugue (BWV 1080) as "the most stunning interpretation of Bach since Glenn Gould".