This beautiful – and now legendary – recording date between iconic Brazilian vocalist Elis Regina and composer, conductor, and arranger Tom Jobim is widely regarded as one of the greatest Brazilian pop recordings. It is nearly ubiquitous among Brazilians as a household item. Regina's voice is among the most loved in the history of Brazilian music. Her range and acuity, her unique phrasing, and her rainbow of emotional colors are literally unmatched, and no matter the tune or arrangement, she employs most of them on these 16 cuts.
Honeysuckle Rose / Aquarela Do Brasil is a 1969 bossa nova-style jazz album by Elis Regina and Toots Thielemans on the Fontana Special sublabel of Philips Records. Release number is 6424 088. It features the Elis Cinque quintet, in a lineup with Toots Thielemans (guitar and harmonica), Elis Regina (vocals), Antonio Adolfo (piano), Roberto Menescal (guitar) and Wilson das Neves (percussion).
Elis Regina was one of the most ferociously talented singers to emerge from Brazil. A perfectionist who was frequently dissatisfied, Regina drove herself and members of her band relentlessly, leading to her being dubbed "Hurricane" and "Little Pepper" by musicians and journalists. Her tempestuous nature aside, she commanded the respect of Brazil's leading songwriters, who lined up for the chance to have her record one of their songs, and for much of her short life was the country's most popular female vocalist.
Elis has been considered the best Brazilian singer of all time only surpassed by singer Tim Maia. This album was arguably the most successful of his career, and is recognized as one of the most representative of Brazilian popular music. The idea for the album came out of that Elis developed alone one season titled 'False brilhante' (from late 1975 to early 1977), which reached over 1,200 performances. With part of the repertoire she performed this record was made.
Compilation album, published posthumously in Brazil, performed by singer Elis Regina (Porto Alegre, 1945-1982), considered the best Brazilian singer of all time. Her voice and personality on stage became an innovative performer, able to drag her audience with the deployment of various emotions where each song demands it. Her early death at 36 years (due to a combination of alcohol and drug overdose) foiled a career that was definitely meant to be brilliant.
When Elis Regina and Antonio Carlos Jobim came together to record this album in 1974, she – at 29 – was already considered one of Brazil's greatest singers, and he was renowned as one of the country's most beloved songwriters. Yet the two luminaries hardly knew each other and reportedly were actually nervous about meeting. The chemistry once they sat down to record, though, is now legendary – and palpable on this seminal recording. The record opens with Jobim's famous "Aguas De Março" (Waters of March). Though it wasn't the first recording of the song, the duo's laughing exchanges and Regina's easy yet precise mastery made this version definitive. Regina also puts her stamp on Jobim classics such as "Triste" and "Corcovado." Elsewhere the duo and their understated accompaniment alternate between laid-back syncopated swing and slower songs that showcase the emotional range of Regina's celebrated instrument. Rightfully considered a classic, this album represents two musical giants at the height of their powers. Regina – who died of an overdose at 37 – sings with power, delicacy, swing and emotion; while Jobim exudes an avuncular charm that is made up of equal parts elegance and good humor. Marty Lipp, Barnes & Noble