Saucy blues-rockers Juicy Lucy formed in 1969 from the ashes of cult-favorite garage band the Misunderstood, reuniting vocalist Ray Owen, steel guitarist Glenn "Ross" Campbell, and keyboardist Chris Mercer; with the additions of guitarist Neil Hubbard, bassist Keith Ellis, and drummer Pete Dobson, the group immediately notched a U.K. Top 20 hit with their reading of the Bo Diddley perennial "Who Do You Love," with their self-titled debut LP falling just shy of the Top 40. Ex-Zoot Money singer Paul Williams, guitarist Mick Moody, and drummer Rod Coombes replaced Owen (who exited for a solo career), Hubbard, and Dobson for 1970's Lie Back and Enjoy It, with bassist Jim Leverton assuming Ellis' duties for the follow-up, 1971's Get a Whiff a This…
Nominated for two Academy Awards, Richard Lester's "A Hard Day's Night" (1964) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include original rerelease trailers for the film; documentary film produced by Walter Shenson; Richard Lester's early short film "The Running Jumping & Standing Still Film" (1960); audio commentary featuring various members of the film's cast and crew; exclusive new video piece featuring story editor and screenwriter Bobbie O'Steen and music editor Suzana Peric; Martin Lewis' documentary "Things They Said Today" (2002); and a lot more. The release also arrives with an illustrated booklet featuring an essay by critic Howard Hampton. In English, with optional English SDH subtitles for the main feature.
A Hard Day's Night is a 1964 British black-and-white comedy film directed by Richard Lester and starring the Beatles—John Lennon, Paul McCartney, George Harrison and Ringo Starr—during the height of Beatlemania. It was written by Alun Owen and originally released by United Artists. The film portrays a couple of days in the lives of the group. The film is considered to be one of the best and most influential musical films of all time.
With his seven symphonies the Finnish composer Jean Sibelius marks a high point in the symphonic repertoire of the 20th century. The music evokes the ghostliness of the Finnish landscape, carries an inner strength and depth and proves itself full of technical fi nesse that still poses a challenge for both conductors and performers. For Sibelius “a symphony is not a ‘composition’ in the ordinary sense. Rather, it is a declaration of faith at different stages of one’s life.”