Rca Japan

Elle King - Love Stuff + The Elle King EP (2016) {RCA Japan SICP 4539}

Elle King - Love Stuff + The Elle King EP (2016) {RCA Japan SICP 4539}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 127 Mb
Full Artwork @ 300 dpi (png) -> 106 Mb | 5% repair rar
© 2014, 2015, 2016 RCA / Sony Music Japan | SICP 4539
Rock / Retro Rock / Pop / Bluegrass / Country / Blues

Elle King brings the debut album. Comes with lyrics and a description. Special Feature - Bonus Track: Japan only bonus tracks. Existing at the intersection of the two major retro-roots movements of the new millennium – the beehived, swinging '60s soul of Amy Winehouse and the bluesy roar of the White Stripes – Elle King's debut, Love Stuff, feels like a record that should've happened prior to 2015. Surprisingly, King is the only musician to mine this territory but she's not quite stuck in the past, whether that means the 20th century source or the canny revivals of Winehouse and Jack White.

David Bowie - Diamond Dogs (1974) [RCA USA PCD1-0576]  Music

Posted by Sartre at May 22, 2013
David Bowie - Diamond Dogs (1974) [RCA USA PCD1-0576]

David Bowie - Diamond Dogs (1974) [RCA USA PCD1-0576]
Rock | EAC Rip | Lossless FLAC (Tracks)+Log+Cue+Covers -> 250MB | Nitroflare/1Fichier

David Bowie fired the Spiders From Mars shortly after the release of Pin Ups, but he didn't completely leave the Ziggy Stardust persona behind. Diamond Dogs suffers precisely because of this – he doesn't know how to move forward. Originally conceived as a concept album based on George Orwell's 1984, Diamond Dogs evolved into another one of Bowie's paranoid future nightmares. Throughout the album, there are hints that he's tired with the Ziggy formula, particularly in the disco underpinning of "Candidate" and his cut-and-paste lyrics. However, it's not enough to make Diamond Dogs a step forward, and without Mick Ronson to lead the band, the rockers are too stiff to make an impact.

David Bowie - Aladdin Sane (1973) [RCA Germany/USA]  Music

Posted by Sartre at May 18, 2013
David Bowie - Aladdin Sane (1973) [RCA Germany/USA]

David Bowie - Aladdin Sane (1973) [RCA Germany/USA]
Rock | EAC Rip | Lossless FLAC (Tracks)+Log+Cue+Covers -> 263MB+268MB | Nitroflare/1Fichier

Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic.
Art Blakey's Jazz Messengers - Play Lerner And Loewe (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4027}

Art Blakey's Jazz Messengers - Play Lerner And Loewe (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4027}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 422 Mb | MP3 @320 -> 170 Mb
Full Artwork @ 600 dpi (png) -> 179 Mb | 5% repair rar
© 1957, 2014 Columbia / Sony Music Japan | SICP 4027
Jazz / Bop / Hard Bop

Reissue with the latest 2014 DSD remastering. Comes with liner notes. The music of Alan Jay Lerner and Frederick Loewe – composers usually associated with the Broadway stage, brought into a whole new light here by the late 50s Jazz Messengers! The album's one of Art Blakey's more unusual outings – part of that great 1957 run away from Blue Note – but it cooks strongly with a lineup that includes Jackie McLean on alto, Johnny Griffin on tenor, and Bill Hardman on trumpet – all players who bring an unusual degree of bite to these tunes, while still reflecting the lyrical beauty within!
The Ray Bryant Trio - Little Susie (1960) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4028}

The Ray Bryant Trio - Little Susie (1960) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4028}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 263 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 270 Mb | 5% repair rar
© 1960, 2014 Columbia / Sony Music Japan | SICP 4028
Jazz / Soul Jazz / Hard Bop / Piano Trio

Reissue with the latest remastering. Comes with liner notes. Hard-hitting trio work from Ray – one of his early albums for Columbia, and the record that gave him a surprisingly big hit! "Little Susie" is one of those early 60s soul jazz standards, the kind of catchy tune that got played all over the place on radio, and which forever put the artist at the top of the list for recording dates and live sets for a few years. Ray's riding high here – with a trio that features brother Tommy Bryant on bass, and either Eddie Locke or Gus Johnson on drums – and the album's got lots of other short tracks with a similar down-home soul jazz kind of approach. Titles include "Blues For Norrie", "Big Buddy", "Greensleeves", and "If I Can Just Make It".
Ray Bryant - Ray Bryant Trio (1956) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3973}

Ray Bryant - Ray Bryant Trio (1956) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3973}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 1956, 2014 Epic / Sony Music Japan | SICP 3973 | Mono
Jazz / Bop / Soul Jazz / Piano

Reissue with latest remastering. Comes with liner notes. The first full album from the great Ray Bryant – recorded shortly after his famous Epic Records session with Betty Carter! The album's got Ray grooving in a hard early soul jazz mode – working in a trio with either Kenny Clarke or Osie Johnson on drums, and Wyatt Reuther on bass – at a level that still shows some influence from other pianists, but already with that unique hard-left style that would make Bryant a big favorite in short years to come. Candido joins in on congas on 2 of the album's best tracks – a hard grooving take on "Night In Tunisia", plus Ray's classic "Cubano Chant", a dancing Latin groover that went onto become an oft-recorded Latin Jazz standard – and other titles include "Pawn Ticket", "Philadelphia Bound", and "Off Shore".
Tony Scott & Bill Evans - The Touch of Tony Scott (1956) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP-4200}

Tony Scott & Bill Evans - The Touch of Tony Scott (1956) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP-4200}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1956, 2014 RCA / Sony Music Japan | SICP 4200
Jazz / Cool / Clarinet / Piano

Reissue with latest 2014 remastering. Comes with liner notes. This rare set features the cool-toned clarinetist Tony Scott with a big band on five numbers, heading a ten-piece band for three others and jamming with a quartet that also features the young pianist Bill Evans on the four remaining songs. The songs range from swing standards and the tongue-in-cheek "Rock Me But Don't Roll Me" to "Aeolian Drinking Song" and an original titled "Vanilla Frosting On A Beef Pie." Musically, the performances are pretty modern for the period while never failing to swing. This LP is well worth searching for, as are most of Tony Scott's recordings of the 1950s.
Ornette Coleman - Chappaqua Suite (1965) {2CD Set 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4043~4}

Ornette Coleman - Chappaqua Suite (1965) {2CD Set 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4043~4}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 550 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 1965, 2014 Columbia / Sony Music Japan | SICP 4043~4
Jazz / Avant-Garde Jazz / Saxophone

Reissue with latest 2014 DSD remastering. Comes with liner notes. This four-part suite is actually a film soundtrack to the debut feature by Conrad Rooks, though it was never used as such. Recorded in 1965, it was performed by the Ornette Coleman Trio with Charles Moffett on drums and David Izenson on bass; augmenting the session were Pharoah Sanders on tenor and a large studio orchestra arranged by Joseph Tekula. What is most notable is the kind of control Coleman has over the orchestra. His trio is playing by intuition, which was normal for them, but they open to accommodate the more formal constructs of a band who knows little about improvisation and how it works in the free jazz context.
Herbie Hancock - Mr. Hands (1979) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3997}

Herbie Hancock - Mr. Hands (1979) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 263 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 188 Mb | 5% repair rar
© 1979, 2014 Columbia / Sony Music Japan | SICP 3997
Jazz / Post Bop / Fusion / Jazz Funk / Piano

Reissue with latest DSD remastering. Comes with liner notes. Herbie Hancock's lackluster string of electric albums around this period was enhanced by this one shining exception: an incorrigibly eclectic record that flits freely all over the spectrum. Using several different rhythm sections, Herbie Hancock is much more the imaginative hands-on player than at any time since the prime Headhunters period, overdubbing lots of parts from his ever-growing collection of keyboards. He has regained a good deal of his ability to ride in the groove.
Duke Ellington - Jazz At The Plaza, Vol. II (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4243}

Duke Ellington - Jazz At The Plaza, Vol. II (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4243}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 327 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 600 dpi (png) -> 179 Mb | 5% repair rar
© 1958, 2014 Columbia / Sony Music Japan | SICP 4243 | DSD remaster
Jazz / Big Band

Reissue with latest 2014 DSD remastering. Comes with liner notes. Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza. An intimate live session from Duke Ellington and his great late 50s orchestra – presented here at a private party hosted by Columbia Records at the Plaza Hotel in New York – at a time when Ellington was making some of his best music for the label! The tracks here are every bit on a par with Duke's late 50s gems for Columbia – and have the orchestra stepping out strongly on short numbers that maybe have a bit more swing and a bit less overall concept – as the soloist shift, and shine nicely on each tune!