This set from the long-defunct Interlude label brings back an outing by vibraphonist Vic Feldman. Feldman is showcased in a quartet with pianist Carl Perkins, bassist Leroy Vinnegar, and drummer Stan Levey on half of the selections, while the remaining tracks add trombonist Frank Rosolino and tenor saxophonist Harold Land. An obscurity ("Chart of My Heart"), two standards, and four Feldman originals comprise this enjoyable and relaxed bop date.
The mambo has become fashionable again lately, but for Tito Puente it has never gone out of fashion. In 1957 he cut two stellar albums for RCA, but just how good they were didn't become obvious until the advent of the CD. The full, rich sound on these LPs is nothing short of astonishing. This is mambo at its most ecstatic: blasting brass, sensual saxes, and that irresistible Afro-Cuban rhythm section led by Tito, Ray Baretto and Mongo Santamaria. This set contains 23 titles, including 3-D Mambo, Mambo Gozon, Conga Alegre, Hot Timbales…. etc.. Ay! Ay! Ay!
Trine Rein is an American-Norwegian singer, who belongs to the exclusive group of Norwegian artists who have sold more than a million records. Trine Rein released her first solo album in 1993, Finders, Keepers. It peaked at the top of the Norwegian album chart for no less than five weeks. But as she was almost unknown before the release, it took her 14 weeks - more than three months - to finally have the most popular album in Norway. And due to the extensive foreign press coverage of the Olympic Winter Games in Lillehammer February 1994, her album was soon a hit in Japan as well. At one time she topped 16 different Japanese radio station charts simultaneously…
A treasure trove of previously unreleased material, this brings together 25 new tracks, all recorded between 1953 and 1957. Only two songs, "Heaven on My Mind" and "I'm Going Through," were ever released in any form, but the quality of the material is certainly as high as any of their early sides. Here's one of gospel's greatest groups, singing their hearts out in their absolute prime.
This split LP pairs a sextet led by multi-instrumentalist Sahib Shihab with another under the direction of Herbie Mann. Big names all the way around on this one. On the Shihab session, John Jenkins and Clifford Jordan round out the front line, while Hank Jones, Addison Farmer, and Dannie Richmond hold down the rhythm. Mann, on the other hand, is joined by Phil Woods, Eddie Costa, Joe Puma, Wilbur Ware, and Jerry Segal. Nothing overly surprising here, but one can expect quality performances by all.
Brian White & Justice is the Bad Company (Brian Howe years) of the Christian market. There are no fillers on this CD, just great AOR to listen to all the way through.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. We'd hate to get caught in the force of a baritone explosion – as the horns are so big, that's a lot of metal to have to deal with! Fortunately, pianist Rein De Graaf's got the proceedings here on rock-solid territory – providing just the right sort of swing to keep things moving, yet also keep things in control – while both Ronnie Cuber and Nick Brigola open up on the bigger horns – reminding us why they're some of the few players able to carry forward the deftly soulful legacies of earlier baritone greats like Pepper Adams or Serge Chaloff! The album's a live one, and tracks are nice and long – plenty of room for solos on titles that include "Caravan", "Softly As In A Morning Sunrise", "Crack Down", "Night In Tunisia", and "Blue Train" – plus two short beautiful ballads, "What's New" and "In A Sentimental Mood".
14 songs covering the biggest Commodores material with Lionel Richie. It's a good single-disc package, although most of Motown's CDs in the late '70s and early '80s had very uneven sound. There's also a Commodores greatest hits album that came out in 1981 and a 14 greatest hits album that came out overseas a year after this one.