Beautiful Amelia dream about a tender and sensual love with the engineer, Rolando. Because her husband Carlo, the owner of a small hotel, very rough with her. Besides, Carlo had his eye on the young Marilinda. Amelia cannot cope with the deepest feelings. Forgetting everything, she threw herself into the sea of love.
During the 1920's, Carlo runs a country inn with his grandson Gianni. Carlo is a violent and insensitive man, and his wife Amelia dreams of being loved by Rolando, one of the inn's quest. On the other hand, Gianni is still young and without experience, and secretly spies his grandfather's sexual advances. Everything changes with the arrival of the provoking and incredibly attractive Marilena, a distant cousin of Gianni…
The Royal Opera is a company based in central London, resident at the Royal Opera House, Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, it was known by that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.
"Rescue operas are not what one is used to associating with Handel, yet that, in a sense, is what this is. Costanza, a princess of Navarre, has been shipwrecked on Cyprus, where she now awaits the arrival of her betrothed, Richard the Lionheart (yes, the same). The island's tyrannical ruler, Isacio, fancies her for himself, however, and spends the entire opera trying to prevent the intended union from going ahead, first by sending Riccardo his daughter Pulcheria instead, and, when that has failed thanks to Pulcheria's brave entreaties, by imprisoning Costanza and declaring war. Only with his final defeat by Riccardo's army, aided by Pulcheria's own fiancé Oronte, do things finally turn out happily.
It's a tribute to Bobby Caldwell's consummate songwriting skills that his three original compositions – including the previously recorded, melancholy would-be classic "Stuck on You" – fit in perfectly alongside standards by the likes of Cole Porter and Sammy Cahn/Jimmy Van Heusen on the very tradition-minded Blue Condition. Best known for easygoing R&B-flavored adult pop vocals, Caldwell reaches back and superimposes himself in front of lively big-band arrangements that recall classic Frank Sinatra, Tony Bennett and Bobby Darin recordings. He never approaches those idols in terms of vocal distinction, but that doesn't seem to be his point. He's more reflecting upon his inspirations than trying to emulate them, rewarding longtime fans with the sort of artistry they suspected might exist all along. The uninitiated, however, might enjoy all the surrounding pleasantries and wonder why we need another guy out there doing classics when he clearly doesn't measure up to those standards vocally.
Swan Lake was the first of Tchaikovsky's three great ballets– works which added a new level of depth and sophistication to what had been a purely superficial art form. Today the music is so well-known and popular that it's impossible to comprehend the difficulties the composer experienced at early performances. Audiences found the music "too symphonic," and the dancers were put off by the prominence given to the orchestra which, they felt, distracted ballet fans from the action on stage. Of course, all of these supposed "defects" are precisely what we admire about the music today, and this elegant but exciting performance reveals the music in all of its glory.