Philippe Herreweghe Bach

Bach - Solo Cantatas for alto, for bass; German Cantatas before Bach (Philippe Herreweghe) (2010)

Bach - Solo Cantatas for alto, for bass; German Cantatas before Bach (Philippe Herreweghe) (2010)
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 805 MB
Classical | Harmonia Mundi | HML 5908372.74 | 03:15:20

Philippe Herreweghe is widely considered to be one of the foremost Bach interpreters of our time. This four deluxe CD-Book collection is part of the Philippe herreweghe Bach Edition, and features key works from the Bach canon. Each set in the series is available at a very special low price and features packaging and liner-notes on a par with the best that harmonia mundi offers. These sets are a rare bargain and a must-have for collectors…
Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]

Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 814.37 MB
Classical | Harmonia Mundi | HML 5908360.62

There is no doubt that the forces Herrweghe has employed here are some of the best in the 'Passion' business. Aside from this, however, one cannot eliminate the fact that there are several other notable recordings of this work that stand on their own merit, which for the most part are as 'good' or as 'bad' as this one. The three that I own which includes this one(all reviewed by me on Customer reviews) are: Gardiner's 1988 recording with the outstanding Monteverdi Choir that sparkles and shines as only they can; the 1994 Cleobury King's College Choir recording, whose soloists are superb etc. etc. etc. So it all really amounts to what YOU hear and what turns YOU on!
Christophe Coin, Philippe Herreweghe, Orchestre des Champs-Elysees - Schumann: Cello Concerto, Symphony No. 4 (1997)

Christophe Coin, Philippe Herreweghe, Orchestre des Champs-Elysees - Schumann: Cello Concerto, Symphony No. 4 (1997)
MP3 (CBR 320 kbps) | 56:05 | 136 MB
Genre: Classical | Label: Harmonia Mundi

Philippe Herreweghe directs these Schumann concertos with severity and urgency, with an impact that’s particularly strong in the opening movement of the A minor piano concerto. The soloist is Andreas Staier, who plays a mid-19th century J.B. Streicher instrument. But it’s not just the use of period instruments (this is certainly the kind of piano Schumann would have known) that proves so fascinating here; rather, it’s the minutely detailed way in which soloist and conductor interact during this performance. Note, for instance, how astutely Herreweghe’s wind players articulate the sorrowful first subject group after the soloist’s opening salvo, a passage that sets the tone for all that follows.
Philippe Jaroussky - Bach & Telemann: Sacred Cantatas (2016) [TR24][OF]

Philippe Jaroussky - Bach & Telemann: Sacred Cantatas
Classical | FLAC (tracks) 24-bit/96 kHz | 74:47 min | 1.37 GB | Digital booklet
Label: Erato/Warner Classics | Tracks: 21 | Rls.date: 2016

For his first album devoted entirely to works sung in German, star countertenor Philippe Jaroussky has chosen four religious cantatas: two by J.S. Bach (including the much-loved ‘Ich habe genug’) and two by Georg Philipp Telemann. Jaroussky is accompanied by the Freiburger Barockorchester, which also joined him for live performances at Berlin in 2015 as part of the singer’s season as artist-in-residence at the city’s historic Konzerthaus.

Philippe Jaroussky - Bach & Telemann: Sacred Cantatas (2016)  Music

Posted by LoveHive at Oct. 11, 2016
Philippe Jaroussky - Bach & Telemann: Sacred Cantatas (2016)

Philippe Jaroussky - Bach & Telemann: Sacred Cantatas (2016)
Classical, Counter Tenor | MP3 CBR 320 kbps | 01:14:47 | 172 MB
Label: Erato / Warner Classics

For his first album devoted entirely to works sung in German, star countertenor Philippe Jaroussky has chosen four religious cantatas: Two by J.S. Bach (including the much-loved Ich habe genug) and two by Georg Philipp Telemann. Jaroussky is accompanied by the Freiburger Barockorchester, which also joined him for live performances at Berlin in 2015 as part of the singer’s season as artist-in-residence at the city’s historic Konzerthaus.
Mozart - Requiem K.626, Kyrie K.341 (Philippe Herreweghe) [1997]

Mozart - Requiem K.626, Kyrie K.341 (Philippe Herreweghe) [1997]
Classical | EAC Rip | FLAC, IMG+CUE, LOG | Harmonia Mundi | Covers
HMX 2901620 | Covers | Scans | TT: 53’57 | 280.7 MB

Mozart's Requeim is another masterpiece where he unleashes his overwhelming genius, which even his jealous contemporaries could not not find words for other than "divine". At the same time, it is also a subject of great controversy as to how the unfinished portions should have been completed (serious listeners should try to learn more about how Sussmayr completed the work and how his work is criticized). Whatever the case, this is unquestionably one of the greatest works of art ever created by man….

Philippe Herreweghe - Antonin Dvorak: Requiem (2015)  Music

Posted by peotuvave at May 5, 2016
Philippe Herreweghe - Antonin Dvorak: Requiem (2015)

Philippe Herreweghe - Antonin Dvorak: Requiem (2015)
EAC Rip | Flac (Image + cue + log) | 361 MB | MP3 320Kbps CBR | 221 MB | 2 CDs | Full Scans
Genre: Classical | Label: Phi | Catalog Number: 16

The Collegium Vocale Gent, the Royal Flemish Philharmonic and Philippe Herreweghe join forces once again for a monument of the sacred choral repertoire: Antonín Dvorák’s Requiem, Op. 89. This work, dating from 1890, is one of those that marked a new phase
Ludwig van Beethoven - The 9 Symphonies (Royal Flemish Philharmonic, Philippe Herreweghe) (2004-2009)

Ludwig van Beethoven - The 9 Symphonies (Royal Flemish Philharmonic, Philippe Herreweghe) (2004-2009)
Classical | Eac. Flac, Image+Cue, Log | Scans | 1.45 GB
Label: Pentatone | TT: 5h 36'49

Conductor Philippe Herreweghe returns to the helm of the Royal Flemish Philharmonic for another set of Beethoven symphonies on the PentaTone label, this time the First and Third. Again presented as a multi-channel SACD hybrid disc, PentaTone's sound is clean and detailed without too much digital sterility. Unlike the album that included the Fifth Symphony and was fraught with many rhythmic peculiarities, Herreweghe's reading of the First and Third symphonies seems diligently respectful to every nuance of the score.

Bach - Johannes-Passion (Philippe Herreweghe) (2001)  

Posted by Ebisu at Sept. 22, 2013
Bach - Johannes-Passion (Philippe Herreweghe) (2001)

Bach - Johannes-Passion (Philippe Herreweghe) (2001)
Classical | Eac. Flac, Img+Cue, Log | Covers | 549 MB
Label: Harmonia Mundi | Catalog N.: HMC 901748.49 | TT: 110:51

The first thing to note is that this is the 1725 revision of Bach's St. John Passion, not the original 1724 version that is usually performed. This will become immediately apparent to those familiar with the score, as the opening chorus is entirely different in the later revision. Bach substitutes a few of the arias, too, and commentators seem in agreement that this later edition is in fact more incisively dramatic. Philippe Herreweghe has already made a superb recording of the original version, but here the conductor assembles an even finer group of singers for this newer account. Mark Padmore is a marvelously expressive, sweet-toned Evangelist. Sibylla Rubens's agile soprano voice is a joy to the ear. Sebastian Noack's bass seems light at first, but his bright, lyrical sound contrasts effectively with the deeper, more sonorous tone of Michael Volle's Jesus. Countertenor Andreas Scholl, a favorite collaborator of Herreweghe's, is simply stunning. (Andrew Farach-Colton)

Bach - Matthäus-Passion (Philippe Herreweghe) (1999)  

Posted by Ebisu at Sept. 21, 2013
Bach - Matthäus-Passion (Philippe Herreweghe) (1999)

Bach - Matthaus-Passion (Philippe Herreweghe) (1999)
Classical | Eac. Flac, Img+Cue, Log | Covers | 764 MB
Label: Harmonia Mundi | Catalog N.: HMC 901676.78 | TT: 161:22

Philippe Herreweghe's Bach performances are like no others: spiritual and deeply felt, but also scholarly, and thoroughly thought-through. They sound collaborative, with the vocal soloists given plenty of liberty, but they also give the impression that there is a singular will shaping the performance into a unified and wholly individualistic reading. Even the tone of the period instruments is subtly different: warm yet pungent, colorful yet blended, sometimes sweet, but more often tart. Listeners familiar with the Bach of Gardiner or Harnoncourt may at first be challenged by Herreweghe's approach, but the power of his performances may win them over. In this 1998 Harmonia Mundi recording of the "Matthäus-Passion," tenor Ian Bostridge's account of the central role of the Evangelist is slightly to the left of center, more emotionally expressive, and more rhythmically pliable than most, but Herreweghe's interpretation can easily accommodate him. (James Leonard)