Orange Mountain Music is proud to announce the availability of “The Complete Piano Etudes,” a two-disc set covering both volumes of Glass piano etudes, 20 pieces in all. In addition to the first book (Etudes Nos.1-10) recorded anew with virtuoso Maki Namekawa, this set contains the world premiere recording of the second book of etudes (Nos.11-20) including the incredibly Romantic 20th Etudes. 125 minutes of music in total.
Perahia’s immaculate technique, stylistic surety, and classical symmetry are remarkably consistent. While his tone is always singing and rounded, lyrical melodies and decorative passages alike convey a slight diamond-like edge to the peak of crescendos or an emphatic accent. This helps achieve an attractive fusion of unruffled poise and dramatic tension. You hear this quite readily in the B-flat K. 456 concerto ‘s first movement, or in the carefully pedaled trills and restatement of the main theme in K. 595’s heavenly Larghetto, also sampled here. Perahia’s symbiotic musical rapport with Radu Lupu in the two-piano concerto and the two-piano version of the concerto for three pianos should not go unmentioned.– Jed Distler
This volume focuses on love, one of Philip Glass’s most glorious themes. The timeless melancholy of his BAFTA award-winning music for The Hours forms an organic suite driven by the film’s three powerful characters, here complete with unpublished tracks. The breathtakingly energetic Modern Love Waltz expands the limits of minimalism by combining Glass’s style with Viennese dance tradition, while his transcription of Notes on a Scandal is a recording première. Steve Reich described the iconic Music in Fifths as being “like a freight train”. Recognized as a leading interpreter of Liszt’s music, Nicolas Horvath has in recent years become one of the most sought after pianists of his generation. Holder of a number of awards, including First Prize of the Scriabin and the Luigi Nono International Competitions, he frequently organizes events and concerts of unusual length, sometimes over twelve hours, such as Philip Glass’s complete piano music or Erik Satie’s Vexations, and composers from a number of countries have written for him. Nicolas Horvath is a Steinway artist.
The Photographer is a three-part mixed media performance accompanied by music (also sometimes referred to as a chamber opera) by composer Philip Glass. The libretto is based on the life and homicide trial of 19th-century American photographer Eadweard Muybridge. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam.
The new release from Philip Glass’s record label Orange Mountain Music, presents for the first time, the complete original soundtrack from the classic Godfrey Reggio film KOYAANISQATSI.
The LP release of thie Glass score was released in the 1980s in a severely truncated form with only 6 tracks and 45 minutes of music. This newly re-mastered recording features 13 tracks and over 76 minutes of music including the original sound-effects and additional music used in the film. This version of Koyaanisqatsi is the most complete and representative recording of the soundtrack to this seminal film. Performed by the Philip Glass Ensemble conducted by Michael Riesman and produced by Kurt Munkacsi.
The variety and boldness of invention found in Haydn’s piano sonatas are rewarded by Jeno Jandó’s “no-nonsense, down-to-earth vivacity” (BBC Music Magazine) in this boxed set.
Jean Roger-Ducasse was born in Bordeaux on 18 April 1873. He studied at the Paris Conservatoire from 1892 and in 1895, along with Ravel, joined the composition class of Gabriel Faure. In 1902 he won the second Grand Prix de Rome with his cantata Alcyone, with Ravel gaining fourth prize. He had a very active role in musical life in Paris founding the Societe Musicale Independante in 1909 and gaining the position of inspector general for the teaching of singing in Paris schools in 1910.
Now many of the world’s most serious and significant pianists (Schnabel, Serkin, Brendel, Goode, etc.) have devoted a great deal of thoughtful study to the Beethoven sonatas; in general, performance of this music represents a level of erudition and deep contemplation probably unequaled by the works of any other mainstream composer. Serious pianists study every aspect of these works in minute detail; virtually everything is taken into account except those instruments which inspired Beethoven, and which he had in mind when he composed.