Pharrell Williams Happy 24 Bit

Pharrell Williams - G I R L (2014)  Vinyl & HR

Posted by HDV at March 11, 2014
Pharrell Williams - G I R L (2014)

Pharrell Williams - G I R L (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 47:00 minutes | 577 MB
Official Digital Download - Source: ##buz | Front cover

Redefining cool for a new generation, Pharrell Williams is a creative force, using music, fashion, and design to express his distinctive style. With over 100 million copies of his productions sold, his music sounds like something no one else has thought of just yet. He's also created a new way of looking at established stars like SnoopDogg, Madonna, and even the Rolling Stones. G I R L is Pharrell's highly anticipated new album, and features the hit single, "Happy", an international phenomenon and radio smash.
Bobby Hutcherson - Knucklebean (1977) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50563}

Bobby Hutcherson - Knucklebean (1977) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50563}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (png) -> 194 Mb | 5% repair rar | 24bit remaster
© 1977, 2013 Blue Note / EMI Music Japan | TOCJ-50563
Jazz / Post Bop / Soul Jazz / Vibes

Beautiful late Blue Note work from Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and electric keys on the record, and who gives the album a sweetly dancing feel that really warms things up wonderfully – and all other players are wonderful too, including drummer Eddie Marshall, bassist James Leary, and horn players Freddie Hubbard, Hadley Caliman, and Manny Boyd. Includes a great remake of "Little B's Poem", the mellow groover "Why Not", and the cuts "Til Then", "Knucklebean", and "So Far So Good".
Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}

Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 739 Mb | MP3 @320 -> 296 Mb
Full Artwork @ 300 dpi (jpg) -> 46 Mb | 5% repair rar
© 1961, 2000 Roulette Jazz / EMI | 7243 5 24546 2 4
Jazz / Mainstream Jazz

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars.
The Band - Music From Big Pink (1968) {2000, 24-Bit Remastered & Expanded Edition} Repost

The Band - Music From Big Pink (1968) {2000, 24-Bit Remastered & Expanded Edition}
EAC Rip | WavPack (Img) + Cue + Log ~ 465 Mb | MP3 CBR320 ~ 193 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Roots Rock, Country Rock, Americana | Capitol Records #7243 5 25390 2 4

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor.
Miles Davis - Volume 3 (1954/2014) [Official Digital Download 24-bit/192 kHz]

Miles Davis - Vol. 3 (1954/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 26:23 minutes | 961 MB
Studio Master, Official Digital Download | Artwork: Front cover

A stunning piece of jazz history, reissued exactly as it originally appeared – right down to the 10' LP format! The record is one of the classic early bop sides that Miles cut for Blue Note, and it features a smoking quartet with Horace Silver on piano and Art Blakey on drums. Titles include 'Take-Off', 'The Leap', and 'Weirdo' – and the cover has this cool image of Miles blowing against an abstract expressionist painting!
Astrud Gilberto - Windy (1968/2014) [Official Digital Download 24-bit/192 kHz] RE-UP

Astrud Gilberto - Windy (1968/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 28:14 minutes | 1,23 GB
Studio Master, Official Digital Download | Artwork: Front cover

One of Astrud Gilberto's final albums for Verve, released in 1968. "Windy" includes a Beatles cover, the title song and Never My Love from The Association, all done with bossa nova flair. Gilberto's young son Marcello joins her on a charming rendition of The Bare Necessities from The Jungle Book. The album was arranged by Eumir Deodato, Don Sebesky and Patrick Williams, and engineered by Phil Ramone.
Muse - Drones (2015) [Official Digital Download 24-bit/96 kHz] RE-UP

Muse - Drones (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 52:45 minutes | 1,21 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Drones" is the seventh studio album by English alternative rock band Muse. Drones is a concept album following the protagonist's journey from abandonment to indoctrination as a "human drone" and eventual defection. The album was recorded between October 2014 and April 2015 at The Warehouse Studio in Vancouver, British Columbia, and co-produced by the band and Robert John "Mutt" Lange.
Ornette Coleman - The Atlantic Years (2018) [Official Digital Download 24-bit/192kHz]

Ornette Coleman - The Atlantic Years (2018)
FLAC (tracks) 24-bit/192 kHz | Time - 406:36 minutes | ~ 15,4 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

Miles Davis had publicly called him a madman. Leonard Bernstein found him, for his part, completely awesome. Few were those that didn’t have a definitive opinion on Ornette Coleman. Some kind of outlaw who preferred playing his own compositions rather than jazz classics, the American saxophonist also developed harmolodics, a theory uniting harmonics and melody. This box of ten discs compiles one of the most important era in the career of his author. Between 1959 and 1961, he released six studio albums for the Atlantic label. Six albums that are present here and spiced up with alternative takes and various bonuses, all of this of course impeccably remastered by John Webber. Albums included: The Shape Of Jazz To Come (1959), Change Of The Century (1959), This Is Our Music (1960), Free Jazz: A Collective Improvisation (1960), Ornette! (1961) and Ornette On Tenor (1961), and the compilations The Art Of Improvisers (1970), Twins (1971), To Whom Who Keeps A Record (1975) and The Ornette Coleman Legacy (1993).
Bobby Hutcherson - Linger Lane (1975) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50527}

Bobby Hutcherson - Linger Lane (1975) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50527}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar | 24bit remaster
© 1975, 2012 Blue Note / EMI Music Japan | TOCJ-50527
Jazz / Post Bop / Vibes

A beautiful later Blue Note album from vibist Bobby Hutcherson – a set recorded after his famous association with Harold Land, but with a groove that's wonderfully soulful in a whole different way! Bobby plays marimbas instead of vibes this time around, and he's working with his own arrangements for a slightly larger group – one that has some sweet fusion overtones, and these wonderful mellow funk inflections – so that even the mellow cuts have this warmly glowing, ultra-soulful sound that's mighty nice – a bit like some of the work from Gene Harris around the same time.
Andy Williams - Born Free (1967/2018) [Official Digital Download 24-bit/192kHz]

Andy Williams - Born Free (1967/2018)
FLAC (tracks) 24-bit/192 kHz | Time - 34:03 minutes | 1,37 GB
Studio Master, Official Digital Download | Artwork: Front cover

"Born Free" is an album by American pop singer Andy Williams that was released on April 10, 1967, by Columbia Records and includes half a dozen songs associated with movies or musicals. Two of these tracks, however, originated in the scores of the films indicated on the album jacket but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed, and "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago.