Eat the Elephant is the upcoming fourth studio album by American rock band A Perfect Circle. It will be their first album release in fourteen years, after 2004's Emotive. While early work on new material traces back to as early as 2008, years of slow progress would ensue due to issues between the band's chief music writers, frontman Maynard James Keenan and guitarist Billy Howerdel, largely stemming from their commitments to other projects and inability to come to an agreement on the direction to take the band. Renewed focus, alongside assistance from music producer Dave Sardy, helped propel the band into much more productive sessions across 2017, with the album being completed in early 2018. The album is scheduled for release on April 20, 2018. Four singles were released in advance of the album - "The Doomed" in October 2017, "Disillusioned" in January 2018, "TalkTalk" in February 2018, and "So Long, And Thanks for All the Fish in April 2018.
Smokey-voiced chanteuse Madeleine Peyroux's third CD is a lovely collection of after-hours ruminations and should confirm her rise to fame. Credit producer Larry Klein for doing a bang-up job with the album's sound: the elegant, pared-down arrangements are all brushed drums, acoustic guitars, and cool organ licks. But of course it's Peyroux's voice that brings it all home–preferably one where the shades are drawn, embers are smoldering in the fireplace, and the white wine is kept dry. Two-thirds of the songs are well-chosen covers, including a duet with k.d. lang on Joni Mitchell's "River"; a relaxed version of Fred Neil's "Everybody's Talkin'," from Midnight Cowboy; a delicately lilting samba take on Leonard Cohen and Anjani Thomas's title track; Serge Gainsbourg's "La Javanaise," performed in the original French; and Charlie Chaplin's "Smile," from Modern Times. The four originals, all coauthored by Peyroux, easily keep up with such august company, especially "I'm All Right"–written with Klein and Walter Becker, it captures the easy sophistication of Becker's regular band, Steely Dan. Fans of Norah Jones (whose collaborator Jesse Harris cowrote three of the songs) should gobble up this album, but Peyroux is no mere imitator: She's her own, very real thing.