These are not your usual recordings. They are field recordings, created by fans on cassette tapes with equipment sitting on jazz club tables or attached to house sound systems, catching a master jazz musician and his band in acts of purest creativity. Woody has been labeled by many jazz critics and historians as the "Last Great Innovator" and has influenced jazz performers of all instruments ever since his arrival on the scene in the early 60s and beyond his death in 1989. Previously unreleased field recordings from the 1970's and '80's courtesy of Woody Shaw III and Steve Turre. Produced with the help of the Woody Shaw Global Arts Foundation. Liner notes include commentary by jazz historian Tammy Kernodle and jazz trumpeter/educator Pat Harbison.
Marlena Shaw has been a consistently popular soul and jazz artist wordwide for over four decades thanks to anthems like "Woman Of The Ghetto" and "California Soul ". Originally released in 1979, "Take A Bite" was her third and final album for Columbia Records but unlike its predecessors, the first part of the original LP had a specific musical concept and construct. Working with highly successful disco producers Meco Menardo and Tony Bongiovi (with hits by Gloria Gaynor, etc.) and respected musical arranger/producer Harold Wheeler, the first six tracks were created as a non-stop dance music extravaganza, "Suite Seventeen," strung together with a disco reading of Frank Sinatra's "It Was A Very Good Year" and one of Marlena's famous monologues ("I'm A Foster Child").
"A thoroughly researched and fascinating survey of Shaw's relations with French culture, containing a wealth of new information. Indispensable for every library and for any scholar henceforth investigating Shaw and the French."– John A. Bertolini, Middlebury College