Vol. 1. One of the nice things about jazz is the cross-pollination of different players in multiple settings. No one would've thought of pairing swing violinist Stéphane Grappelli and bop pianist Oscar Peterson, for instance, but the match works very well. The pair have expanded into a quartet on this reissue with the aid of double bassist Niels-Henning Ørsted Pedersen and drummer Kenny Clarke. The set, recorded in 1973 in Paris, includes a handful of standards, from Pinkard/Tracey/Tauber's "Them There Eyes" to Rodgers & Hart's "Thou Swell." As one might guess, Grappelli is in his own element on upbeat, swinging pieces like "Makin' Whoopee" and "Walkin' My Baby Back Home"…
The beloved Brazilian guitar legend's resumé is so chock-full of varied musical experiences – jazz, pop, film scoring, ten years with Sergio Mendes – that his brilliant solo efforts can't help but include informal homages to different eras of his life. He starts out here getting straight to the heart of the matter, paying tribute to his fellow countryman Antonio Carlos Jobim with a self-contained plucky guitar/vocal duet of "Waters of March," which includes spirited scat passages. He moves into samba mode for a lively medley of Dizzy Gillespie and Charlie Parker tunes, "Groovin' High/Whispering," deferring to Toots Thielemans' always engaging harmonica for melody as he harmonizes gently; then they switch roles.
This is one of the slickest, most cosmopolitan Jazz albums ever. There is a lush orchestra arranged by Claus Ogerman, that leaves enough room for Peterson's improvisations and manages to actually compliment his dynamic style. Ogerman was originally from Munich, before he started to work as an arranger for stars like Frank Sinatra, Antonio Carlos Jobim and recently Diana Krall. In 1969 he arranged this album for Oscar Peterson called, which originally came out on MPS, a label located in Villingen, a small town in the German backwoods of the Black Forrest.
Celebrating the 175th Anniversary of the New York Philharmonic, America’s oldest symphony orchestra. 65 CDs of famous New York Philharmonic performances conducted by many of its most renowned music directors, from the very first recording in 1917 up to 1995.