Like Junior Boys and the more experimental Telefon Tel Aviv just before them, Beacon have the shape and look of a post-punk synth pop duo like Soft Cell, Associates, and Eurythmics, and are part of that lineage while unmistakably inspired by contemporary R&B. The first EP from Brooklyn dwellers Thomas Mullarney III and Jacob Gossett, released in 2011 on the Ghostly International-affiliated Moodgadget label, even sampled a certain hit R&B single from 1997. With a 2012 EP on Ghostly proper also in the distance, they take a few steps forward with their first album, a subtle and richly detailed set of ballads that ache in a way that is seductive rather than despondent. Mullarney's vocals, hushed but expressive, are heart-on-sleeve in nature with a hint of devilishness. His lyrics take some unexpected turns, as on "Overseer," where the opening verse is made of heated slow jam material until a sour finish: "Isn't it fine taking it slow, watching you watch me…walk out the door." Romantic division is a constant theme of the album.
A great collection of wonderful songs. 72 Songs including hits from a-ha, Fleetwood Mac, Kylie Minogue, Cher, Phil Collins and many others.
This set collects the seven studio albums from 1984′s Red Roses For Me to Pogue Mahone from 1996 and adds a previously unreleased live album The Pogues with Joe Strummer Live In London (recorded in December 1991). There have been Pogues reissues before of course, notably in 2004 when the albums were re-released on CD with bonus tracks. Rhino also issued an Original Album Series collection in 2009 that brought together the five Shane MacGowan albums in the usual card slipcase packaging. So while in some ways 30 Years treads familiar ground, there is still much to recommend it. First off the band were involved in the project, and were keen to have their say. The decision to revert back to ‘just’ the albums and lose the 2004 bonus tracks was theirs, for instance. Another example of the band’s input was the cover design of the box. The literary types amongst you might notice that the typesetting and design is ‘inspired by’ an edition of James Joyce’s landmark work Ulysses.
Quadrophenia is the sixth studio album by English rock band The Who, released on 26 October 1973 by Track Records. It is a double album and the group's second rock opera. The story follows a young mod named Jimmy and his search for self-worth and importance, set in London and Brighton in 1965. It is the only Who album to be entirely composed by group leader Pete Townshend. The group started work on the album in 1972, trying to follow up Tommy and Who's Next, which had both achieved substantial critical and commercial success. Recording was delayed due to bassist John Entwistle and singer Roger Daltrey working on solo albums, while drummer Keith Moon worked on films, and because a new studio was not finished in time, the group had to use Ronnie Lane's Mobile Studio…