Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
"Long awaited" is very true in this case given that Godfrey's only previous solo album dates back to 1973. It's also an accurate description given that this disc of piano music was originally supposed to have been released a year ago. The end result is very satisfying and much, much better than his recent collaborations with the other members of the Enid.
I've been too busy enjoying the music of Mostly Other People Do the Killing (MOPTDK) to realize how controversial they've become. If you doubt their ability to rile the jazz world, all you have to do is post one of their videos on your Facebook page and wait for the ensuing kerfuffle to begin. The core band is comprised of four virtuoso instrumentalists, free-spirits who think nothing of hopping from honest-to-god punk rock, to free improv, to hard bop, to Americana, and back; sometimes in the space of a single track. Many of their original compositions, written by bassist Moppa Elliott, have the outward appearance of overlooked post-bop and bebop gems from the mid-1950s and early 60s.