For the ancient Greeks, the water did not come simply from the ground; No, it had divine beings - the water nymphs. These legendary nymphs inhabit also in Renaissance and Baroque arts as mythical remnants of a lost world where all natural phenomena always had a divine nature.
Core and founding members James Lloyd and Curtis Harmon refer to In the Moment as the 20th Pieces of a Dream album. Instead of hosting a guest-filled blowout, they keep it simple with familiar associates, guitarist Rohn Lawrence, saxophonist Tony Watson Jr., and bassist David Dyson. The duo also receive a little assistance from a handful of additional musicians, including Shanachie label stalwart Chris "Big Dog" Davis.
Recordings of Beethoven's Triple Concerto, Op. 56, by a piano trio rather than by a group of virtuosi (a configuration that almost always misunderstands the work) are not abundant. Still rarer are those like the present release by the Storioni Trio, a Dutch group that takes its name from the maker of the 1790s instrument played by the violinist (and strung, like the viola, with gut strings). Pianist Bart van de Roer plays an 1815 Lagasse fortepiano. This recording is part of a series devoted to Beethoven's piano trios, but the Triple Concerto actually is more comfortable in those surroundings than when forced to keep company with the likes of the Violin Concerto in D major, Op. 61.
Utopia was Enchantments sixth LP released in 1983 and saw the group take a departure from their horn and string led soulful, lush sound, instead putting the Fairlight synthesizer at the core of the album. Utopia contains both passionate ballads and full-on club tracks. ‘Don’t Fight The Feeling’ was the album’s R&B hit single with its relaxing percussive groove and compassionate vocal from Joe ‘Jobie’ Thomas. ‘I’m Dreaming’ sees Emanuel ‘E.J.’ Johnson lend his hair-raising tenor vocal to a gorgeous composition. ‘Somebody’s Loving You’ and ‘Get It While It’s Hot’ are both bone-fide dance-floor shakers with the former demonstrating the group’s aptitude for straight ahead rhythms and solid propulsive bass-lines.