A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really open up past that groover, into a realm of lyrical, soulful playing that's simply tremendous! The group on the record features Joe Henderson on tenor, Barry Harris on piano, Bob Crenshaw on bass, and Billy Higgins on drums – and the album rolls along with a sense of perfect power that is every bit Blue Note at its best!
Master of Puppets was originally released on March 3rd, 1986, on Elektra Records and went on to become the first Metallica album to be certified Platinum by the RIAA. The album has been certified 6x Platinum in the United States and has sold over 10 million copies worldwide. In 2016, the album became the first metal album to be added to the National Recording Registry of the Library of Congress, an honor granted to works deemed “culturally, historically, or aesthetically significant”.The Limited Edition Deluxe Box Set will include a 108-page hardcover book including never before seen photos, outtakes and previously unreleased interviews, three LPs, ten CDs, a cassette, two DVDs, a lithograph, a folder with handwritten lyrics, and a set of six buttons…
Guitarist Stanley Jordan (the master of tapping, making his instrument sound like two or three at once) has a wide definition of standards, ranging beyond jazz. His second official Blue Note release therefore not only includes "Georgia On My Mind" and "My Favorite Things," but Paul Simon's "The Sounds of Silence," "Moon River," the Beatles' "Because," and "Silent Night." But no matter what the tune, the main reason to acquire this set of unaccompanied guitar solos is to hear how here remarkable and versatile Jordan's technique is.
After five years during which he emerged from France to become an important figure in the international jazz world, pianist Michel Petrucciani (still a few days shy of his 23rd birthday) debuted on Blue Note with this superior trio outing. Assisted by bassist Palle Danielsson and drummer Eliot Zigmund, Petrucciani sometimes shows off the influence of Bill Evans both in the nearly equal roles played by the instruments and in his chord voicings. However, the pianist's own personality does shine through often on the set, which features explorations of four of Petrucciani's tunes, "Night and Day," and "Here's That Rainy Day." Superior post-bop music played by the already brilliant pianist.
Good news! Five of Italian trumpeter Enrico Rava's Black Saint and Soul Note recordings have been reissued by CAM Jazz in one of those pretty white box sets with each LP reproduced as a separate CD tucked into a miniature record jacket. Born at Trieste in 1939, Rava later attributed his lifelong pursuit of modern jazz to the influence of Miles Davis. One might add Don Cherry and Freddie Hubbard to that equation, along with maybe Richard Williams and Lee Morgan. In order to fully comprehend what he was up to from the '70s onward, it is important to consider the artistic company that Rava kept during the ‘60s. Take a moment, for example, to ponder the blended influences of Chet Baker and Gato Barbieri.
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. A deep philological work, beginning with the original recordings on original master tapes, patiently integrally remastered paying strict attention to sound quality.
Renee Doria has a very unique voice and not a 'cookie cutter' the way a lot of sopranos nowadays sound–I can always tell it is her singing. I love her fast, fluttery vibrato and rich, warm, creamy, powerful middle voice. My only complaint is (as I've heard from some of the youtube posts) that sometimes she puts too much pressure on the notes above the staff and sounds like she is screaming them out. But here she sounds completely polished and nearly seamless from top to bottom.
Even though Master of Puppets didn't take as gigantic a leap forward as Ride the Lightning, it was the band's greatest achievement, hailed as a masterpiece by critics far outside heavy metal's core audience. It was also a substantial hit, reaching the Top 30 and selling three million copies despite absolutely nonexistent airplay. Instead of a radical reinvention, Master of Puppets is a refinement of past innovations. In fact, it's possible to compare Ride the Lightning and Master of Puppets song for song and note striking similarities between corresponding track positions on each record (although Lightning's closing instrumental has been bumped up to next-to-last in Master's running order). That hint of conservatism is really the only conceivable flaw here.