Note. 1986

Metallica - Master Of Puppets (1986) [DCC, GZS-1133]  Music

Posted by v3122 at Jan. 10, 2017
Metallica - Master Of Puppets (1986) [DCC, GZS-1133]

Metallica - Master Of Puppets (1986)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1999 | DCC, GZS-1133 | ~ 390 or 130 Mb | Scans(jpg) -> 25 Mb
Thrash Metal

Even though Master of Puppets didn't take as gigantic a leap forward as Ride the Lightning, it was the band's greatest achievement, hailed as a masterpiece by critics far outside heavy metal's core audience. It was also a substantial hit, reaching the Top 30 and selling three million copies despite absolutely nonexistent airplay…
Monty Alexander, Niels-Henning Orsted Pedersen, Grady Tate ‎- Threesome (1986)

Monty Alexander, Niels-Henning Orsted Pedersen, Grady Tate - Threesome (1986)
Jazz | 1cd | EAC Rip | Flac + Cue + Log | covers
Soul Note, 121152-2 | rel: 1986 | 230Mb

For this fairly obscure Soul Note album, pianist Monty Alexander is joined by the virtuosic bassist Niels Pedersen and drummer Grady Tate who contributes warm baritone ballad vocals to "A Weaver Of Dreams" and "All Blues." Alexander gets in his best playing on his own "Renewal" and "I'll Remember April"; in addition the trio plays a composition apiece by Wes Montgomery and Milt Jackson.

Bob Marley And The Wailers - Rebel Music (1986)  Music

Posted by uff at Jan. 4, 2017
Bob Marley And The Wailers - Rebel Music (1986)

Bob Marley And The Wailers - Rebel Music (1986)
Reggae | 1cd | EAC Rip | Ape + Cue + Log | covers
Island, 846 206-2 | rel: 1986 | 260Mb

n assembling Bob Marley & the Wailers' British chart singles for the 1984 compilation Legend, Island Records created what turned out to be a perennial seller, but also an album that misrepresented the range of Marley's work, downplaying its political aspect in favor of danceability and romantic sentiments. Of course, what made Marley such a powerful figure internationally was his message about the uprising of the oppressed, but you wouldn't know that from Legend.
Thea King, Clifford Benson - Johannes Brahms: Clarinet Sonatas (1986) Reissue 2004

Thea King, Clifford Benson - Johannes Brahms: Clarinet Sonatas (1986) Reissue 2004
EAC | FLAC | Image (Cue&Log) ~ 144 Mb (incl 5%) | Mp3 (CBR320) ~ 106 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion/Helios | # CDH55158 | Time: 00:43:30

Brahms’s two sonatas for clarinet and piano, Op 120, composed in 1894, were followed only by the four Serious Songs and a set of organ chorale preludes (some of which may have been written at earlier times). His farewell to chamber music was also his farewell gift to the clarinet. The two works recorded here were preceded by the Clarinet Trio in A minor (Op 114) and the great Clarinet Quintet in B minor (Op 115), and all four masterpieces were inspired by the playing of Richard Mühlfeld, principal clarinettist of the Meiningen Orchestra.
VA - Chesky Records - 30th Anniversary Collection: Complete Set 1986-2016 (2016)

VA - Chesky Records - 30th Anniversary Collection: Complete Set 1986-2016
Jazz | FLAC (tracks) 24-bit/88.2|96|192 kHz & 16-bit/44.1 kHz | 385:37 min | 7.33 GB | Digital booklet
Label: Chesky Records | Tracks: 72 | Rls.date: 2016

Right from the start Chesky Records had a sound. David Chesky set out to make “aural photographs” of each session, capturing as much of the sound of being there as the technology allowed, continually pushing it forward. Every note of every session was recorded “live,” there were no overdubs, no fixing it in the mix. What went down at the session, with some of the world’s greatest musicians, was in the CD, LP, or later on, high-resolution digital download.

Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}  Music

Posted by ruskaval at Nov. 12, 2016
Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}

Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1985, 1986 Soul Note | SN 1112 CD
Jazz / Post Bop / Free Improvisation / Saxophone

"Serious collectors and devoted Sheppherds only…" By 1985 Archie Shepp's tone on tenor had declined quite a bit from just a few years earlier. This should have been a strong set for the sidemen (trumpeter Enrico Rava, keyboardist Siegfried Kessler, bassist Wilbur Little and drummer Clifford Jarvis) are excellent and the repertoire is both diverse and challenging. However Shepp fouls up "Naima" by playing his out-of-tune soprano, talks and sings on the 18-minute "Little Red Moon" more than he plays tenor and his sax sounds quite sloppy on "Whisper Not" and "Sweet Georgia Brown." Despite some good moments from the supporting cast, this is one to skip.

Albert King - The Best Of Albert King (1986)  Music

Posted by SuniR at Nov. 1, 2016
Albert King - The Best Of Albert King (1986)

Albert King - The Best Of Albert King (1986)
EAC | FLAC (log,image+cue) -> 376 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 147 Mb (5% Rec.) | Scans included
Blues | Label: Stax, FCD-60-005 | 1986 | 01:02:35

Albert King is truly a "King of the Blues," although he doesn't hold that title. Along with B.B. and Freddie King, Albert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does – his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan. It's important to note that while almost all modern blues guitarists seldom play for long without falling into a B.B. King guitar cliche, Albert King never does he's had his own style and unique tone from the beginning.

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}  Music

Posted by popsakov at Oct. 16, 2016
Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 300 Mb | MP3 CBR320 ~ 105 Mb
Scans (PNG, 400 dpi) ~ 52 Mb | RAR 5% Recovery
Jazz, Hard Bop | Blue Note #0777 7 46338 2 6 / DIDX 899

Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else. Both horn players are at their peak of lyrical invention, crafting gorgeous, flowing blues lines on the title tune and "One for Daddy-O," as the rhythm team (Hank Jones, Sam Jones, Art Blakey) creates a taut, focused groove…
Bill Nelson - Getting The Holy Ghost Across (2013) {Cherry Red COCD 21009, 2CD Set rel 1986}

Bill Nelson - Getting The Holy Ghost Across (2013) {Cherry Red COCD 21009, 2CD Set rel 1986}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 651 Mb | MP3 @320 -> 213 Mb
Full Artwork @ 600 dpi (png) -> 234 Mb | 5% repair rar
© 1986, 2013 Cherry Red / Cocteau Discs | COCD 21009
Rock / Art Rock / Experimental Rock

ESOTERIC RECORDINGS imprint Cocteau Discs, the home of BILL NELSON’s catalogue between 1971 and 2001, continues their series of on-going releases with the newly remastered and expanded release of his 1986 album "GETTING THE HOLY GHOST ACROSS”. Released in 1986, the record was Bill’s sole album for the Portrait label, and was a superbly realised work. Previously released on CD as strictly limited edition of 500 copies on Bill’s Sonolux label, the album is hugely sought after on CD by collectors.
Mozart - Last 8 Piano Concertos (Daniel Barenboim) (2012/1986-89)

Mozart - Last 8 Piano Concertos (Daniel Barenboim) (2012/1986-89)
BluRay | BDMV | MPEG-2 Video / 19973 kbps / 1080i / 24 fps | 255 min | 43,7 Gb
Audio: LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit

BluRay-rip | AVC | MKV 1920x1080 / 4977 kbps / 24 fps | 255 min | 11,6 Gb
Audio: PCM / 2ch / 48.0 KHz / 16 bits
Classical | EuroArt

The Grammy award-winning pianist Daniel Barenboim, long known for his Mozart interpretations, turns his attention to Mozart's last 8 piano concertos. The music of Mozart has quite literally been an essential driving force of Daniel Barenboim’s entire life. It remains central to his performing career both as a pianist and as a conductor. These illuminating performances of Mozart’s last eight great piano concertos admirably demonstrate Barenboim’s dictum that even when a true musician has already performed a familiar work hundreds of times, he or she ‘never accepts that the next note will be played the same way as it was played before.’