Carpathian Forest (previously known as "The Childmolesters", then "Enthrone") formed in 1990, & emerged with the demo tape "Bloodlust and Perversion" in 1992. In 1993 the band released a second demo: Journey Through the Cold Moors of Svarttjern. The following year, they signed to Avantgarde Music and recorded their first EP, Through Chasm, Caves and Titan Woods in 1995, followed by the debut album Black Shining Leather in 1998…..
It should come as no surprise that the music you listen to as a teenager echoes through your neurological pathways more than any other. Teenage music just means so much - it helps you figure out who you are and who you want to become. You listen to the same things over and over while feeling serious feelings.
Guitarist Johnny Whitehill has been a fixture on the British blues scene since the 1970s, emerging as a star while a member of the Blues Burglars, the band he formed with harpist Paul Lamb in the early '80s. As a guitarist, his inspirations and influences came from the likes of B.B. King, Freddie King, Albert King, T-Bone Walker, Albert Collins, Robert Johnson, Blind Boy Fuller, Lightnin' Hopkins, et al., and, later on, fellow British bluesman Peter Green, among others. He has recorded albums of his own intermittently, amid two decades working mostly with Paul Lamb & the King Snakes – the successor band to the Blues Burglars – and since the opening of the 21st century has toured England with his own group, Johnny Whitehill's Real Deal.
New Year’s Eve Concert 1996 – Dances and Gypsy Tunes The fascinating Russian virtuoso violinist, Maxim Vengerov (winner of the Echo Klassik) lends radiance to the gala performance under the baton of Claudio Abbado. Johannes Brahms’Hungarian Dances and Gipsy Songs; Maurice Ravel’s Tzigane and La Valse and Hector Berlioz’s Hungarian March make this New Year’s Eve with the Berliner Philharmoniker unforgettable. New Year’s Eve Concert 1997 – A Tribute to Carmen The program of the Berlin Philharmonic bore the title «Dances of Life, Love, and Death», and it was hardly coincidental that it was meant as an homage to Carmen. The recording of the Berlin Philharmonic Orchestra’s traditional New Year’s Eve Concert, conducted by Claudio Abbado, offers not only a cross section of worldfamous melodies from George Bizet’s opera, but also famous dance music that was intensely or subtly influenced by it. With: Anne Sofie von Otter, Bryn Terfel, Roberto Alagna, Gil Shaham, Mikhail Pletnev. New Year’s Eve Concert 1998 – Songs of Love and Desire Love was the theme of the 1998 New Year’s Eve Concert. And who wrote better music about love than Mozart and Verdi? Maestro Claudio Abbado has chosen two of the best Mozart interpreters, Christine Schäfer and Simon Keenlyside, for this traditionally meaningful event. Marcelo Álvarez from Argentina interprets highlights of the tenor repertoire, and Italian Primadonna Mirella Freni tops the occasion with a breathtaking performance of the Letter Scene of Tchaikovsky’s Eugen Onegin.
Multi-instrumentalist Roland Kirk leaves the stritch, manzello and other exotic instruments at home for this all-flute outing from his pre-"Rahsaan" days. Consisting mostly of originals, with a couple of show tunes and a swinging take on John Lewis' "Django" thrown in, I Talk to the Spirits provides the best sampling of Kirk's unique flute style. He hums along with himself as he plays, inserts pieces of lyrics when the mood hits, finds overtones and multi-part harmonies as he blows madly through the upper register and sails sweetly through the lower. Included here is the original version of "Serenade to a Cuckoo," a song later taken to rock audiences with its inclusion on the first Jethro Tull album. (In fact, for the Tull fan who wants to hear where Ian Anderson borrowed his style, I Talk to the Spirits is the place to go)…