Born in East Germany, Nina Hagen had already gained a reputation as a flamboyant rock singer by the time she emigrated to the West in 1976, where she formed a band, signed to CBS Germany, and released their debut album, Nina Hagen Band, in 1978. Includes the songs 'Unbeschreiblich', 'Tv-glotzer ( White Punks On Dope)', 'Auf'm Friedhof' and more.
Hagen formed the Nina Hagen Band in West Berlin's Kreuzberg district. In 1978 they released their self-titled debut album, which included the single "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes, though with entirely different German lyrics), and Auf'm Bahnhof Zoo, about West Berlin's then-notorious Berlin Zoologischer Garten station. The album also included a version of "Rangehn" (approximately, "Go On"), a song she had previously recorded in East Germany, but with different music.
This is one great album by the German rock diva, perhaps her best. It is more accessible than the debut, offers greater variety and some truly gripping songs. African Reggae is a powerful tour de force and by the way, a dancefloor classic, Wir Leben Immer Noch (Lene Lovich's Lucky Number) is a perfect pop song, and Wenn ich ein Junge war with its somewhat risque lyrics just about bursts with exuberance. Fall In Love mit Mir is another catchy number, but every track has its own charm. The great melodies and intelligent lyrics with enthusiastic playing by her band ensure the classic status of this album. In my opinion, this is her Opus Magnum. It demonstrates what can be achieved by integrating reggae rhythms into a rock format, while the rock songs remain top of the league. Her vocal gymnastics are less in evident than on the debut album, but her voice is still brilliantly utilised. An excellent, timeless classic!
Nina Hagen is a unique vocalist, ranging from a coloratura soprano to a guttural alto and phrasing in surprising, dramatically changing ways, so that her performances are musical roller coasters, full of sudden shifts in mood and volume. Singing alternately in German and English, Hagen is backed by rock tracks leaning toward punk on some songs, and by producer Giorgio Moroder's signature Euro-disco synth-dance sounds on others on this 14-track, 74-minute compilation. Want to hear a German-language version of the Tubes' "White Punks on Dope"? How about a performance of "My Way" (also in German) that rivals Sid Vicious' for outrageousness? Ultimately, Nina Hagen may be a period novelty act of the early '80s, a mixture of Toni Basil, Falco, and a hyena. But she gets your attention.
It had indeed been a few years since Nina Hagen's last regular album ("Freud Euch" and its English version "Bee Happy" in 1995), so there was reason enough to be curious about what the title of the new album, Return of the Mother, might portend. It turns out that the whole album is devoted to balancing the ambivalence contained in that title: the possible sinister undercurrent as well as the advent of sheltering care. The mother figure of the title track is revealed to mean a kind of caring divine principal, not bound to any one religion but common to all. Throughout the album (mostly sung in German but with English interjections) lots of well meaning good advice to humanity gets contrasted with none too clear warnings, all set on a musical backdrop of often sinisterly weighty and elaborate dance/rock arrangements.
This eccentric rock material, all in English, shows the diversity of her vocal instrument.
NUNSEXMONKROCK, hit the American shores and I was completely blown away by all of it. Even though I had many punk/New Wave albums in my collection, this was really, really different. It wasn't just punk, New Wave or pre-Goth. Even now after some 20 years, this album still sounds SO UNUSUAL and creative. When she wrote it, many of NSMR's songs had heavy political/social overtones and messages for its era. That Hagen then hailed from Communist East Germany informed her talent for satire that's heard all over this album. Anti-World which opens this cauldron of noise deals with religion vs. science. Smack Jack addresses heroin addiction which plagued both East and West Berlin through much of the 70s and 80s. On the songs Cosmo Shiva, UFO and Future Is Now, Nina sings of personal spiritual transformation. Born in Xixax decries the nuclear age.
Five CD box set containing a quintet of original albums from this Blues/Rock/Pop outfit: "Live" Full House, Bloodshot, Ladies Invited, The J. Geils Band and The Morning After.
Nina is VERY eclectic. At all of the concerts that I have attended, she has sung punk, opera, rock 'n' roll, blues, krishna chants, big band, and other styles. If you enjoy music as music, no matter what the style, then this CD captures that character of Nina– minus the opera. The first version of this CD, the German, Freud Euch, has two opera-style songs on it that aren't on this CD. There are a couple of other songs on this CD and not on Freud Euch: "Born To Die In Berlin" and "Shiva." This CD also sounds more like how the music sounds in concert, having less overdubs and production tweaks than Freud Euch. It sounds like it was produced for the American audience to give them an idea of what to expect from a live performance by her.