The music of Norwegian trumpeter/Nu Jazz progenitor, Nils Petter Molvaer, has always been cinematic. Call it music for a non-existent movie or a film of the mind, Molvaer's albums, beginning with the groundbreaking Khmer (ECM, 1997), have always been about aural landscapes evocative of highly personal imagery and plenty of club-ready grooves. Even in performance, the lighting provided by Tord "Prince of Darkness" Knudsen is intended to provoke the imagination rather than focus attention on the musicians. It's no surprise, then, that Molvaer has been recruited to provide music for film. His score for the 2005 French film Edy already saw limited release on Molvaer's Sula imprint the same year. Re-Vision culls four pieces from Edy and, by combining them with music from two other films—the 2007 German film Hoppet and 1999 Norwegian documentary Frozen Heart—and one non-soundtrack piece, fashions a continuous 46-minute suite that stands independently as yet another highly visual piece, incorporating Molvaer's ever-expanding frames of reference. Re-Vision is also Molvaer's first release in years to not primarily feature members of his touring band, but guitarist Eivind Aarset remains a fundamental part of its overall soundscape.
With the breakup of his trio responsible for the superb Baboon Moon (Sula, 2011), it's been a fair question to wonder: what's next for Nils Petter Molvær? One possible answer is certainly 1/1, the Norwegian trumpeter's debut with German multi- instrumentalist and influential techno producer Moritz von Oswald and his nephew, Laurens. The trio's debut performance at Kristiansand, Norway's 2013 Punkt Festival, while strong, was largely misleading; the show certainly occupied some of 1/1's more ethereal territory, but Molvær and his partners also traveled to far more beat-driven, danceable terrain.
Recorded with the same group he had in the studio for SWITCH, Nils Petter Molvaer’s new album ‘Buoyancy’ is the logical continuation of its predecessor, whilst also taking the music a step further. Here the group works more closely as a unit and performs the music more spontaneously in the studio. A range of soundscapes, grooves and hauntingly beautiful little melodies emerge from the trumpet master’s instrument to create an intense collection of colourful paintings in sound. 'Buoyancy' : the ability or tendency of something to float in water; a cheerful and optimistic attitude or disposition.
Nils Petter Molvær, also known as NPM, is a Norwegian jazz trumpeter, composer, and producer. Molvær is considered a pioneer of "future jazz", a genre that fuses jazz and electronic music. Buoyancy - the ability or tendency of something to float in water; a cheerful and optimistic attitude or disposition. Recorded with the same group he had in the studio for "Switch", Nils Petter Molvær's new album "Buoyancy" is the logical continuation of its predecessor, whilst also taking the music a step further. Here the group works more closely as a unit and performs the music more spontaneously in the studio. A range of soundscapes, grooves and hauntingly beautiful little melodies emerge from the trumpet master's instrument to create an intense collection of colourful paintings in sound.
Norwegian trumpeter Nils Petter Molvær made his small mark on fans and critics alike in the United States with his fine pair of ECM recordings. After a couple of years working in Europe, he returned to the release scene in the U.S. with An American Compilation in June of 2006. That disc was a selection of tracks from this album, his remix disc, and live cuts of tunes from the ECM period. In fact, ER is being issued simultaneously with Streamer, the live CD.
The master of the ethereal trumpet, Nils Petter Molvaer, teamed up with Moritz von Oswald, best known for his excurses in dubtechno as Basic Channel (with Mark Ernestus) for a full-length album, so our expectations had been quite high, as we very much like the work of both artists. But “1/1″ is a quite tough nut to crack, it’s spacious and sparse landscape leaves a first impression of , well – more would have been more, possibly maybe. So don’t expect to get sucked in immediately, “1/1″ needs some time to unfold it’s dark beauty.
Khmer is surely the most unusual album ever released by ECM — unusual because the label, which is best known for elevated chamber jazz, presents the solo debut of trumpeter Nils Petter Molvaer as a production that plays with modern electronica methods while not eschewing the well-known ECM aesthetic. Molvaer's music is somewhere between scary and majestic, and changes between ominous ambient sounds and hard breakbeats, along which atonal screeching guitars combined with melancholic melodies, create a fascinating melange.
Like 1998's Khmer, Solid Ether is an unusual addition to the ECM catalog, reflecting the Norwegian trumpeter's continued fascination with drum'n'bass, jungle, and other underground club genres. Molvaer's work in this idiom is indicative of a new wave sweeping Europe and Scandinavia, where boundaries between jazz and electronica are being creatively blurred by a growing number of forward-thinking artists.