Nichole Van Croft

Nichole van Croft - Playmate Xtra January 2012, set 3  Graphics

Posted by FatGarry at Jan. 25, 2012
Nichole van Croft - Playmate Xtra January 2012, set 3

Nichole van Croft - Playmate Xtra January 2012, set 3
20 jpg | 1067*1600 | 11,1 MB

Nichole van Croft - Playmate Xtra January 2012, set 2  Graphics

Posted by FatGarry at Jan. 18, 2012
Nichole van Croft - Playmate Xtra January 2012, set 2

Nichole van Croft - Playmate Xtra January 2012, set 2
20 jpg | 1067*1600 | 11,9 MB

Nichole van Croft - Playmate Xtra for January 2012  Graphics

Posted by guasman at Jan. 8, 2012
Nichole van Croft - Playmate Xtra for January 2012

Nichole van Croft - Playmate Xtra for January 2012
24 JPG | 1067x1600 | 22,5 mb

Playboy's Playmate - Nichole Van Croft  Graphics

Posted by fekmax at July 7, 2009
Playboy's Playmate - Nichole Van Croft

Playboy's Playmate - Nichole Van Croft
JPG | 530x800 - 800x530 | 65 images | 11.6 Mb

Playboy SE Nude Playmates april may 2001  Magazines

Posted by pacchiosa788 at Dec. 27, 2006
Playboy SE Nude Playmates april may 2001

Playboy SE Nude Playmates april may 2001
RAR-JPG | 5,64 MB

Ultimate collection: Before They Were playmates  Graphics

Posted by FatGarry at Dec. 13, 2011
Ultimate collection: Before They Were playmates

Ultimate collection: Before They Were playmates
~800 JPG | up to 1067*1600 | 39 sets | 230.18 MB

Playmate Calendar 2002  Graphics

Posted by nrg at May 25, 2011
Playmate Calendar 2002

Playmate Calendar 2002
25 jpg | 1067*1600 | 7.46 Mb
Playboy playmates
The Netherlands Bach Society, Jos van Veldhoven - Music for the Peace of Utrecht - 2010

The Netherlands Bach Society, Jos van Veldhoven - Music for the Peace of Utrecht
(Handel: Te Deum, Jubilate; Croft: Ode for the Peace of Utrecht) - 2010

Classical | Flac. Tracks, 24/192 | Covers | 2.22 GB
Official Digital Download - Source: Channel Classics | TT: 01:13:03

The Treaty of Utrecht concluded the War of Spanish Succession in 1713. Its terms were agreed principally between the British and the opposing French, but this caused disaffection among Britain’s German allies, including the Elector of Hanover (soon to be George I). The Elector was also disgruntled that his Kapellmeister Handel, absent and pursuing lucrative freelance jobs in London, composed a large-scale Te Deum and Jubilate for the Service of Thanksgiving held in Wren’s recently ­completed St Paul’s Cathedral.
Alfred Brendel - Ludwig van Beethoven: Fur Elise; Eroica-Variationen Op. 35; 6 Bagatelles, Op. 126; 6 Ecossaises, WoO 83 (1985)

Alfred Brendel - Ludwig van Beethoven: Für Elise; Eroica-Variationen, Op. 35;
6 Bagatelles, Op. 126; 6 Ecossaises, WoO 83 (1985)

EAC | FLAC | Image (Cue&Log) ~ 143 Mb | Mp3 (CBR320) ~ 115 Mb | Scans ~ 30 Mb
Genre: Classical | Label: Philips | # 412 227-2 | Time: 00:49:56

Like Gilels, Brendel treats the Op. 35 Variations as far more than a poor relation of the Eroica Symphony finale. His approach has less of the urgent, seemingly improvisatory thrust which makes the Gilels DG performance (on LP only) so compelling, but the sharpness with which he characterizes each variation is a delight, each time bringing a moment of revelation, and often relating this essentially middle-period work to much later inspirations. The six Bagatelles of Op. 126 equally find Brendel giving these fragments a weight, concentration and seriousness to reflect what else Beethoven was writing at the time. There is a gruffness of expression with charm eliminated. The third Bagatelle is the more moving for its simple gravity, and only in the final one of the group does Brendel allow himself to relax in persuasive warmth. Fur Elise makes a simple, haunting prelude to the group and the six Ecossaises a jolly postude with Brendel evoking the bluff jollity of Austrian dance music.
Caroline Huynh Van Xuan - Since in Vain / UnderGround(s) (2017)

Caroline Huynh Van Xuan - Since in Vain / UnderGround(s)
Classical | MP3 CBR 320 kbps | 67:41 min | 158 MB
Label: MUSO | Tracks: 28 | Rls.date: 2017

In 1660 the Restoration put an end to a period of artistic austerity and saw a rebirth of musical life in England, encouraged by a powerful need to be entertained. Many works for harpsichord were published by famous composers, yet also by others who are today quite forgotten. Caroline Huynh Van Xuan presents an original and hitherto unrecorded programme of grounds that enables one to rediscover the repertory and the vitality of the English music scene in the late 17th and early 18th centuries.