Security 2016 Amsterdam was O’Reilly Media’s first ever security conference in Europe. It gathered more than 65 of the top IT security experts from Europe, Silicon Valley, and the rest of the world to offer practical guidance on fending off the malware, spear-phishers, and DDoS attacks plaguing websites and the IoT everywhere. Containing specialized content on Euro-centric concerns like GDPR compliance, this video compilation offers a complete recording of every 40-minute session, 3.5-hour tutorial, and keynote delivered at the conference.
Roberta Alexander’s outstanding CD of vocal music by Samuel Barber demonstrates the soprano’s understanding of the composer’s musical language and emotional content … The Netherlands Radio Philharmonic plays very well under the tasteful leadership of Edo de Waart.
Hundreds of years before the birth of Christ, a collection of love songs grew up. Under the title of the “Most beautiful of songs”, they found a home in the Old Testament-it was Martin Luther who first gave them the name of “Song of songs”-and since that time they have inspired and fascinated a vast number of theologians, mystics, philosophers, poets, painters, and, last but not least, composers. Particularly during the Baroque period, these poetic, sensual, vividly descriptive texts were set over and over again to music, and they inspired librettists to expand on the original texts.
“I do not know precisely what is my destination: however, I do know that 1 evening, after for the 1st time hearing a symphony by Beethoven, I became feverish & ill. As soon as I recovered, I became a musician.” Thus Richard Wagner described the enormous impression that Beethoven’s music had made on him in his novelette Eine Pilgerfahrt zu Beethoven (a pilgrimage to Beethoven). Although it is difficult to separate fact & fiction in this novelette, Beethoven’s music did indeed exert a major influence on the life of the young composer. Wagner was 17 years old when he 1st heard Beethoven’s 9th Symphony, a work which was to play a central role during his entire life, & which he was, for instance, to conduct in 1846 at the opening of the Festival Theatre in Bayreuth.