This is an examination of pornography and sexual mores since the times of Queen Victoria, when the guardians of public morality were far more hypocritical than they are now, in the seventies. Or are they? Take the plight of average British male Horace (Chris Lethbridge-Baker), who is delighted at the new loosening of restrictions on pornography, but cannot translate this into his home life when his wife is so opposed to sex. Horace is reduced to traipsing round the sex shops of London, occasionally being tempted by the odd, decidedly tame blue movie…
Essential: a masterpiece of progressive rock music
“Aqualung” isn’t only a great album, it’s somehow a feel of live from the early 70’s. Maybe not as ambitious and essential in progressive rock terms as “Thick As A Brick”, but in terms of folk prog an absolute masterpiece concept record, too. I always feel like I am travelling back in the 70’s when I listen to classic tracks like “Locomotive Breath”, “Cross-Eyed Mary”, “Mother Gose” or the title track.
During the post-production of Dennis Hopper’s surreal and unjustly-forgotten South American anti-imperialist western, The Last Movie (which would prove disastrous for his career upon release, yet go on to become a cult classic and one of Hopper’s own proudest achievements), the actor and director was the subject of a sort of loose, biographical documentary, filmed around his Taos, New Mexico home as he wandered the desert, got wasted, and philosophized about life (see tag line: “I’d rather die fighting than die getting fat”). American Dreamer would share in the fate of The Last Movie and quickly disappear into obscurity, but among the film’s remains lays a beautiful acoustic soundtrack, featuring original compositions courtesy of Hopper’s personal acquaintances, such as John Buck Wilkin and Chris Sikelianos, as well as better-known performers such as Gene Clark and gonzo-mime-band The Hello People.