Making sure that country-blues starts the 21st century off on the right foot, Guy Davis' Butt Naked Free, whose title was inspired by the comments of Davis' young son, is one of the most accomplished statements the genre has offered in a few years. Picking up where 1998's You Don't Know My Mind left off, Davis once again has decided to fill out his sound, but this time adding touches of mandolin, organ and accordion, with the results being altogether more satisfying and never sounding even slightly overproduced. Where Davis on his previous album sounded, at times, unsure of his new direction, Butt Naked Free rocks with a loose liveliness, still allowing Davis' derivative yet idiosyncratic sound to shine through. "Waiting on the Cards to Fall" and "Never Met No Woman Treats Me Like You Do," the latter with Levon Helm contributing drums and mandolin, showcase how well Davis' sound fills out and offers the unique experience of hearing what it might have sounded like if Mance Lipscomb or Reverend Gary Davis had ever recorded with full-band accompaniment.
Photographer Spencer Tunick travels the U.S. in search of volunteers to pose nude for his outlaw photo-shoots, all of them done out in public and often without legal permits. This documentray chronicles Tunick's logistic nightmares, his brushes with the law, and the free-spirit-volunteers who discard their inhibitions for his artistic vision, and their own personal concepts of self-gratification.
Spoof of 1960's Beach Party/Gidget surfing movies mixed with slasher horror films stars Lauren Ambrose as Florence Forrest, a not-so-innocent girl in 1960's Malibu who becomes "Chicklet" the first girl surfer at Malibu Beach, only Florence suffers from dissociative identity disorder and occasionally her alter ego Ann Bowman, a sexually aggressive, foul-speaking girl, comes out in which during that time several beach goers are found murdered. The suspects include Chicklet herself, surfer Kanaka, B-horror film actress Bettina Barnes, exchange student Lars, and even Chicklet's own mother.
With the successes of Vienna and its follow-up, Rage in Eden, Ultravox's position in the music scene was unassailable, further fortified by frontman Midge Ure's foray into solo-dom with the summer 1982 hit cover of the Walker Brothers' "No Regrets." The band's "Reap the Wild Wind" followed it up the U.K. chart that fall, a taster for the band's sixth album…