Niggaz4Life: The Only Home Video is a 1992 documentary film starring rap group N.W.A The film was released on November 2, 1992 and was distributed by Priority Records. It featured groups behind the scenes of their music videos, concert performances, interviews and at parties, as well as three music videos from the groups album, Niggaz4Life, "Alwayz Into Somethin'", "Appetite for Destruction" and "Approach to Danger".
Musical IQ Question #27: Which of the following musicians was most likely to be found jamming with his buds, blowing improvised solos, until the wee hours of the morn? A) Wolfgang Amadeus Mozart, B) Charlie Parker, or C) Ravi Shankar. If you answered A, B or C then you would be 100% correct because they were all brilliant improvisors in their respective genres. Yes, Mozart along with J.S. Bach, Handel, Beethoven, Chopin, Liszt were all renown improvisers as are all of the great Indian Raga players. In fact, you'd be hard pressed to find a genre that did not embrace improvisation. So, whatever style you play, you MUST learn how to improvise. There's no 'best' way to do that but Charlie Parker offered some sound advice; "Learn everything, then forget it all."
Dispelling hundreds of years of myths and conjectures, it wasn't until 1996 that DNA testing determined that the world-renown Cabernet Sauvignon wine was the offspring of a natural cross-pollination between the Cabernet Franc and Sauvignon Blanc grape vine dating back to the 17th century. Naturally, wine aficionados would agree that cross-pollination is a good thing.
You unlock this door with the key of imagination. Beyond it is another dimension – a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Verheyen Zone.
Midem Classique Award winner Christian Zacharias continues his survey of Mozart Piano Concertos as both performer & conductor. Featuring arguably 1 of the most famous, the A Major. MDG’s complete recording of Mozart’s piano compositions with Christian Zacharias in the double role as pianist & conductor of the Lausanne Chamber Orchestra continues with KV 488, certainly the most-performed piano concerto by the great Salzburg composer, complemented here by KV 246 & KV 175, Mozart’s very 1st piano concerto.
This volume in the series seems to have taken a step up, with playing which previously might have been a little cosy now edgier & with more contrast in light & shade. The overall ensemble is excellent, & these are very good Mozart concerto interpretations indeed. Sound quality is up to MDG’s usual high standard, with a well-scaled ambience in Mch, & the 2+2+2 channel setup with height channels works fine in my 5.1 setup, despite my not reassigning the centre & sub speaker.
In this 3rd volume, Zacharias’ Mozart becomes essential, if not quintessential, in a universe for piano & concerto that is fascinating. The Concerto for Piano & Orchestra #17 in G major KV 453 dates from 1784, & inspired the musician Alfred Einstein to say: “In a friendly key are hidden many mysterious smiles & painful wounds – words cannot be found to describe the permanent irisation of feelings in the 1st movement, the passionate interiority of the 2nd.”