After a season of committing high-risk, high-absurdity murders that contributed to a heart-wrenching conclusion, season five of Dexter finds the lawful evil antihero trying to pick up the pieces of his broken life while continuing to struggle with his inner demons. The soundtrack offers plenty of stylish, sun-soaked Latin and salsa music, from classic artists like Beny More to contemporary acts like the electro and hip hop-tinged Bomba Estereo. Selections from Daniel Licht’s atmospheric score round out the collection, capturing all of the drama and eeriness viewers have come to expect from the cable series.
There are some really nice tunes on this soundtrack to the excellent film "Grumpier Old Men". The highlights for me are the songs by Louis Armstrong, Dean Martin, Harry Belafonte, Doris Day, Nat King Cole and the couple of instrumentals by composer Alan Silvestri. These are the recordings that will remind you of the fun that GOM provided to those fortunate to see legends Lemmon, Matthau, Meredith, Ann-Margaret and Sophia Loren (holy moly) in their last great film together. The only pity is that because the first films soundtrack is not available to buy, that the song from that film "We're Having A Heatwave" is not here. Sound quality is excellent and joyous.
This album is a real rarity, not for the style of music nor its interpreters, the strange thing is that this music was produced especially for a film and not a vintage film! It was used to accompany the notable Belgian cyclist Eddy Merckx (?). It was somewhat controversial the mixture of Renaissance music and the documentary about this cyclist in those times.
You may remember a film from the early 1970s called Henry VIII & his Six Wives, starring Keith Mitchell, Donald Pleasance, and Charlotte Rampling; it was notable for its score, which not only featured authentic music of the period (nearly unheard-of at the time), but also was, according to David Munrow, “the first historical film in which the music has been scored entirely for historical instruments.” Munrow also added a few numbers of his own to satisfy the needs of the movie, patterned after 16th-century style and form. Although these days such attention to authenticity is common, even expected, Munrow was one of the pioneers in bringing musicological research and the more immediate practicalities of really old, original instruments and stylistic practice to the level of popular culture. Of course, also in these early days was planted the impression that period instruments must necessarily be somewhat clunky and (to varying degrees) not quite ideally in tune–and in some cases, just plain annoyingly squawky and prone to obnoxious buzzing noises. While this generally fine issue from Testament offers many reminders of those times, when musicians were still finding their way in unfamiliar territory (and often using very user-unfriendly instruments), this release will prove mostly a delight for early music fans–and will be a real treat for those who own the original LPs from which these tracks were drawn.
Kevin Costner, Robin Wright Penn, and Paul Newman star in this romantic tale about a sailor who dispatches love letters to sea in memory of his late wife. Just as the love letters are viewed as among the most touching ever written, the soundtrack is equally sentimental–16 tracks that evoke wistful days spent staring out of windows pining for lost love. Edwin McCain delivers Diane Warren's surprisingly modest "I Could Not Ask for More," a song written specifically for the movie. Sheryl Crow and Sarah McLachlan turn soft and spooky with their whispery "Carolina" and "I Love You," respectively. Sinéad Lohan and Beth Nielsen Chapman backlight their middle-of-the-road sensibilities with dance beats. Hootie & the Blowfish's "Only Lonely" is far closer to country music (Glen Campbell-style) than country artist Faith Hill's "Let Me Let Go." Gabriel Yared contributes the instrumental title track as well as two other pieces of overswelling movie music.