The young Dutch violinist Noa Wildschut has been described as “a miracle of musicality”, while Anne-Sophie Mutter has singled her out as “undoubtedly one of the musical hopes of her generation”. For her debut as a Warner Classics recording artist, Noa has chosen a programme of Mozart that combines concertante and chamber works.
The young Dutch violinist Noa Wildschut has been described as “a miracle of musicality”, while Anne-Sophie Mutter has singled her out as “undoubtedly one of the musical hopes of her generation”. For her debut as a Warner Classics recording artist, Noa has chosen a programme of Mozart that combines concertante and chamber works. As she says: “I’m showing two sides of Mozart – and also two sides of myself.” Noa Wildschut, the young Dutch violinist, turned 16 in March 2017, but was just 15 when she signed an exclusive agreement with Warner Classics and recorded her debut album for the label.
Andras Schiff and Peter Serkin, internationally celebrated and multi-award winning classical soloists, make their New Series debuts with Music for Two Pianos. Regarded as 2 of the greatest pianists of our time, Schiff and Serkin are very seldom heard - as they are here - as piano duo. With this recording, ECM begins a long-term relationship with Andras Schiff, a musician described by Gramophone magazine as "a unique poetic voice among the pianists".
The grandest of Mozart's wind serenades in performances that fully measure up to their wit and profundity. Philippe Herreweghe's attributes as a conductor, perviously revealed in an outstanding series of baroque and classsical choral works, are revealed in these warm and wise period performances, with outstanding playing.– The Guardian
In 2001, when Gunter Wand was an astonishing 89, he led this live concert from Hamburg with his home orchestra, the North German Radio. Wand was a benign (so far as I know) conservative like Josef Krips, happy if his wrld was circumscribed by Mozart, Beethoven, Schubert, and Bruckner, who remained the taples of his repertoire.
A lifelong devotion to Mozart shows through in this genial, quick-moving, sunny reading of the "posthorn" Serenade. The posthorn soloist is fine, the first oboe a bit less so, but everyone's in high spirits. There's not a hint of dullness anywhere, making Wand's one of the best versions outside the period-performance litany. Smiles all around.
Mozart's Requeim is another masterpiece where he unleashes his overwhelming genius, which even his jealous contemporaries could not not find words for other than "divine". At the same time, it is also a subject of great controversy as to how the unfinished portions should have been completed (serious listeners should try to learn more about how Sussmayr completed the work and how his work is criticized). Whatever the case, this is unquestionably one of the greatest works of art ever created by man….
Considering that Mozart's Divertimento in E-flat is far and away the greatest string trio ever written, and one of the unquestionable monuments of chamber music generally, it doesn't get the attention that it surely deserves from either record labels or collectors. Perhaps the dearth of regularly constituted string trios (as opposed to quartets) has something to do with it, but the fact remains that there is no greater testament to Mozart's genius than this epic, nearly 50-minute-long masterpiece in six movements that contains not a second that fails to rise to the highest level of textural gorgeousness and supreme melodic inspiration. Happily, most performances understand how special the music is, and give it their best effort. This one is no exception. The Zimmerman Trio plays with remarkably accurate intonation and a ravishing tone that's also mindful of the Classical style. Schubert's single-movement trio makes the perfect coupling. It seems to grow right out of the Mozart until the end of the exposition, when Schubert suddenly sails in with some typically arresting harmony.