Mozart: Sonata, K.448

Andras Schiff & Peter Serkin - Music for Two Pianos: Mozart, Reger, Busoni (1999) 2CD

András Schiff & Peter Serkin - Music for Two Pianos: Mozart, Reger, Busoni (1999) 2CD
EAC | FLAC | Image (Cue&Log) ~ 363 Mb (incl 5%) | Scans included | Time: 01:32:17
Genre: Classical | Label: ECM | # ECM New Series 1676/77, 465 062-2

Andras Schiff and Peter Serkin, internationally celebrated and multi-award winning classical soloists, make their New Series debuts with Music for Two Pianos. Regarded as 2 of the greatest pianists of our time, Schiff and Serkin are very seldom heard - as they are here - as piano duo. With this recording, ECM begins a long-term relationship with Andras Schiff, a musician described by Gramophone magazine as "a unique poetic voice among the pianists".
W.A.Mozart - Fantasias K. 397, 475, 396, Sonata K.457 - Alexei Lubimov LP

W.A.Mozart - Fantasias K. 397, 475, 396, Sonata K.457 - Alexei Lubimov - LP Conversion
LP Conversion | APE/MP3-320kbps + cue + cover | NO LOG | 221.2/119.7Mb | 48:48 | Melodija 1985
Mozart : Sonata for two pianos in D, K.448 : Allegro con spirito; Andante; Molto Allegro; Schubert : Fantasia for four hands in

Mozart : Sonata for two pianos in D, K.448 | Schubert : Fantasia for four hands in F minor D.940
Murray Perahia & RAdu Lupu
Classical | APE | 140 Mb | 1985
Wiener Philharmoniker, Karl Bohm - Mozart: Requiem, K.626 (1971/2012) [Official Digital Download 24/192]

Wiener Philharmoniker, Karl Bohm - Mozart: Requiem, K.626 (1971/2012)
FLAC (tracks) 24-bit/192 kHz | Time - 64:25 minutes | 2.34 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Karl Böhm's 1971 Deutsche Grammophon recording of Mozart's Requiem has long been regarded as the best, deepest, truest, and most Austrian recording of the work. With the Wiener Staatsopernchor and the Wiener Philharmoniker, plus soloists Edith Mathis, Julia Hamari, Wieslaw Ochman, and Karl Ridderbusch, Böhm created a fuliginously sorrowful, luminously consoling, and numinously blessed performance of Mozart's final masterpiece and Deutsche Grammophon has wisely kept the performance almost continuously in print since its release.
NDR-Sinfonieorchester, Günter Wand - Beethoven: Symphonie Nr.4, Mozart: Posthornserende K.320 (2001)

NDR-Sinfonieorchester, Günter Wand - Beethoven: Symphonie Nr.4, Mozart: Posthornserende K.320 (2001)
EAC | FLAC (image+.cue, log) | Covers Included | 75:01 | 327 MB
Genre: Classical | Label: RCA Red Seal | Catalog: 74321 89717 2

In 2001, when Gunter Wand was an astonishing 89, he led this live concert from Hamburg with his home orchestra, the North German Radio. Wand was a benign (so far as I know) conservative like Josef Krips, happy if his wrld was circumscribed by Mozart, Beethoven, Schubert, and Bruckner, who remained the taples of his repertoire.
A lifelong devotion to Mozart shows through in this genial, quick-moving, sunny reading of the "posthorn" Serenade. The posthorn soloist is fine, the first oboe a bit less so, but everyone's in high spirits. There's not a hint of dullness anywhere, making Wand's one of the best versions outside the period-performance litany. Smiles all around.
Mozart - Requiem K.626, Kyrie K.341 (Philippe Herreweghe) [1997]

Mozart - Requiem K.626, Kyrie K.341 (Philippe Herreweghe) [1997]
Classical | EAC Rip | FLAC, IMG+CUE, LOG | Harmonia Mundi | Covers
HMX 2901620 | Covers | Scans | TT: 53’57 | 280.7 MB

Mozart's Requeim is another masterpiece where he unleashes his overwhelming genius, which even his jealous contemporaries could not not find words for other than "divine". At the same time, it is also a subject of great controversy as to how the unfinished portions should have been completed (serious listeners should try to learn more about how Sussmayr completed the work and how his work is criticized). Whatever the case, this is unquestionably one of the greatest works of art ever created by man….
Trio Zimmermann - Mozart: Divertimento K.563; Schubert: String Trio D.471 (2010)

Trio Zimmermann - Mozart: Divertimento K.563; Schubert: String Trio D.471 (2010)
Frank Peter Zimmermann, violin; Antoine Tamestit, viola; Christian Poltéra, cello

EAC | FLAC | Image (Cue&Log) ~ 292 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Classical, Chamber Music | Label: BIS | # BIS-SACD-1817 | Time: 00:59:25

Considering that Mozart's Divertimento in E-flat is far and away the greatest string trio ever written, and one of the unquestionable monuments of chamber music generally, it doesn't get the attention that it surely deserves from either record labels or collectors. Perhaps the dearth of regularly constituted string trios (as opposed to quartets) has something to do with it, but the fact remains that there is no greater testament to Mozart's genius than this epic, nearly 50-minute-long masterpiece in six movements that contains not a second that fails to rise to the highest level of textural gorgeousness and supreme melodic inspiration. Happily, most performances understand how special the music is, and give it their best effort. This one is no exception. The Zimmerman Trio plays with remarkably accurate intonation and a ravishing tone that's also mindful of the Classical style. Schubert's single-movement trio makes the perfect coupling. It seems to grow right out of the Mozart until the end of the exposition, when Schubert suddenly sails in with some typically arresting harmony.
Karajan Memorial Concert: Mozart - Requiem K. 626 - Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir (2015)

Karajan Memorial Concert: Mozart - Requiem K. 626 - Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir (2015)
Full BluRay 1:1 | BDMV | 1080i MPEG-4 AVC @ 23950 kbps; 29,970 fps | 01:02:21 | 14.35 GB
Audio1: Italian LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio2: Italian DTS-HD MA 5.1 / 48 kHz / 4322 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Genre: Classical | Subtitles: English, German, French, Spanish, Latin

On July 16, 1999, the tenth anniversary of the death of Herbert von Karajan, the Berliner Philharmoniker paid tribute to their late maestro in his home town of Salzburg. In a live shooting from the imposing Salzburg Cathedral, Claudio Abbado conducted an all- Mozart programme, honouring his predecessor both by the careful selection of the music and the singers. The Berliner Philharmoniker, conducted by Claudio Abbado, performed Mozart's Requiem in D minor, KV 626, among other works. Soprano Rachel Harnisch appeared as the soloist on the two complementing arias Betrachte dies mein Herz und frage mich and Laudate Dominum Featuring soprano Karita Mattila, contralto Sara Mingardo, tenor Michael Schade and bass baritone Bryn Terfel as soloists of the Requiem. A performance that in every respect met Karajan's own high artistic standards. Lovingly restored and carefully brought to HD, this unique performance of the Berliner Philharmoniker at Salzburg Cathedral is now finally available on Blu-ray Disc.
Mozart - Divertimento K.334 & Oboe Quartet K.370 - Janiczek · SCO Ensemble

Mozart - Divertimento K.334 & Oboe Quartet K.370 - Janiczek · SCO Ensemble
FLAC 96kHz / 24bit (Studio Master) | Stereo | Linn Records CKD 376 [2011] | 1.27 GB | 3% RAR | MU, RS

The Scottish Chamber Orchestra Ensemble, a group of principal players from the SCO, perform a selection of Mozart's chamber works written for smaller forces. This intimate performance showcases the wealth of talent present in this multi-award-winning orchestra

Mozart - Requiem K.626 (Koopman) [REUPLOAD]  Music

Posted by First Amendment at Feb. 26, 2011
Mozart - Requiem K.626 (Koopman) [REUPLOAD]

Wolfgang Amadeus Mozart - Requiem K.626 (Koopman)
EAC Rip | FLAC+LOG+CUE | Covers (jpg) | RAR 239 MB
Tracks | Classical | 1992 | Erato | Playing Time: 47'01"

This interpretation is very emotional and introspective, in turn conveying the intense hurt, the angst, the blind fury, the awe, and the final exaltation that one feels with when one is trying to come to terms with the decisions of the higher power. It felt like Ton Koopman had deliberately steered away from the grand orchestra mode and went with the more individualistic perspective, which was probably the unique twist that made me go back to it again and again. (Amazon customer)