This double-CD budget set brings together two performances by Spanish pianist Alicia de Larrocha, collaborating both times with Georg Solti as conductor. Each disc includes a pair of Mozart piano concertos. The music on the first CD, recorded in 1985, has never been released, because, the booklet asserts, post-production work was needed to clean up the acoustics.
The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.
This 9-disc set includes the mature solo piano concertos in performances by Andras Schiff and the Salzburg Camerata Academica under Sandor Vegh. The piano sound is notably more recessed than in other versions, giving more attention to the orchestral half of the musical dialog. Additionally, the Bosendorfer piano used by Schiff produces a sound that will not be confused with a modern Steinway.
This new recording of…the great D minor, K466, made last November with the LSO under Abbado, is immensely welcome. The old magic is still there: the ability to make every semiquaver in a run count: the way he can invest even quite 'innocent' music…with real meaning and character; the pathos and lyricism he brings to the slow movements; and the tension and drama he reveals in the outer movements of K466.
Arthur Schoonderwoerd, one of today's most sought-after interpreters on the fortepiano, presents the fourth part of his complete recording of Mozart's piano concertos on the Accent label with this release of the two early Piano Concertos, KV238 and KV246. As on their previous issues, Schoonderwoerd and his ensemble Cristofori here liberate Mozart's works from traditional 19th-century sound concepts: each string part in the orchestra is played by just one performer; the result is a very slender, transparent sound that supports the solo instrument without ever covering it up.