Mozart: Piano Concertos Schiff

Daniel Barenboim, Andras Schiff, Sir Georg Solti, English CO - Mozart: Piano Concertos K 242, 365, 466 (1990) Reissue 2006

Wolfgang Amadeus Mozart: Concerto for Two Pianos in E-flat, K. 365;
Concerto for Three Pianos in F, K. 242; Piano Concerto No. 20 in D minor, K466
Sir Georg Solti, piano & conducted; English Chamber Orchestra
Daniel Barenboim, piano; András Schiff, piano

EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Genre: Classical | Label: Decca/Universal | # 476 2451 | Time: 01:18:16

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.
Hai-Kyung Suh - Mozart: Piano Concertos Nos. 19, 20, 21 & 23 (2016) [Official Digital Download 24/96]

Hai-Kyung Suh - Mozart: Piano Concertos Nos. 19, 20, 21 & 23 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 119:50 minutes | 2.05 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Hai-Kyung Suh dazzled the international music scene by winning the prestigious Busoni International Competition as a teen-ager. Her New York recital debut at Alice Tully Hall five years later was hailed byThe New York Times as "a propulsive and exciting performance, built block by sonic block with the structual command of a musical architect."
Chamber Orchestra of Europe & Piotr Anderszewski - Mozart: Piano Concertos Nos. 25 & 27 (2018)

Chamber Orchestra of Europe & Piotr Anderszewski - Mozart: Piano Concertos Nos. 25 & 27 (2018)
Classical | WEB FLAC (tracks) & d. booklet | 256 MB
Label: Warner Classics | Tracks: 06 | Time: 63:21 min

This pairing of concertos Nos 25 and 27, recorded with Chamber Orchestra of Europe, is Piotr Anderszewski’s third Warner Classics album of Mozart concertos. “In Mozart I tend to prefer to direct from the keyboard,” he explains, “His concertos are like chamber works…The piano is in dialogue with the orchestra, conversing and interacting all the time. The two works are very different …No 25 is very grand, complex and sophisticated; No 27, Mozart’s final piano concerto, is in a major key, but underneath it I sense an incredible sadness … It always amazes me how deep this music is.”"
Chamber Orchestra of Europe & Piotr Anderszewski - Mozart: Piano Concertos Nos. 25 & 27 (2018) [ 24/96]

Chamber Orchestra of Europe & Piotr Anderszewski - Mozart: Piano Concertos Nos. 25 & 27 (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 63:21 minutes | 1.16 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

This pairing of concertos Nos 25 and 27, recorded with Chamber Orchestra of Europe, is Piotr Anderszewski’s third Warner Classics album of Mozart concertos. “In Mozart I tend to prefer to direct from the keyboard,” he explains, “His concertos are like chamber works…The piano is in dialogue with the orchestra, conversing and interacting all the time. The two works are very different …No 25 is very grand, complex and sophisticated; No 27, Mozart’s final piano concerto, is in a major key, but underneath it I sense an incredible sadness … It always amazes me how deep this music is.”"
Edwin Fischer - Mozart: Piano Concertos - The Complete Studio Recordings (1933-1947) (3CD Box Set)

Edwin Fischer - Mozart: Piano Concertos - The Complete Studio Recordings (1933-1947) (3CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 671 mb | MP3 CBR 320kbps | 03:41:52 | 511 mb
Classical, Piano | Label: APR / APR 7303

This three-disc set of all of the studio recordings of Mozart's piano concertos and sonatas made by German pianist Edwin Fischer between 1933-1947 may elicit different responses from his fans than from listeners not already persuaded of his greatness.
Mitsuko Uchida, The Cleveland Orchestra - Mozart: Piano Concertos Nos. 17 & 25 (2016)

Mitsuko Uchida, The Cleveland Orchestra - Mozart: Piano Concertos Nos. 17 & 25 (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 67:23 | 264 MB
Genre: Classical | Label: Decca | Catalog: B002571602

For her fifth live recording of Wolfgang Amadeus Mozart's piano concertos with the Cleveland Orchestra, Mitsuko Uchida presents the Piano Concerto No. 17 in G major, K 453, and the Piano Concerto No. 25 in C major, K 503, a delightful pairing that reflects her previous albums in this critically acclaimed series on Decca.
Maria Joao Pires, Orchestra Mozart; Claudio Abbado - W.A. Mozart: Piano Concertos Nos. 20 & 27 (2012) [Repost]

Wolfgang Amadeus Mozart: Piano Concertos Nos. 20 & 27 (2012)
Maria João Pires, piano; Orchestra Mozart; Claudio Abbado, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 479 0075 GH | Time: 01:00:14

It's a recording that just a few years ago would have been mainstream: a "name" pianist (albeit one much less well known in the U.S. than elsehwere), who has been playing Mozart's piano concertos since childhood, joins forces with a name conductor with whom she has frequently collaborated, leading a modern-instrument orchestra of some 70 players, with the results released on a major international-conglomerate label. Now it's distinctly unusual. But lo, there's value in the old ways. Portuguese-Brazilian pianist Maria-João Pires is a lifelong Mozart specialist, but she still has new things to say in two of Mozart's most popular piano concertos. You can chalk it up to her Buddhist outlook if you like: her readings of the Piano Concerto No. 27 in B flat major, K. 595, and Piano Concerto No. 20 in D minor, K. 466, might be described as detached without being lifeless. Her approach is most startling in the Piano Concerto No. 20, where her no-drama shaping of the material runs sharply counter to type. Sample the piano's entrance in the first movement, where it offers a twisting, tense elaboration of the main theme that is far removed from its source material. Generally pianists use this to raise the tension level, but Pires lets the unusually shaped, chromatic line speak for itself with fine effect.
Jean-Efflam Bavouzet, Manchester Camerata & Gábor Takács-Nagy - Mozart: Piano Concertos, Vol. 2 (2017)

Jean-Efflam Bavouzet, Manchester Camerata & Gábor Takács-Nagy - Mozart: Piano Concertos, Vol. 2 (2017)
Classical | WEB FLAC (tracks) & d. booklet | 259 MB
Label: Chandos | Tracks: 12 | Time: 69:25 min

The effervescent and communicative energy of Bavouzet and Takacs-Nagy is encapsulated again in this second volume of their Mozart series. These exhilarating interpretations of Mozart s piano concertos of 1784, faultlessly supported by the Manchester Camerata, follow highly praised concerts as well as a first volume which was Editor s Choice in Pianist. The two concertos presented here are among the six that Mozart composed in Vienna in an extraordinarily productive year.
Francesco Piemontesi - Mozart: Piano Concertos Nos. 25 & 26 (2017) [Official Digital Download 24/96]

Francesco Piemontesi - Mozart: Piano Concertos Nos. 25 & 26 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 61:19 minutes | 1.01 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Described as a ‘stellar Mozartian’ Francesco Piemontesi finds a perfect partner in the Scottish Chamber Orchestra whose impeccable credentials are widely acknowledged.

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)  Music

Posted by tirexiss at Nov. 12, 2017
Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 01:04:50 | 290 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 477 9849

Central to Hélène Grimaud's first live album for Deutsche Grammophon is the significance she finds in the slow movement of the Piano Concerto No. 23 in A major, K. 488, of Wolfgang Amadeus Mozart. This movement is a touchstone for her, insofar as she regards it as the most sublime music, "where you find the real Mozart." She has also stated, "Even if this movement were all we had, that would be enough." Because of the emphasis Grimaud places on this poignant Adagio in F sharp minor, listeners may be tempted to cut to the chase and skip the other tracks to hear her interpretation.