Mozart: Piano Concertos Schiff

Daniel Barenboim, Andras Schiff, Sir Georg Solti, English CO - Mozart: Piano Concertos K 242, 365, 466 (1990) Reissue 2006

Wolfgang Amadeus Mozart: Concerto for Two Pianos in E-flat, K. 365;
Concerto for Three Pianos in F, K. 242; Piano Concerto No. 20 in D minor, K466
Sir Georg Solti, piano & conducted; English Chamber Orchestra
Daniel Barenboim, piano; András Schiff, piano

EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Genre: Classical | Label: Decca/Universal | # 476 2451 | Time: 01:18:16

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)  Music

Posted by tirexiss at Nov. 12, 2017
Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 01:04:50 | 290 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 477 9849

Central to Hélène Grimaud's first live album for Deutsche Grammophon is the significance she finds in the slow movement of the Piano Concerto No. 23 in A major, K. 488, of Wolfgang Amadeus Mozart. This movement is a touchstone for her, insofar as she regards it as the most sublime music, "where you find the real Mozart." She has also stated, "Even if this movement were all we had, that would be enough." Because of the emphasis Grimaud places on this poignant Adagio in F sharp minor, listeners may be tempted to cut to the chase and skip the other tracks to hear her interpretation.
François Chaplin, Jean François Verdier & Orchestre Victor Hugo Franche-Comté - Mozart: Piano Concertos Nos. 23 & 24 (2017)

François Chaplin, Jean François Verdier & Orchestre Victor Hugo Franche-Comté - Mozart: Piano Concertos Nos. 23 & 24 (2017)
Classical | WEB FLAC (tracks) & front cover | 57:13 min | 230 MB
Label: Aparté | Tracks: 06 | Rls.date: 2017

Every artist sets his or her sights on the absolute, the universal horizon towards which Mozart points us. Performing Mozart is an act of sharing this world-encompassing music, music that opens onto the infinite mysteries of the human soul.
François Chaplin - Mozart: Piano Concertos Nos. 23 & 24 (2017) [Official Digital Download 24/96]

François Chaplin, Jean François Verdier & Orchestre Victor Hugo Franche-Comté - Mozart: Piano Concertos Nos. 23 & 24 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 57:13 minutes | 864 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Every artist sets his or her sights on the absolute, the universal horizon towards which Mozart points us. Performing Mozart is an act of sharing this world-encompassing music, music that opens onto the infinite mysteries of the human soul.
Rudolf Serkin - Rudolf Serkin Plays Mozart Piano Concertos (2017)

Rudolf Serkin - Rudolf Serkin Plays Mozart Piano Concertos (2017)
MP3 CBR 320 kbps | 07:00:28 | 962 Mb
Classical | Label: Sony Classical

Known for his intense, insightful interpretations of the classical repertoire, Rudolf Serkin was one of the great American pianists of the mid-century, and seldom was he more in his element than when playing Mozart. This new six-CD release unites for the first time fourteen Mozart concerto recordings made at the height of his career, between 1951 and 1977. His is not a raised-little-finger type of Mozart; it is rugged, has contour, and is a welcome relief from the pretty-pretty conceptions heard only too often , wrote Gramophone of a 1955 recording with the Columbia Symphony Orchestra and Alexander Schneider. With the same orchestra, Serkin is ideally matched (AllMusic Guide) with conductor George Szell; elsewhere he partners Eugene Ormandy and the Philadelphia Orchestra, as well as Pablo Casals at the cellist-conductor s festival in Perpignan for No. 22 ( exultant and miraculous BBC Music Magazine). Recordings from the Marlboro Festival include the Concerto No. 10 for two pianos with his then-teenage son Peter Serkin.
Menahem Pressler - Mozart: Piano Concertos Nos. 23 & 27 (Live) (2017) [Official Digital Download]

Menahem Pressler, Kimbo Ishii & Magdeburg Philharmonic - Mozart: Piano Concertos Nos. 23 & 27 (Live) (2017)
FLAC (tracks) 24-bit/44.1 kHz | Time - 77:51 minutes | 765 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

“…..Pressler has played Mozart’s piano concertos with such frequency that they can be reckoned among the works that have occupied him the most in his life. Fortunately, a wish that Pressler and the musicians of the Magdeburg Philharmonic Orchestra had been having for many years finally came true: in May and December 2016, Pressler performed as a soloist in his home town. In May he performed Mozart’s Piano Concerto in B Flat Major K595, and in December he played the Piano Concerto in A Major K488. On the subject of Mozart, he remarks: “In Mozart there are no ‘empty’ passages.
Alicia de Larrocha, Georg Solti - Mozart: Piano Concertos Nos. 24-27 (2010)

Alicia de Larrocha, Georg Solti - Mozart: Piano Concertos Nos. 24-27 (2010)
MP3 (CBR 320 kbps) | Digital Booklet | 02:08:32 | 319 MB
Genre: Classical | Label: Decca

This double-CD budget set brings together two performances by Spanish pianist Alicia de Larrocha, collaborating both times with Georg Solti as conductor. Each disc includes a pair of Mozart piano concertos. The music on the first CD, recorded in 1985, has never been released, because, the booklet asserts, post-production work was needed to clean up the acoustics.

Andras Schiff - Mozart Piano Concertos: 9 CD Box Set (1995)  Music

Posted by Discograf_man at April 26, 2015
Andras Schiff - Mozart Piano Concertos: 9 CD Box Set (1995)

Andras Schiff - Mozart Piano Concertos: 9 CD Box Set (1995)
Classical, Chamber, Concerto | MP3 CBR 320 kbps | 1,36 Gb | Covers 83 Mb
Label: Decca | Release Year: 1995

This 9-disc set includes the mature solo piano concertos in performances by Andras Schiff and the Salzburg Camerata Academica under Sandor Vegh. The piano sound is notably more recessed than in other versions, giving more attention to the orchestral half of the musical dialog. Additionally, the Bosendorfer piano used by Schiff produces a sound that will not be confused with a modern Steinway.
Menahem Pressler, Kimbo Ishii & Magdeburg Philharmonic - Mozart: Piano Concertos Nos. 23 & 27 (Live) (2017)

Menahem Pressler, Kimbo Ishii & Magdeburg Philharmonic - Mozart: Piano Concertos Nos. 23 & 27 (Live)
Classical | WEB FLAC (tracks) & d. booklet | 77:51 min | 336 MB
Label: CAvi-music | Tracks: 09 | Rls.date: 2017

Renowned pianist Menahem Pressler performs Mozart's Piano Concertos Nos. 23 and 27, accompanied by the Magdeburg Philharmonic and conductor Kimbo Ishii. Widely known as a founding member of the legendary Beaux Arts Trio, Pressler is also a respected soloist with a career spanning almost 60 years. The skill and experience developed over those years is apparent on this live recording, which also features Pressler performing Debussy's La Cathédrale engloutie and two solo works by Chopin.
Jean Claude Pennetier - Mozart: Piano Concertos No. 21 & No. 24 (2017) [Official Digital Download]

Jean Claude Pennetier - Mozart: Piano Concertos No. 21 & No. 24 (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 57:52 minutes | 549 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

With these two piano concertos, Jean-Claude Pennetier establishes the authenticity of Mozart’s gift. The tenderness and fire of No. 21 mirror the anguish and inner intensity of No. 24. The two pieces are close to perfect and prove, as Mauriac put it, that: “As long as men inhabit the earth, just a few bars of Mozart can remind us of the paradise we lost, a paradise that may still exist as long as we can hear the echoes of its laughter and tears in such divine music.”