Mozart Period

Philips Classics - Mozart on Tour (1991) [Repost]  Video

Posted by Tutorial at July 22, 2016
Philips Classics - Mozart on Tour (1991) [Repost]

Philips Classics - Mozart on Tour (1991)
DVDRip | 640 x 480 | .MKV/AVC @ 2500 Kbps | 13x~53mn | English AAC 192 Kbps, 2 channels | 13.8 GB
Genre: Documentary

Originally released by Philips Classics on VHS and Laserdisc in 1991, the 13-part Mozart on Tour series chronicles the journeys of the child, adolescent and adult Mozart across Europe, in what was ultimately to prove a futile pursuit of fame and fortune.

Philips Classics - Mozart on Tour (1991)  Video

Posted by Polik88 at Feb. 4, 2015
Philips Classics - Mozart on Tour (1991)

Philips Classics - Mozart on Tour (1991)
DVDRip | English | MKV (H264) 29.970 fps 2500 Kbps | 640x480 | AAC 128 Kbps 48.0 khz | 13x57mn | 13x1.0 GB
Genre: Documentary

Originally released by Philips Classics on VHS and Laserdisc in 1991, the 13-part Mozart on Tour series chronicles the journeys of the child, adolescent and adult Mozart across Europe, in what was ultimately to prove a futile pursuit of fame and fortune. Each episode is centred on a different European city and combines travelogue-style narration with musical excerpts and period re-enactment.
Les Arts Florissants, William Christie - Mozart: Die Entfuhrung aus dem Serail (1999)

Les Arts Florissants, William Christie - Mozart: Die Entfuhrung aus dem Serail (1999)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 02:06:47 | 581 MB
Genre: Classical, Opera | Label: Erato | Catalog: 3984-25490-2

It was only a matter of time before William Christie got around to recording Mozart's delightful 1782 singspiel, and the results are very happy indeed. Period instruments are just right for the raucous "Turkish" music Mozart composed for Entführung, and they go very nicely with the light voices Christie has chosen as well. Most successful is the Belmonte of tenor Ian Bostridge, already famous for his lieder singing.

Write Like Mozart - An Introduction to Classical Music Composition [repost]  eBooks & eLearning

Posted by ParRus at Feb. 15, 2017
Write Like Mozart - An Introduction to Classical Music Composition [repost]

Coursera: Write Like Mozart - An Introduction to Classical Music Composition
National University of Singapore with Peter Edwards

WEBRip | English | MP4 + PDF Guides | 960 x 540 | AVC ~320 kbps | 25 fps
AAC | 128 Kbps | 48.0 KHz | 2 channels | Subs: English (.srt) | 10:05:01 | 1.15 GB
Genre: eLearning Video / Music

This course introduces students to strategies for style writing of common practice European art music. The issues of harmonic progression, voice leading, and texture are addressed in addition to relevant compositional concepts like repetition, variation, and elaboration. The course aims to offer a creative space even within the restrictions of stylistic emulation.
Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)

Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415
Classical | WEB FLAC (tracks) & d. booklet | 74:27 min | 294 MB
Label: Challenge Classics | Tracks: 09 | Rls.date: 2017

Mozart conceived three piano-concerti K.413, 414 and 415 in 1782, one year after he had settled in Vienna as a more or less freelance musician. By then he had already composed four concertos for piano and orchestra, one for three (or two) pianos and orchestra, and another one for two pianos and orchestra. It was also the period in which he was working on his opera Die Entführung aus dem Serail, K.384 and on the first String Quartet No. 14, K.387 of the six dedicated to Haydn in 1785.

The Mozartean Players - Mozart: Complete Piano Trios (2006)  Music

Posted by tirexiss at Feb. 12, 2017
The Mozartean Players - Mozart: Complete Piano Trios (2006)

The Mozartean Players - Mozart: Complete Piano Trios (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 76:54 + 59:33 | 548 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: 2967033

The quality of the recorded sound is so perfectly clear on this recording, like finely etched crystal, while at the same time it is so robust and resonant, that it is difficult to believe that the piano played on these two marvelous CDs is a replica of a 1785 Walter fortepiano, a smaller and much more fragile instrument than today's modern concert grand pianos.
Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)

Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)
Classical | MP3 CBR 320 kbps | 01:14:34 | 171 MB
Label: Challenge Classics | Release Year: 2017

Mozart conceived three piano-concerti K.413, 414 and 415 in 1782, one year after he had settled in Vienna as a more or less freelance musician. By then he had already composed four concertos for piano and orchestra, one for three (or two) pianos and orchestra, and another one for two pianos and orchestra. It was also the period in which he was working on his opera Die Entführung aus dem Serail, K.384 and on the first String Quartet No. 14, K.387 of the six dedicated to Haydn in 1785.

Mozart - Cosi fan tutte (Arnold Ostmann) (2006/1984)  Music

Posted by Vilboa at Jan. 23, 2017
Mozart - Cosi fan tutte (Arnold Ostmann) (2006/1984)

Mozart - Così fan tutte (Arnold Östmann) (2006/1984)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.11 Gb (DVD9) | 139 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

The old philosopher Don Alfonso enrages his two friends, the officers Ferrando and Guglielmo, with his claim that their fiancées will sooner or later be unfaithful to them - like all women. He proposes a wager, which the two friends accept. They swear on their honour as soldiers that they will prove him wrong and that Dorabella and Fiordiligi are not like “all women”. The immaculately restored eighteenth-century Court Theatre at the country residence of the Swedish Royal Family is the ideal home for period opera. Ever since Drottningholm Court Theatre was rediscovered in the 1920s, it has served as a living memorial to the fabulous extravagance of courtly entertainment and provided the wherewithal for the recreation of the spectacular scenic transformations of the seventeenth and eighteenth century operatic repertoire. The conductor Arnold Östman was appointed Drottningholm’s Artistic Director in 1980 and immediately set about establishing a Drottningholm Mozart style, attempting to recapture an authentic flavour through detailed historical research and the use of period instruments. He collaborates with German producer Willy Decker on this ever-popular Mozart comedy with an extensively rehearsed cast of young Swedish singers who “…proved a triumph of stylish teamwork, with singers and orchestra listening to each other, almost as it were breathing together.” (Daily Telegraph)
Eric Heidsieck - Mozart: Piano Sonatas K. 280, 282, 283, 457 & 545 (2017)

Eric Heidsieck - Mozart: Piano Sonatas K. 280, 282, 283, 457 & 545 (2017)
Classical | MP3 CBR 320 kbps | 01:13:03 | 168 MB
Label: naïve classique | Release Year: 2017

The French pianist, Éric Heidsieck, gave his first recital at the age of 9 in Reims and his first concert with orchestra a year later. In 1954, he finished the class of Marcel Ciampi in the first place; then took his first lessons with Alfred Cortot at l'Ecole Normale de Musique de Paris. Parallel to that, he attended the courses of Wilhelm Kempff on L.v. Beethoven in Positano.
Arcangelo, Jonathan Cohen - Haydn: Sinfonia Concertante, Mozart: Oboe & Bassoon Concertos (2015)

Arcangelo, Jonathan Cohen - Haydn: Sinfonia concertante, Mozart: Oboe & Bassoon Concertos (2015)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet| 57:44 | 271 MB
Genre: Classical | Label: Hyperion | Catalog: CDA 68090

Haydn's Sinfonia Concertante in B flat major for violin, cello, oboe, and bassoon, Hob. 1/105, is among his most recorded works, and among his most utterly joyful. But it has rarely reached the heights of ebullience achieved in this historical-instrument reading by the small British ensemble Arcangelo and its conductor, Jonathan Cohen. The list of things to be enthusiastic about is long, but it begins with the differentiation of the instruments in the solo passages, with the period oboe and bassoon of Alfredo Bernardini and Peter Whelan, respectively, having the depth of texture to stand up to the brilliant Stradivarius violin and Guarneri cello of Ilya Gringolts (a renowned soloist in his own right) and Nicolas Altstaedt.