Mozart Period

Maria Joao Pires - Verdes Anos 1976-1985: J.S. Bach, Beethoven, Chopin, Schumann, Mozart (2005) 5CD Box Set

Maria João Pires - Verdes Anos 1976-1985 (2005) 5CD Box Set
J.S. Bach, Beethoven, Chopin, Schumann, Mozart

EAC | FLAC | Image (Cue&Log) ~ 1.27 Gb (incl 5%) | Mp3 (CBR320) ~ 818 Mb (incl 5%) | Scans ~ 24 Mb
Genre: Classical | Label: Erato/Warner Classics | # 2564612482 | Time: 05:30:10

Maria João Pires “shapes and colours every phrase, and with immaculate taste, and she makes sure the phrases end as eloquently as they begin,” wrote Gramophone in 1974. “She conveys not just the details but the relevance of every note to the whole … Best of all, she communicates everything she has discovered about the music, and it is worth having.” This Portuguese pupil of Wilhelm Kempff, Pires was one of the artists who defined the Erato label in the 1970s and 1980s. This 5-CD box gathers together the recordings she made over the period from 1976 to 1985 and it reflects the consistent focus of her repertoire, with its special emphasis on Austro-German composers of the Classical and early-Romantic periods. Embracing solo works, piano duets and concertos, it contains works by Mozart, Schumann, Beethoven, but also by Bach and Chopin.

Rautio Piano Trio - Mozart: Piano Trios KV 502, 542, 564 (2016)  Music

Posted by 1rostik at Nov. 13, 2016
Rautio Piano Trio - Mozart: Piano Trios KV 502, 542, 564 (2016)

Rautio Piano Trio - Mozart: Piano Trios KV 502, 542, 564 (2016)
MP3 320 kbps CBR | 57:09 min | 139 MB
Genre: Classical | Label: Resonus Classics

The Rautio Piano Trio make their Resonus Classics recording debut with a disc of three piano trios by Mozart trios in B flat major, KV 502; in E major KV 542; and in G major, KV 564. Becoming particularly well-known for presenting a wide range of the trio repertoire on both period and modern instruments, the Rautio Piano Trio perform here on period instruments including a fortepiano that once belonged to the late Christopher Hogwood CBE.

Rondo Veneziano - Concerto Per Mozart (1990) {1993, Reissue}  Music

Posted by popsakov at Nov. 13, 2016
Rondo Veneziano - Concerto Per Mozart (1990) {1993, Reissue}

Rondo Veneziano - Concerto Per Mozart (1990) {1993, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 304 Mb | MP3 CBR320 ~ 113 Mb
Scans (PNG, 400 dpi) ~ 150 Mb | RAR 5% Recovery
Modern Classical | BMG / Ariola #261 362

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem…

Mozart - Cosi fan tutte (Teodor Currentzis) (2014)  Music

Posted by Vilboa at Nov. 6, 2016
Mozart - Cosi fan tutte (Teodor Currentzis) (2014)

Mozart - Così fan tutte (Teodor Currentzis)
Classical | Sony 88765466162 | 2014 | TT: 177:35 | EAC (FLAC, cue, log) | Covers | 770 Mb

Sony Classical continues its major Mozart opera project with conductor Teodor Currentzis and his orchestra & choir MusicAeterna. A ‘no-compromise’ studio recording cycle of Mozart’s three Da Ponte operas. Living in a unique artistic community established on the edge of Siberia, the musicians work and record under ideal conditions towards Currentzis’ stated goal “to show what can be achieved if you avoid the factory approach of the classical music mainstream”. The soloists’ vocal technique is also markedly different to modern operatic interpretation, with a focus on intimacy and clarity, a use of vibrato remarkably restrictive even by today’s ‘period practice’ standards as well as an approach to melodic ornamentation derived from historic sources which cannot be heard in other performances of these works.
Cleveland Orchestra, George Szell, Erich Leinsdorf - Mozart: 'Eine kleine Nachtmusik'; 'Posthorn'; Six German Dances (1992)

Wolfgang Amadeus Mozart: 'Eine kleine Nachtmusik'; 'Posthorn'; Six German Dances (1992)
Cleveland Orchestra, conducted by George Szell, London SO, conducted by Erich Leinsdorf

EAC | FLAC | Tracks (Cue&Log) ~ 385 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: Sony Classical | # SBK 48 266 | Time: 01:14:27

Every major conductor, and most not-so-major ones, comes around to recording Eine kleine Nachtmusik, but not so many do it as well as George Szell and the Cleveland Orchestra strings. And let’s face it, you won’t find a period-instrument ensemble that plays with anything like this level of polish. The fact is, Szell’s conception of Mozart was not terribly far from “period” sensibilities: restrained use of vibrato, incisive rhythms, crisp ensemble, lively tempos, but also a welcome degree of warmth to the sound and of course incredible ensemble discipline and some of the best players on the planet. And he had real period instruments, meaning performers who owned top quality old violins and bows, not inferior modern reproductions of them. The result is as lovely a performance of Mozart’s perennially delicious Serenade as we are ever likely to hear.
Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)

Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)
EAC | FLAC (image+.cue, log) - 396 MB | MP3 (CBR 320 kbps) - 193 MB | Covers + Digital Booklet | 79:52
Genre: Classical | Label: BIS | Catalog: 1754

The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.

Chiaroscuro Quartet - Beethoven, Mozart (2013)  

Posted by Designol at Jan. 17, 2016
Chiaroscuro Quartet - Beethoven, Mozart (2013)

Chiaroscuro Quartet - Beethoven, Mozart (2013)
EAC | FLAC | Tracks (Cue&Log) ~ 230 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Aparté | # AP051 | Time: 00:57:23

Following on their highly acclaimed debut album, the period instrument Chiaroscuro Quartet returns with another recording of chamber music of the classical period. Their approach, firmly committed and imaginative, fits particularly well with the trail-blazing works on this recording. In its day, Beethoven's famous ''Serioso'' quartet was considered avant-garde and experimental. Mozart's Adagio and Fugue is a veritable lesson in the art of counterpoint - rich with dissonance and brilliant in its subtle complexity and inventiveness.

Bezuidenhout - Mozart: Keyboard Music Vol 7 (2015)  

Posted by newskl at Aug. 28, 2015
Bezuidenhout - Mozart: Keyboard Music Vol 7 (2015)

Bezuidenhout - Mozart: Keyboard Music Vol 7 (2015)
Classical | MP3 320kbps CBR | 1 CD | Full Scans | 175 MB
Label: Harmonia Mundi | Catalog Number: 907531 | Rls.date: 12th Jan 2015

In Volume 7 of his internationally praised Mozart cycle, Kristian Bezuidenhout includes two works influenced by Wolfgang's 1778 stay in Paris: the grandly proportioned Sonata in A minor, K310 and the dazzling Variations in C on 'Lison dormait', K264. Kristian Bezuidenhout was born in South Africa in 1979. He studied at the Eastman School of Music, where he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson, and continuo playing and performance practice with Paul O’Dette. He now lives in London. Bezuidenhout is a frequent guest artist with all of the principal period ensembles and orchestras of Europe, often assuming the role of guest director, and he collaborates regularly with many of today’s most celebrated artists.
W.A. Mozart - Ronald Brautigam - Piano Concertos Nos. 19 & 23 (2013) {Hybrid-SACD // ISO & HiRes FLAC}

Wolfgang Amadeus Mozart - Piano Concertos Nos. 19 & 23
Ronald Brautigam / Die Kölner Akademie / Michael Alexander Willens
SACD ISO (2.0/MCH): 2,30 GB | 24B/88,2kHz Stereo FLAC: 806 MB | Full Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-1964 SACD | Country/Year: Sweden 2013, 2012
Genre: Classical | Style: Viennese School, Piano

"…In the hands of Willems and Brautigam, this masterpiece is given a first class performance, particularly in its buoyant Finale, a sonata-rondo in which the piano and orchestra really are cavorting joyfully together. The two concertos on this disc's menu may well offer the best performances of the series so far, yielding first class solo and orchestral playing as well as the best recording of any period Mozart concerto series at this time." ~sa-cd.net
Hagen Quartett - Mozart Quintet for Clarinet and Strings, Beethoven String Quartet No. 16 (2009) DVD9

Hagen Quartett - Mozart Quintet for Clarinet and Strings, Beethoven String Quartet No. 16 (2009) DVD9
DVD9 | VIDEO_TS | NTSC | 16:9 | 720x480 | 29,970 fps 5225 kbps | Artworks | 72 min | 4.58 Gb
Audio 1: AC3 6 ch @ 448 Kbps | Audio 2: DTS 6 ch 754 kbps | Audio 3: PCM 2 ch 1536 kbps
Classical

Writing in 29:4 about the Hagen’s fine CD accounts of Beethoven Quartets Nos. 12 and 15, I noted two salient features of its approach: a sonority that in its freedom from lushness and excessive vibrato echoes (without duplicating) “period” sonority; and a style suggestive of how the music is far closer to the composer’s middle period than we often think. In a similar vein, this is a tough, aggressive No. 16, yet one tempered by delicacy where apt and projected with sensitivity to the music’s pointed humor—a performance style that one probably was not likely to encounter 50 years ago. And fine though the Beethoven is, the Mozart may be even better, as commanding and sensitive account of the work as I have ever heard. For one thing, Sabine Meyer is superb, a true virtuoso who is capable of rendering the music’s gentler moments with a tender delicacy that is as arresting as her rapidly articulated runs in which every note is given its clearly articulated due.