Herbert von Karajan also often confronted himself with spiritual music. Especially the Mozart, Verdi and Brahms Requiem were always performed in the utmost quality, whereas before all else Verdi's Messa di Requiem demands excellent opera voices.
These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.
Karl Böhm had a profound, sincere, and abiding love for Mozart's music, and his recordings set new performance standards for these immortal masterpieces. Here his delightful interpretation of three ravishing symphonies and the enchanting Serenata notturna, plus a documentary portrait of this great conductor.
These remarkable films reflect the naturalness and clarity of Böhm's conducting, as he and the Vienna Philharmonic bring unique warmth, wit and wisdom to every bar. "Böhm always goes unerringly to the heart of the matter. His natural, unforced approach are the hallmarks of a Mozart style which was unaffected by fashion or by compromise, and earned the epithet 'timeless' even in the conductor's lifetime." - Peter Cossé
This album made the headlines in 2006 as the UK’s first classical “on the night” recording. CDs were made during the second part of the concert for the audience to take home after the concert. This is the first time this CD is commercially released. Symphonies 39 & 49 are among the last composed by Mozart. They use the full eighteenth-century orchestra, complete with trumpets and timpani.
…After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic: she made her public debut on stage in 1976 at the Lucerne Festival, playing Mozart’s Violin Concerto No. 4 in D major. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic…
Though one could quibble with this detail of articulation or that detail of phrasing, one could not convincingly assert that the performances of Mozart's symphonies No. 29, No. 31, No. 32, No. 35, and No. 36 with Charles Mackerras leading the Scottish Chamber Orchestra are anything short of superlative. They famously recorded these same works for Telarc 20 years ago in performances that were hailed as a masterful meeting of conductor and orchestra, and the intervening years have only deepened the relationship, resulting in performances that shine and sparkle, as well as probe and ponder. With all repeats intact, the works here are much longer than usual, but the energy and spirit Mackerras and the Scottish musicians bring to the music makes their performances seem not a note too long.
Renowned for his work in Baroque vocal music, René Jacobs is most frequently credited as a countertenor and as a choral director. He is somewhat less familiar as a conductor of Classical symphonic music, though he has increasingly delved into this repertoire in recordings with one of Europe's best early music groups, the Freiburger Barockorchester. This 2007 release from Harmonia Mundi features Jacobs and the orchestra in bright and finely detailed performances of two of Wolfgang Amadeus Mozart's late symphonies, the Symphony No. 38 in D major, K. 504, "Prague," and the Symphony No. 41 in C major, K. 551, "Jupiter."
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era."
Almost any recording of a Mozart symphony by Austrian conductor Karl Bohm (1894-1981) is a sure thing: excellent sound, and sensible, solid, non-sentimental interpretation.
The films in this DVD were made in the 1970s: both picture and sound are excellent. Bohm is an easy conductor to watch, and his conducting style does not distract or call attention to him over the musicians or the music. Indeed, Bohm SERVES Mozart, and watching him conduct the great Vienna Philharmonic is a joy from beginning to end.