Mozart Requiem Butt

Mozart: Requiem - Butt, Dunedin Consort (2014) [Official Digital Download - 24bit/192kHz]

Mozart: Requiem - Butt, Dunedin Consort (2014)
FLAC (tracks) 24 bit/192 kHz | 1 CD | Digital Booklet | 2.29 GB
Genre: Classical | Official Digital Download - Source: Linn Records

The Dunedin Consort presents the premiere recording of Mozart scholar David Black’s new 2013 edition of Süssmayr's completion of Mozart’s Requiem. In keeping with several other Dunedin projects, this provides the opportunity to re-imagine what this work may have sounded like at its very first performance. To this end, the recording will be the first not only to use this new edition, but also to present the work using forces close in style and scale to those at the first performances.
Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)

Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
Vasiljka Jezovsek, Soprano; Claudia Schubert, Contralto
Marcus Ullmann, Tenor; Michael Voile, Bass
Barockorchester and Kammerchor Stuttgart, conducted by Frieder Bernius

EAC | WV | Image (Cue&Log) ~ 192 Mb | Mp3 (CBR320) ~ 106 Mb | Scans ~ 50 Mb
Classical, Choral | Label: Carus | # 83.207 | Time: 00:46:15

Frieder Bernius and his Stuttgart forces weigh in with one of the finer Mozart Requiems in a very crowded field–and to ensure this performance’s relative exclusivity, it’s one of only a handful of recordings that use the edition by Franz Beyer, an intelligent and persuasive 1971 effort to correct “obvious textural errors” and some decidedly un-Mozartian features in the orchestration attributable to Franz Süssmayr, Mozart’s pupil/assistant who completed the work after the master’s death. This live concert performance from 1999 offers well-set tempos (including a vigorous Kyrie fugue), infectious rhythmic energy from both chorus and orchestra, robust, precise, musically compelling choral singing, a first rate quartet of soloists–and, especially considering its concert-performance setting, impressively detailed and vibrant sonics. The CD also features informative notes by Beyer himself.
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Dunedin Consort - Mozart: Requiem - Reconstruction of 1st performance (2014) [24-192]

Dunedin Consort - Mozart: Requiem - Reconstruction of 1st performance (2014)
FLAC (tracks) 24bit/192 kHz | Time - 61:39 minutes | 2,41 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This GRAMMY-nominated recording provides the opportunity to re-imagine what this work may have sounded like at its very first performance and won Dunedin Consort its second Gramophone Award. The recording is the first not only to use this new edition, but also to present the work using forces close in style and scale to those at the first performances.
Roger Norrington, London Classical Players, Schutz Choir - Mozart: Requiem, Ave verum corpus, Masonic Funeral Music (2013)

Wolfgang Amadeus Mozart - Requiem, Ave verum corpus, Masonic Funeral Music (2013)
Nancy Argenta, soprano; Catherine Robbon, alto; John Mark Ainsley, tenor; Alastair Miles, bass
Schütz Choir of London; London Classical Players; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb (incl 5%) | Mp3 (CBR320) ~ 138 Mb (incl 5%) | Scans ~ 55 Mb
Genre: Classical, Choral | Label: Virgin Classics | # 50999 7 35296 2 0 | Time: 00:57:45

The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
Dunedin Consort, John Butt - Wolfgang Amadeus Mozart: Requiem - Reconstruction of First Performance (2014)

Dunedin Consort, John Butt - Wolfgang Amadeus Mozart: Requiem - Reconstruction of First Performance (2014)
Joanne Lunn, soprano; Rowan Hellier, alto; Thomas Hobbs, tenor; Matthew Brook, bass

EAC | FLAC | Image (Cue&Log) ~ 322 Mb (incl 5%) | Scans included | Time: 01:01:39
Genre: Classical, Choral | Label: Linn Records | # CKD 449

Gramophone Classical Music Awards 2014 Choral category winner! Purely on grounds of performance alone, this is one of the finest Mozart Requiems of recent years. John Butt brings to Mozart the microscopic care and musicological acumen that have made his Bach and Handel recordings so thought-provoking and satisfying.
Dunedin Consort under John Butt - Wolfgang Amadeus Mozart: Requiem (Reconstruction of First Performance) (2014)

Dunedin Consort under John Butt - Wolfgang Amadeus Mozart: Requiem (Reconstruction of First Performance) (2014)
Classical | MP3 CBR 320 kbps | 01:01:31 | 142 MB
Label: LINN | Tracks: 19 | Rls.date: 2014

In the early nineteenth century, the controversy was over how much of the Requiem was really the work of Mozart and how much of it was completed by Franz Xaver Süssmayr. By the turn of our current century, the extent of Süssmayr’s involvement had been clearly established – so far as is likely to be possible – and the discussion moved towards the question of whether modern scholars could provide a completion superior to Süssmayr’s. Now that there are a number of ‘new’ versions of the Requiem, perhaps performing the ‘original’ completion is almost as controversial as performing a modern version.
Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem (1975/2015) [Official Digital Download 24/96]

Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem (1975/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 53:06 minutes | 954 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Herbert von Karajan’s 1975 Mozart Requiem is of the grand ceremonial type with large choral forces and full orchestra accompaniment–all of which sounds quite massive compared to more recent period-style performances.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 220 MB
Label: Harmonia Mundi – 902291 | Tracks: 15 | Time: 45:55 min
Classical, Choral, Vocal

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration. In 2016 a young French composer, Pierre-Henri Dutron, persuaded René Jacobs to perform his own revision of the Requiem completed by Süssmayr. This new version was created with great success in a series of five concerts around Europe in November 2016. We now present its first studio recording, released exclusively on harmonia mundi.
Royal Concertgebouw Orchestra & Mariss Jansons - Mozart: Requiem (Live) (2014) [Official Digital Download 24/88]

Royal Concertgebouw Orchestra & Mariss Jansons - Mozart: Requiem (Live) (2014)
FLAC (tracks) 24-bit/88 kHz | Time - 47:29 minutes | 556 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

During his last years in Vienna Wolfgang Amadeus Mozart composed only three liturgical works: the short 'Ave Verum Corpus' and two unfinished masterworks: the 'Mass in C minor' and the 'Requiem' in D minor. Most of his sacred oeuvre was written at an early age in the conservative city of Salzburg. The 'Requiem' from 1791 is stylistically far removed from that early church music and suits the concert hall better than the church.