La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.
For fans of Jerry Goldsmith's score for Ridley Scott 1978 movie Alien, this two-disc Intrada set is the ultimate fantasy. Everything is here and then some. Disc 1 contains Goldsmith's entire score as he originally intended it with every cue in place, including those that were later cut from the film plus his recomposed versions of cues the director made him change (Goldsmith's original main theme, for example, appears without its signature heroic trumpet melody because the director thought it wasn't creepy enough). Disc 2 includes the original soundtrack as issued on LP plus six other bonus tracks of demonstration takes and even the brief except from Eine kleine Nachtmusik used in the film. The stereo sound here is fabulous, the performances definitive, and the liner notes exhaustive. And the score, like the film, is a classic of its genre. With its mixture of the ecstatic chromaticism of Scriabin, the skittering strings of Penderecki, the harmonic waves of Ligeti, and the atmospheric percussion of Herrmann, Goldsmith's score became a template for all subsequent science fiction/horror movies.