The story about an ordinary man who once stood before a difficult choice …
Funky female soul galore – a killer set of rare tunes that's one of the best sets of this type we've ever stocked! The SuperFunk crew at BGP have gone through the rich array of labels handled by the company – pulling out some massive tunes that really push our understanding of female soul – taking things way past the obvious hits and girl group numbers, into hard and heavy-stepping territory that we really love!
The roots of American music, including the blues, R&B, and Cajun music, gave Willy DeVille's (born William Borsey) late-'70s punk band, Mink DeVille, its unique flavor. A quarter of a century later, DeVille continued to blend musical traditions and postmodern intensity. A self-taught guitarist, DeVille found his early inspiration in the blues of John Hammond Jr., Muddy Waters, and John Lee Hooker.
Hailing from Sweden, the Radio Dept. is one of Scandinavia’s finest indie-rock bands. Collection includes: Lesser Matters (2003); Pet Grief (2006); Clinging to a Scheme (2010).
Mystery Tracks Archives, Vol. 3 is Steve Vai's third installment of his planned ten-disc rarities retrospective, this time out collecting various hard-to-find Japanese bonus tracks, compilation cuts, and otherwise unavailable promotional tracks. Included is an edited version of the notorious "Kill the Guy With the Ball," retitled here "Speeding," and like most of the other tracks that appeared on import versions of Vai's albums, it's the type of shredding that folks have come to expect from Vai. The version of "Sofa" done at the Zappa's Universe concert, long out of print, is also included here. The most interesting tracks, however, come from some of the instrument demonstration cuts done for companies like Korg and Roland. On these tracks, Vai was inspired by (and constrained by) the sounds available to the instrument he was showcasing, and it leads him down a different path than that generally represented on his albums. There's far less bombast in these understated performances, and they really give a better indication of what a well-rounded player Vai can be.
With their fusion of blues, rock & roll, and R&B, the Fabulous Thunderbirds helped popularize roadhouse Texas blues with a mass audience in the '80s and, in the process, they helped kick-start a blues revival during the mid-'80s.
Autophysiopsychic is probably the single album that many Yusef Lateef fans either love or hate the most. Along with guest soloist Art Farmer on flugelhorn, guitarist Eric Gale, keyboardist Cliff Carter, drummer Jim Madison and bassist Gary King (except for "Sister Mamie," which features Steve Gadd and Alex Blake respectively), "Teefski" romps through five fat slices of original funk that have far more in common with the sounds of Chocolate City than with the bop sounds of 52nd Street. Autophysiopsychic is awash in the soft soul-funk-jazz sound typical of Creed Taylor's (CTI) productions in the 1970s.