Modal History of Music

Intonations: A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times

Marissa J. Moorman, "Intonations: A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times"
2008 | pages: 318 | ISBN: 0821418238 | PDF | 2,6 mb

A History of Music in Western Civilization [Audiobook]  eBooks & eLearning

Posted by IrGens at Feb. 28, 2016
A History of Music in Western Civilization [Audiobook]

A History of Music in Western Civilization: Fascinating Discussions by 15 Prominent Music Authorities, with Musical Examples [Audiobook] by Various Authors
English | May 22, 2007 | ASIN: B000R51QRO, ISBN: 1565111850 | [email protected] kbps | 11 hrs 49 mins | 323 MB
Narrators: Various | Genre: Nonfiction/Music

The History of Music Production  eBooks & eLearning

Posted by nebulae at July 11, 2015
The History of Music Production

Richard James Burgess, "The History of Music Production"
English | ISBN: 0199357161, 019935717X | 2014 | 264 pages | PDF | 6 MB
The History of Music (Art and Science): From the Earliest Records to the Fall of the Roman Empire

The History of Music (Art and Science): From the Earliest Records to the Fall of the Roman Empire (Cambridge Library Collection - Music) by William Chappell
English | July 20, 2009 | ISBN: 1108003710 | 504 Pages | PDF | 17 MB

This 1874 account of the music of ancient Greece, Egypt and Rome was the only volume of the author's proposed history of music to be published. William Chappell, eldest son of the founder of Chappell's the music publishers, was noted for his interest in ancient and traditional music and was the founder of the Musical Antiquarian Society in 1840.

The History Of Music (repost)  

Posted by MoneyRich at Feb. 16, 2015
The History Of Music (repost)

The History Of Music by Waldo Selden Pratt
English | Jan 1907 | ISBN: 0781293677 | 734 pages | PDF | 38 MB

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The End of Early Music: A Period Performer's History of Music for the Twenty-First Century (repost)

The End of Early Music: A Period Performer's History of Music for the Twenty-First Century by Bruce Haynes
English | July 20, 2007 | ISBN: 0195189876 | 304 Pages | PDF | 13 MB

Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.

A General History of Music  

Posted by MoneyRich at Dec. 6, 2014
A General History of Music

A General History of Music by Charles Burney
English | January 2001 | ISBN: 0722250223 | 835 pages | PDF | 55 MB

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1789 edition. Excerpt: … Masques in England certainly bear some resemblance to operas: as they are in dialogue; performed on a stage; ornamented withmachinery, dances, and decorations j and have always Music, vocal and instrumental.
The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music) by Tim Carter [Repost]

The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music) by Tim Carter
Cambridge University Press | January 30, 2006 | English | ISBN: 0521792738 | 620 pages | PDF | 2 MB

Contributors explore new aspects of composition and performance in this comprehensive examination of the repertory, institutions, performers, composers, and social and cultural world of one of the greatest moments in music history. They consider the cosmopolitan nature of music making; emergence of markets for musical activity; and development of new musical styles and gestures. The work also contains a separate chronology and dictionary-style entries on individuals, places and institutions.
The Cambridge History of American Music (The Cambridge History of Music) by David Nicholls [Repost]

The Cambridge History of American Music (The Cambridge History of Music) by David Nicholls
Cambridge University Press | June 28, 2004 | English | ISBN: 0521545544 | 623 pages | PDF | 2 MB

The Cambridge History of American Music is the first study of music in the United States to be written by a team of scholars. The volume begins with a survey of the music of Native Americans and then explores the historical and cultural events of musical life for the period up to 1900. Other contributors then examine the growth of popular music, including film and stage music, jazz, rock, and immigrant, folk, and regional music. The volume also includes chapters on twentieth-century art music, including the experimental, serial, and tonal traditions
The Cambridge History of Twentieth-Century Music (The Cambridge History of Music) by Nicholas Cook [Repost]

The Cambridge History of Twentieth-Century Music (The Cambridge History of Music) by Nicholas Cook
Cambridge University Press | September 6, 2004 | English | ISBN: 0521662567 | 838 pages | PDF | 3 MB

At the beginning of the twentieth century 'music' meant the 'art' tradition of Western Europe and North America; by the end of the century that was just one tradition among many. Written by a group of experts in the field, this book surveys what happened to the Western 'art' tradition alongside the development of jazz, popular music, and world music, linking the history of music with that of its social contexts.