Art Blakey's most successful album gave us Bobby Timmons' "Moanin'" and Benny Golson's "Along Came Betty" and "Blues March," tunes so powerful that Blakey played them almost every night for the next 30 years. This beautifully performed and recorded session made the Jazz Messengers a jazz institution and put Golson, Timmons and Morgan to the forefront of jazz.
Reissue from Art Blakey & The Jazz Messengers features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blues March" for the first time in the world. Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time. The title selection is a pure tuneful melody stewed in a bluesy shuffle penned by pianist Bobby Timmons, while tenor saxophonist Benny Golson's classy, slowed "Along Came Betty" and the static, militaristic "Blues March" will always have a home in the repertoire of every student or professional jazz band.
Digitally re-mastered and expanded edition including 15 bonus tracks. Howlin' Wolf was one of the greatest characters and most electrifying performers in Blues history. He was an imposing presence, blessed with a thunderous voice, enormous physical strength, and a pair of lungs that would not quit. Wolf didn't just startle audiences, he menaced them into submission. In addition to his powerful voice, he was also an accomplished harmonica player. This quintessential collector's edition contains Howlin' Wolf's outstanding debut album for Chess Records, Moanin' in the Moonlight, one of the all-time cornerstones of the genre. We have also included 15 bonus tracks (gathering a variety of those great sides he recorded between 1951 and 1960), making this the definitive edition of Wolf's Blues masterpiece.
A complete, previously unissued 1958 concert, with excellent sound quality, performed in Zurich by one of the best formations of Art Blakey’s Jazz Messengers, featuring Lee Morgan, Benny Golson, Bobby Timmons and Jymie Merritt. Contains new versions of the classics “Moanin’” and “I Remember Clifford”, along with the only existing live version of “Come Rain or Come Shine” by this group, and an amazing trio version of “My Funny Valentine” with Bobby Timmons as the featured soloist.
Imagine Black Sabbath without instrumental dynamism and lyrical vision; imagine Led Zeppelin without pyrotechnics: What you're imagining is the Bachman-Turner Overdrive — a lowest-common-denominator rock band that's found immense commercial success in a stylistic limbo between heavy-metal and MOR rock. They rely heavily on the basics to convey their musical message, but unlike 99% of their competition, BTO give the impression that the basics are about all they have to offer.