At the time these tracks were cut, 1967 and 1968, R.L. Burnside was working on a plantation in Coldwater, MS, cutting silage. Folklorist George Mitchell was on a mission to record unknown blues singers down South. Mitchell heard about Burnside and paid him a visit, asking if he could record him. That night Mitchell returned to Burnside's place with a case of beer and some whiskey. Ten months later, Burnside had his first release. While these 14 tracks didn't jump start Burnside's career, they are stark, organic, and timeless, just Burnside and his acoustic guitar running down mainly traditional material that he arranged. This is an absolute treasure for Burnside aficionados and casual blues listeners alike.
For the first time, the 1982 recordings in Groningen, Netherlands with Leo Bruin have arrived on vinyl. Here you find R.L. Burnside, alone with only his guitar and his voice. Showing off his skills even in his younger days, in the vein of John Lee Hooker and Fred McDowell.
In the years since the fourth edition of this seminal work was published, active research has further developed the Finite Element Method into the pre-eminent tool for the modelling of physical systems. Written by the pre-eminent professors in their fields, this new edition of the Finite Element Method maintains the comprehensive style of the earlier editions and authoritatively incorporates the latest developments of this dynamic field. …
Screen adaptation of the Ralph-Benatzky operetta: love, humor and intrigue to the landlady of the White Horse Inn Josefa Voglhuber, their head waiter Leopold who is also in love with her, as two guests from the big city.