Miles Davis Wav

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}
EAC rip (secure mode) | FLAC+CUE+LOG -> 2.12 Gb | MP3 @320 -> 958 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1963-64, 2004 Columbia / Legacy / Sony Music | C7K 90840
Jazz / Hard Bop / Modal Music / Trumpet

Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.
Miles Davis featuring Keith Jarrett - What I Say? [Volume 1 & 2] (1971) {1994 JMY Remaster}

Miles Davis featuring Keith Jarrett - What I Say? [Volume 1 & 2] (1971) {1994 JMY Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 744 Mb | MP3 @320 -> 316 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1994 Jazz Music Yesterday | 1015-2 / 1016-2
Jazz / Fusion / Trumpet

What I Say is a two volume CD album of live recordings of Miles Davis. The album was released on JMY Records label in Italy. Vol. 1 Recorded in Vienna, 5 November 1971 at the Wiener Konzerthaus. Vol. 2 Recorded live at the Wiener Konzerthaus on November 5, 1971 (tracks 1-3), and at the Fillmore West, San Francisco, October 17, 1970 (tracks 4-6).
Conrad Herwig - Another kind of Blue: The latin side of Miles Davis (2004)

Conrad Herwig - Another kind of Blue: The latin side of Miles Davis (2004)
EAC Rip | FLAC (image & cue & log) & mp3 @ 320 kbps | tracks: 6 | Scans | 54:16 | ~ 373 Mb & 143 Mb
Label: Half Note Records | 5% recovery record | Live recording at the Blue Note | Jazz horn music

Excellent album of the great American jazz trombonist Conrad Herwig, who arranges and plays "latin" timeless compositions of the legendary Miles Davis. Herwig and a a brilliant jazz orchestra, played at the famous Blue Note of NYC in December 2003 and this live recording was released in 2004. As Conrad explains in the CD's inlay: "the objective was to reinvent Miles' seminal work within the framework of Afro-Cuban and Afro-Caribbean rhythms". Enjoy a jazz gem in lossless.

Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]  Music

Posted by ruskaval at Oct. 13, 2009
Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]

Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]
EAC rip (secure mode) | FLAC+CUE+LOG -> 311 Mb + 116 Mb | MP3 @320 -> 131 Mb + 67 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb
© 2005 Sony BMG / Columbia / Legacy | COL 519957 2
Jazz / Bop / Cool / Hard Bop


Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]

With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing.
The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Miles Davis - The Complete Birth of the Cool, 1998 [Capital Jazz]

Miles Davis - The Complete Birth of the Cool, 1998 Reissue [Capital Jazz]
EAC rip (secure mode) | FLAC+CUE+LOG+SCANS -> 276.06 Mb
Capital Jazz (1998) | CDP 7243 4 94550 2 3
Reissue produced by Mark Levinson, Phil Schaap and Michael Cuscuna

Miles Davis, Sonny Rollins - The Classic Prestige Sessions 1951-1956 (2009) 2CD

Miles Davis, Sonny Rollins - The Classic Prestige Sessions 1951-1956 (2009) 2CD
EAC | FLAC | Tracks (Cue&Log) ~ 561 Mb | Mp3 (CBR320) ~ 303 Mb | Scans ~ 40 Mb | 02:11:38
Bop, Hard Bop, Cool, Modal Jazz | Label: Prestige | # 0888072314610

The Classic Prestige Sessions 1951-1956 collects all of the sides recorded by trumpeter Miles Davis and tenor saxophonist Sonny Rollins for Prestige during their time together as young players in New York City. Both musicians were just past their formative years during this period, having broken free from the heavy sway of their bop elders – especially alto saxophonist Charlie Parker, who appears here in several classic cuts originally released on Collector's Items. Both Davis and Rollins were expanding the bop mold and beginning to discover their own sound. Davis had already made his mark with the innovative West Coast jazz masterpiece Birth of the Cool and was further developing his romantic and cerebral minimalism. Similarly, Rollins was quickly becoming the heir to Parker's throne as the most searching and muscular saxophonist on the scene. The dichotomy of their sounds made Davis and Rollins a perfect rub as jazz partners and these recordings helped foreshadow and define such future jazz movements as hard bop, post-bop, and even free jazz. Included here are such stellar and classic tracks as "Dig," "Oleo," "Down," "The Serpent's Tooth," "Airegin," "Doxy," and "Vierd Blues"." Although all of these recordings are available elsewhere on the original albums, Davis and Rollins' relationship was an incredibly fertile one and it is great to have all of it compiled together.
Miles Davis - On The Crest Of The Airwaves (2011) {4CD Set Rock Melon Music RMBOX3 rec 1970, 1988}

Miles Davis - On The Crest Of The Airwaves (2011) {4CD Set Rock Melon Music RMBOX3 rec 1970, 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.30 Gb | MP3 @320 -> 617 Mb
Full Artwork @ 600 dpi (png) -> 111 Mb | 5% repair rar
© 1970, 1988, 2011 Rock Melon Music | RMBOX3
Jazz / Jazz Funk / Fusion / Trumpet

4 x CD in book/DVD-style tall packaging. Containing 3 rare and previously unreleased concerts from San Francisco 1970, England 1970 and Melbourne Australia 1988. These concerts highlight the genius that was Miles Davies and are also an important piece of jazz history. All discs have been digitally remastered for superior sound quality .The iconic artwork and in dept sleeve notes make this a must have release for all true jazz fans.
Miles Davis - Miles Davis Plays for Lovers (1965) [2012, Remastered with Bonus Tracks]

Miles Davis - Miles Davis Plays for Lovers (1965) [2012, Remastered with Bonus Tracks]
Jazz, Cool, Hard Bop, Trumpet Jazz | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 78:29 Min | 442,90 Mb
Label: Jackpot Records (Europe) | Cat.# 48727 | Released: 2012-05-14 (1965)

Miles Davis Plays for Lovers collects a number of ballads from the trumpeter's mid-'50s albums to create a lovely late-night disc for friends, night owls, and couples in love. The core band for three-quarters of the album consists of trumpeter Davis, tenor John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones. There's an elegant beauty to pieces like "My Funny Valentine" and "You're My Everything," featuring the rhythm section's spare, tasteful backdrop and the carefully chosen notes of Davis' and Coltrane's horns.
Miles Davis - In Person Friday Night At The Blackhawk Vol.1 (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - In Person Friday Night At The Blackhawk, San Francisco Vol.1 (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3963}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 416 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 600 dpi (png) -> 178 Mb | 5% repair rar
© 1961, 2014 Columbia / Sony Music Japan | SICP 3963
Jazz / Cool / Bop / Hard Bop / Trumpet

Reissue with latest remastering. Comes with new liner notes. The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the Miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses.

Miles Davis - Big Fun (1974) {2CD Columbia C2K 63973 rel 2000}  Music

Posted by ruskaval at April 20, 2018
Miles Davis - Big Fun (1974) {2CD Columbia C2K 63973 rel 2000}

Miles Davis - Big Fun (1974) {2CD Columbia C2K 63973 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 851 Mb | MP3 @320 -> 334 Mb
Full Artwork @ 600 dpi (png) -> 318 Mb | 5% repair rar
© 1969-72, 2000 Columbia / Legacy / Sony Music | C2K 63973
Jazz / Jazz Funk / Fusion / Trumpet

Despite the presence of classic tracks like Joe Zawinul's "Great Expectations," Big Fun feels like the compendium of sources it is. These tracks are all outtakes from other sessions, most notably Bitches Brew, On the Corner, and others. The other element is that many of these tracks appeared in different versions elsewhere. These were second takes, or the unedited takes before producer Teo Macero and Miles were able to edit them, cut and paste their parts into other things, or whatever. That is not to say the album should be dismissed.