Miles Davis Wav

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}
EAC rip (secure mode) | FLAC+CUE+LOG -> 2.12 Gb | MP3 @320 -> 958 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1963-64, 2004 Columbia / Legacy / Sony Music | C7K 90840
Jazz / Hard Bop / Modal Music / Trumpet

Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.
Miles Davis featuring Keith Jarrett - What I Say? [Volume 1 & 2] (1971) {1994 JMY Remaster}

Miles Davis featuring Keith Jarrett - What I Say? [Volume 1 & 2] (1971) {1994 JMY Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 744 Mb | MP3 @320 -> 316 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1994 Jazz Music Yesterday | 1015-2 / 1016-2
Jazz / Fusion / Trumpet

What I Say is a two volume CD album of live recordings of Miles Davis. The album was released on JMY Records label in Italy. Vol. 1 Recorded in Vienna, 5 November 1971 at the Wiener Konzerthaus. Vol. 2 Recorded live at the Wiener Konzerthaus on November 5, 1971 (tracks 1-3), and at the Fillmore West, San Francisco, October 17, 1970 (tracks 4-6).
Conrad Herwig - Another kind of Blue: The latin side of Miles Davis (2004)

Conrad Herwig - Another kind of Blue: The latin side of Miles Davis (2004)
EAC Rip | FLAC (image & cue & log) & mp3 @ 320 kbps | tracks: 6 | Scans | 54:16 | ~ 373 Mb & 143 Mb
Label: Half Note Records | 5% recovery record | Live recording at the Blue Note | Jazz horn music

Excellent album of the great American jazz trombonist Conrad Herwig, who arranges and plays "latin" timeless compositions of the legendary Miles Davis. Herwig and a a brilliant jazz orchestra, played at the famous Blue Note of NYC in December 2003 and this live recording was released in 2004. As Conrad explains in the CD's inlay: "the objective was to reinvent Miles' seminal work within the framework of Afro-Cuban and Afro-Caribbean rhythms". Enjoy a jazz gem in lossless.

Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]  Music

Posted by ruskaval at Oct. 13, 2009
Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]

Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]
EAC rip (secure mode) | FLAC+CUE+LOG -> 311 Mb + 116 Mb | MP3 @320 -> 131 Mb + 67 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb
© 2005 Sony BMG / Columbia / Legacy | COL 519957 2
Jazz / Bop / Cool / Hard Bop


Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]

With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing.
The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Miles Davis - The Complete Birth of the Cool, 1998 [Capital Jazz]

Miles Davis - The Complete Birth of the Cool, 1998 Reissue [Capital Jazz]
EAC rip (secure mode) | FLAC+CUE+LOG+SCANS -> 276.06 Mb
Capital Jazz (1998) | CDP 7243 4 94550 2 3
Reissue produced by Mark Levinson, Phil Schaap and Michael Cuscuna

Miles Davis - Munich Concert (1988) {3CD Set IMC Music DEL 800111 rel 2005}

Miles Davis - Munich Concert (1988) {3CD Set IMC Music DEL 800111 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 936 Mb | MP3 @320 -> 377 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1988, 2005 IMC Music | DEL 800111
Jazz / Fusion / Jazz Funk / Trumpet

Outstanding three CD set featuring the entire July 1988 15 song performance at the Munich Philharmonic Concert Hall plus a blistering 35 minute version of 'Call It Anything' taken from his1970 Isle of Wight Festival show. The Munich concert features able assistance from Kenny Garrett, Bobby Irving, Adam Holzman and Joseph McCreary amongst others while the Isle of Wight track features Chick Corea, Keith Jarrett, Dave Holland and Jack DeJohnette.
Miles Davis - The Original Mono Recordings (2013) {9CD Box Set Columbia 88883756642 rec 1957-1964}

Miles Davis - The Original Mono Recordings (2013) {9CD Box Set Columbia 88883756642 rec 1957-1964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.55 Gb | MP3 @320 -> 967 Mb
Full Artwork @ 300 dpi (png) -> 575 Mb | 5% repair rar
© 1957-64, 2013 Columbia / Legacy / Sony Music | 88883756642
Jazz / Hard Bop / Modal Music / Trumpet

For nearly half a century, Miles Davis (1926-1991) was arguably the preeminent innovator in jazz - rarely staying in the same place twice, experimenting with the most cutting-edge styles and ideas he could imagine. This year, some of Miles' most enduring works for Columbia Records are collected the way they were originally heard: MILES DAVIS: THE ORIGINAL MONO RECORDINGS. Each CD, newly remastered by Mark Wilder at Battery Studios, is housed in a mini-LP replica jacket, faithfully replicating the original LP sleeves. They are encased in a quality slipcase, alongside a 40-page booklet with rare photos and brand-new essay offering in-depth, first-hand accounts from George Avakian, who signed Miles to Columbia in 1955, AND play-by-play from mastering engineer Mark Wilder. This is the true genius of Miles Davis as most people first heard it, the way it was intended to be heard: in mono.
Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372 rec 1966-68}

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372 rec 1966-68}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.05 Gb | MP3 @320 -> 458 Mb
Full Artwork @ 600 dpi (png) -> 958 Mb | 5% repair rar
© 1966-68, 2016 Columbia / Legacy / Sony Music | 88985357372
Jazz / Hard Bop / Modal Music / Trumpet

A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Miles Davis & Gil Evans - Concierto De Aranjuez (1961) {Giants Of Jazz}

Miles Davis & Gil Evans - Concierto De Aranjuez (1961) {Giants Of Jazz}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 364MB + 5% Recovery
MP3 CBR 320 Kbps | 134MB + 5% Recovery
Genre: Jazz, Bop

On May 19, 1961, Miles Davis was showcased at a Carnegie Hall concert, performing with his quintet of the time (tenor saxophonist Hank Mobley, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb) and, for the first time in public, the Gil Evans Orchestra. Although thought of by some later on as being in an off period since he was between innovations, Miles' trumpet chops were actually in prime form during 1961-63, as he shows throughout the date. All of the music on this 1998 two-CD set has been out before, either on the original LP of the same name or on the later album More Music From the Legendary Carnegie Hall Concert, but this is the first time that the two sets have been reproduced in their original order.

Miles Davis - Live In Tokyo 1975 (2015) {2CD Hi Hat HH2CD012}  Music

Posted by ruskaval at Oct. 24, 2017
Miles Davis - Live In Tokyo 1975 (2015) {2CD Hi Hat HH2CD012}

Miles Davis - Live In Tokyo 1975 (2015) {2CD Hi Hat HH2CD012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 499 Mb | MP3 @320 -> 189 Mb
Full Artwork @ 600 dpi (png) -> 180 Mb | 5% repair rar
© 1975, 2015 Hi Hat | HH2CD012
Jazz / Jazz Funk / Fusion / Jazz Rock / Trumpet

Massive electric Miles from the same Japanese tour that gave the world the Panagaea and Agharta albums – tracks that were recorded ten days before the concert that appeared on those records, with different songs as well! The music is a dark brew of funk, fusion, and some surprisingly spiritual currents – thanks to wonderful work from Sonny Fortune on alto, soprano sax, and flute – working here alongside guitarist Pete Cosey, who provides plenty of the fuzzier, freakier moments of the set – as does keyboardist Reggie Lucas! Al Foster's drumming is wonderful – and Michael Henderson's bass will blow you away if you only know his later smoother soul albums – but as usual, Miles is the star once he opens up his horn and steps into the darkness.