Miles Davis Wav

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}
EAC rip (secure mode) | FLAC+CUE+LOG -> 2.12 Gb | MP3 @320 -> 958 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1963-64, 2004 Columbia / Legacy / Sony Music | C7K 90840
Jazz / Hard Bop / Modal Music / Trumpet

Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.
Miles Davis featuring Keith Jarrett - What I Say? [Volume 1 & 2] (1971) {1994 JMY Remaster}

Miles Davis featuring Keith Jarrett - What I Say? [Volume 1 & 2] (1971) {1994 JMY Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 744 Mb | MP3 @320 -> 316 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1994 Jazz Music Yesterday | 1015-2 / 1016-2
Jazz / Fusion / Trumpet

What I Say is a two volume CD album of live recordings of Miles Davis. The album was released on JMY Records label in Italy. Vol. 1 Recorded in Vienna, 5 November 1971 at the Wiener Konzerthaus. Vol. 2 Recorded live at the Wiener Konzerthaus on November 5, 1971 (tracks 1-3), and at the Fillmore West, San Francisco, October 17, 1970 (tracks 4-6).
Conrad Herwig - Another kind of Blue: The latin side of Miles Davis (2004)

Conrad Herwig - Another kind of Blue: The latin side of Miles Davis (2004)
EAC Rip | FLAC (image & cue & log) & mp3 @ 320 kbps | tracks: 6 | Scans | 54:16 | ~ 373 Mb & 143 Mb
Label: Half Note Records | 5% recovery record | Live recording at the Blue Note | Jazz horn music

Excellent album of the great American jazz trombonist Conrad Herwig, who arranges and plays "latin" timeless compositions of the legendary Miles Davis. Herwig and a a brilliant jazz orchestra, played at the famous Blue Note of NYC in December 2003 and this live recording was released in 2004. As Conrad explains in the CD's inlay: "the objective was to reinvent Miles' seminal work within the framework of Afro-Cuban and Afro-Caribbean rhythms". Enjoy a jazz gem in lossless.

Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]  Music

Posted by ruskaval at Oct. 13, 2009
Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]

Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]
EAC rip (secure mode) | FLAC+CUE+LOG -> 311 Mb + 116 Mb | MP3 @320 -> 131 Mb + 67 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb
© 2005 Sony BMG / Columbia / Legacy | COL 519957 2
Jazz / Bop / Cool / Hard Bop


Miles Davis - 'Round About Midnight (1956) [2CD] [Remaster 2005]

With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing.
The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Miles Davis - The Complete Birth of the Cool, 1998 [Capital Jazz]

Miles Davis - The Complete Birth of the Cool, 1998 Reissue [Capital Jazz]
EAC rip (secure mode) | FLAC+CUE+LOG+SCANS -> 276.06 Mb
Capital Jazz (1998) | CDP 7243 4 94550 2 3
Reissue produced by Mark Levinson, Phil Schaap and Michael Cuscuna

Miles Davis - All Stars Recordings (2000) {Definitive Records DRCD 11164 rec 1947-1950}

Miles Davis - All Stars Recordings (2000) {Definitive Records DRCD 11164 rec 1947-1950}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 333 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 600 dpi (jpg) -> 64 Mb | 5% repair rar
© 1947-50, 2000 Definitive Records / Disconforme | DRCD 11164
Jazz / Bop / Trumpet

This CD is a compilation of some of Miles Davis's earliest recordings as a sideman from the late 1940s. His formative years are represented here in a large group setting. The groups featured here are scaled down or actual big bands. This CD is probably most dominated by the arrangements of Tadd Dameron, arguably the definitive arranger-composer of the bop era.
Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}

Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.73 Gb | MP3 @320 -> 964 Mb
Full Artwork @ 300 dpi (png) -> 541 Mb | 5% repair rar
© 1972-75, 2007 Columbia / Legacy / Sony BMG Music | 886970 6239 2 | 24bit remastering
Jazz / Fusion / Jazz-Funk / Jazz-Rock / Free Funk / Funk

From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.

Miles Davis - Blue Haze (1954) {Prestige}  Music

Posted by tiburon at Oct. 4, 2017
Miles Davis - Blue Haze (1954) {Prestige}

Miles Davis - Blue Haze (1954) {Prestige}
EAC 0.95b4 | FLAC tracks | Cue+Log+M3U | Full Scans 300dpi | 247MB + 5% Recovery
MP3 CBR 320 Kbps | 85MB + 5% Recovery
Genre: Hard Bop

This CD reissue features trumpeter Miles Davis with three different pickup recording groups that are full of fellow all-stars. "Tune-Up," "Miles Ahead," "When Lights Are Low" (which uses slightly different chord changes than its composer Benny Carter originally intended), and "Smooch" find Davis joined by pianist John Lewis (Charles Mingus plays piano on "Smooch"), bassist Percy Heath, and drummer Max Roach. With pianist Horace Silver, bassist Heath, and drummer Art Blakey offering solid accompaniment, Davis introduces "Four" and performs "Old Devil Moon" and "Blue Haze." Finally, with altoist Dave Schildkraut, Silver, Heath, and drummer Kenny Clarke, Miles jams through "I'll Remember April." Although not as essential as the trumpeter's classic Quintet records of 1955-1956, several of the performances (most notably "Tune-Up" and "Four") are quite memorable, and the straight-ahead playing is of consistently high quality.
Miles Davis - Bags' Groove (1957) [Analogue Productions’ Prestige Mono Series, Remastered 2014] Audio CD Layer

Miles Davis - Bags' Groove (1957)
Mastered by Kevin Gray at Cohearent Audio, 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb | Mp3 (CBR320) ~ 139 Mb | Scans included | 00:46:21
Bop, Hard Bop, Trumpet Jazz | Label: Analogue Productions, Prestige | # CPRJ 7109 SA

Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series, Mini "old style" gatefold jacket packaging. There are a multitude of reasons why Bags' Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session – featuring Thelonious Monk – which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis' practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver's (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis' choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed.

Miles Davis - Transmission Impossible (2016) [Bootleg]  Music

Posted by delpotro at Oct. 3, 2017
Miles Davis - Transmission Impossible (2016) [Bootleg]

Miles Davis - Transmission Impossible (2016)
EAC Rip | FLAC (tracks+log+.cue) - 1,35 Gb | Scans - 6 Mb | 03:59:14
Jazz | Label: Eat To The Beat

3 CD Set Featuring Classic Live Recordings From Miles Davis. Featuring material from live broadcasts from Rotterdam 1967, Boston 1972, Tokyo 1975, and Fukuoka 1981. With enthusiasm for the music of Miles Davis stretching way further than that for any other Jazz musician who ever produced a note, and the new bio-pic movie about Miles' life creating even more interest, the time could not be better for the release of this 3 CD Collection of rare live material from the maestro. Featuring recordings from; Rotterdam 1967, Boston 1972, Tokyo 1975, Fukuoka (Japan) in 1981, and even a bonus cut from Tokyo in 1985, this mixed bag of eras and styles illustrates well the pre and post mid 1970s hiatus Miles Davis, a period highlighted in the aforementioned new film.