While there is a plethora of Miles Davis tribute albums out there, this one is interesting for the basic fact that this horn quartet attempts to evoke his spirit without the use of a trumpet. To add spice, they employ African drums, with kalimba and voice. Selim Sivad: The Music of Miles Davis is the fifteenth album by the jazz group the World Saxophone Quartet and their third on the Canadian Justin Time label. The album features performances by Hamiet Bluiett, John Purcell, Oliver Lake and David Murray, with guests Jack DeJohnette, Chief Bey, Okyerema Asante, and Titos Sompa and is dedicated to Miles Davis.
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
Rare deluxe compilation that sounds and looks in all ways amazing. Some great picks on here in Miles' own Deception, Gerry Mulligan's Jeru or Baden Powell's Budo for starters. Lovely audophile piece in lovely taste.
None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.
With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.
With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing. The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Features 24 bit digital remastering. Comes with a mini-description. Although Miles Davis did not live to participate in Gerry Mulligan's reunion recordings featuring the nonet that played on the famous late-'40s and early-'50s cool sessions, he participated in a reunion concert held at Montreux in 1991. This featured both the Gil Evans Orchestra and George Gruntz Concert Jazz Band, plus additional guests Benny Bailey, Grady Tate, Carlos Benavent and various European players teaming with a gravely ill Davis to perform Gil Evans' marvelous arrangements.
This is the ultimate Tribute concert featuring Larry Coryell, Stanley Clarke, Paco de Lucia, John McLaughlin, Ricky Lee Jones and others. Recorded live 1992 at Expo for spanish television. Tony Hollingsworth is no man for unfinished business. The experienced promoter organised the Mandela concerts (1988 and 1990, London), The Wall (1990, Berlin), and this unique concert series called Guitar Legends, held in 1991 prior to the Expo 92 in Seville, Spain. Live recordings from the 1991 expo have now been compiled into a fitting tribute to the late Jazz Star Miles Davis.