Miles Davis Birdland 1961

Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961) {Official Digital Download 24-bit/44.1 kHz}

Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961)
FLAC (Tracks) 24-bit/44.1 kHz | Digital Booklet | 00:40:04 | 430 Mb | 5% Recovery
Official Digital Download | Studio Master | Jazz, Hard Bop | © 2007 Concord Music Group
Rudy Van Gelder Remaster

Of Miles Davis's many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis's muted ballads and medium-tempo standards endeared him to the public. The horns' searing exposition of classics like "Salt Peanuts" and "Well, You Needn't" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Steamin' With The Miles Davis Quintet is, in many respects representative of the total work of the quintet, it affords an excellent opportunity to examine just what this remarkable music was and how it was made. Such chemistry is inexplicable, and so, apparently, is the personality of the man who generated it.
Miles Davis - Steamin' With The Miles Davis Quintet (1961/2016) [Official Digital Download 24/192]

Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 40:07 minutes | 2,02 GB
Studio Master, Official Digital Download | Artwork: Front cover

Steamin' with the Miles Davis Quintet is an album by Miles Davis, recorded in 1956 but not released until 1961 as PRLP 7200. Two sessions on May 11, 1956 and October 26 in the same year resulted in four albums: this one, Relaxin' with The Miles Davis Quintet, Workin' with The Miles Davis Quintet and Cookin' with the Miles Davis Quintet. This album centers on the improvisations of the quintet as well as the interactions between the members of the quintet.
Miles Davis - Steamin' With The Miles Davis Quintet (1961) [MFSL 2003] PS3 ISO + Hi-Res FLAC

Miles Davis - Steamin' With The Miles Davis Quintet (1961) [MFSL 2003]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:56 minutes | Scans included | 1,24 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 883 MB
Mobile Fidelity Sound Lab # UDSACD 2019

John Coltrane & Miles Davis - 1955-1961 (2001)  

Posted by frangarbla at April 13, 2015
John Coltrane & Miles Davis - 1955-1961 (2001)

John Coltrane & Miles Davis - 1955-1961 (2001)
EAC secure mode FLAC (image+cue+log) + mp3 (320 kbps) | 379.46 Mb + 155.88 Mb | 65:49 minutes | full covers.
jazz | Columbia Records (ADD), Published on 2001

This compilation is taken from the masterful and wondrous box set issued late in the year 2000. It is assembled with the kind of care only producers such as Bob Belden and Michael Cuscuna could muster. Featuring nine selections, it begins with the first recorded appearance of the new Miles Davis Quintet in 1955 that featured the two principals, Red Garland, Paul Chambers, and Philly Joe Jones....
Miles Davis Quintet - The Great Prestige Recordings (2009) [24/96] {180g 45rpm 5x2LP BoxSet} [Analogue Productions APJ 035-45]

Miles Davis Quintet - The Great Prestige Recordings (2009) [24/96] {180g 45rpm 5x2LP BoxSet} [Analogue Productions APJ 035-45]
Vinyl rip @ 24/96 | FLAC (tracks) – 3.72 Gb | Full Scans – 75 Mb | Label: Analogue Productions / Prestige
Genre: Jazz, Hard Bop | RAR 5% | Rec. CAT #APJ 035-45

One of Analogue Productions' most successful and collectible projects has been the Miles Davis Quintet/The Great Prestige Recordings deluxe box set on 33 1/3 LP. Now, that beautiful five-album set is being reintroduced. And at 45 RPM, it's more stunning than ever! Featuring a 12" x 12" 16-page gorgeous booklet, packaged with the LPs in a deluxe, heavy-duty box, this set is the end-all of Miles' work for the legendary Prestige label from 1951 through 1956. Stereophile awarded the first incarnation of this set Recording of the Month in their March 1997 issue, giving it five stars for both music and sonics. That was at 33 1/3 RPM. Imagine these same records at 45 RPM!
Miles Davis - Someday My Prince Will Come (1961) [Japan 2000] PS3 ISO + Hi-Res FLAC

Miles Davis - Someday My Prince Will Come (1961) [Japan 2000]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:05 minutes | Scans included | 1,7 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,15 GB
Miles Davis Quintet - Live in Europe 1967: The Bootleg Series, Vol. 1 (2011) {3CD + Bonus DVD5 NTSC}

Miles Davis Quintet - Live in Europe 1967: The Bootleg Series, Vol. 1 (2011) {3CD + Bonus DVD5 NTSC}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 782 Mb | MP3 @320 -> 474 Mb
DVD5 -> 3.86 Gb | All Regions | NTSC 4:3 | LinearPCM, 2 ch | ~ 65 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 305 Mb | 5% repair rar
© 1967, 2011 Columbia / Legacy / Sony Music | 88697 94053 2
Jazz / Hard Bop / Post Bop / Modal Music / Trumpet

The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
The Miles Davis Sextet & The Thelonious Monk Quartet - Miles and Monk at Newport (1964/2017) [24/192]

The Miles Davis Sextet & The Thelonious Monk Quartet - Miles & Monk at Newport (1964/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 51:19 minutes | 1,92 GB
Studio Master, Official Digital Download | Artwork: Front cover

Miles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, from the LP era. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.
The Miles Davis Sextet & The Thelonious Monk - Miles and Monk at Newport (Live) (1964/2017) [TR24][OF]

The Miles Davis Sextet & The Thelonious Monk - Miles and Monk at Newport (Live)
Jazz | FLAC (tracks) 24-bit/96 kHz | 51:15 min | 1.09 GB | Front Cover
Label: Columbia/Legacy | Tracks: 06 | Rls.date: 1964/2017

This Columbia LP features Miles Davis' Sextet (with John Coltrane and Cannonball Adderley) and the Thelonious Monk Quartet (with Pee Wee Russell) at the 1958 Newport Jazz Festival; their rapid version of "Ah Leu Cha" is thunderous and "Straight No Chaser" swings like mad. This set also includes three laid-back selections ("On Green Dolphin Street," "Fran Dance," and "Stella by Starlight") from a slightly earlier studio date, along with a different version of "On Green Dolphin Street" from 1961. This classic music has since been reissued on CD. Review by Scott Yanow
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 2of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 2of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.23 Gb | MP3 @320 -> 555 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1206~10 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace – each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz – tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance.