Of Miles Davis's many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis's muted ballads and medium-tempo standards endeared him to the public. The horns' searing exposition of classics like "Salt Peanuts" and "Well, You Needn't" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Steamin' With The Miles Davis Quintet is, in many respects representative of the total work of the quintet, it affords an excellent opportunity to examine just what this remarkable music was and how it was made. Such chemistry is inexplicable, and so, apparently, is the personality of the man who generated it.
This compilation is taken from the masterful and wondrous box set issued late in the year 2000. It is assembled with the kind of care only producers such as Bob Belden and Michael Cuscuna could muster. Featuring nine selections, it begins with the first recorded appearance of the new Miles Davis Quintet in 1955 that featured the two principals, Red Garland, Paul Chambers, and Philly Joe Jones....
One of Analogue Productions' most successful and collectible projects has been the Miles Davis Quintet/The Great Prestige Recordings deluxe box set on 33 1/3 LP. Now, that beautiful five-album set is being reintroduced. And at 45 RPM, it's more stunning than ever! Featuring a 12" x 12" 16-page gorgeous booklet, packaged with the LPs in a deluxe, heavy-duty box, this set is the end-all of Miles' work for the legendary Prestige label from 1951 through 1956. Stereophile awarded the first incarnation of this set Recording of the Month in their March 1997 issue, giving it five stars for both music and sonics. That was at 33 1/3 RPM. Imagine these same records at 45 RPM!
This CD reissue features trumpeter Miles Davis with three different pickup recording groups that are full of fellow all-stars. "Tune-Up," "Miles Ahead," "When Lights Are Low" (which uses slightly different chord changes than its composer Benny Carter originally intended), and "Smooch" find Davis joined by pianist John Lewis (Charles Mingus plays piano on "Smooch"), bassist Percy Heath, and drummer Max Roach. With pianist Horace Silver, bassist Heath, and drummer Art Blakey offering solid accompaniment, Davis introduces "Four" and performs "Old Devil Moon" and "Blue Haze." Finally, with altoist Dave Schildkraut, Silver, Heath, and drummer Kenny Clarke, Miles jams through "I'll Remember April." Although not as essential as the trumpeter's classic Quintet records of 1955-1956, several of the performances (most notably "Tune-Up" and "Four") are quite memorable, and the straight-ahead playing is of consistently high quality.
3 CD Set Featuring Classic Live Recordings From Miles Davis. Featuring material from live broadcasts from Rotterdam 1967, Boston 1972, Tokyo 1975, and Fukuoka 1981. With enthusiasm for the music of Miles Davis stretching way further than that for any other Jazz musician who ever produced a note, and the new bio-pic movie about Miles' life creating even more interest, the time could not be better for the release of this 3 CD Collection of rare live material from the maestro. Featuring recordings from; Rotterdam 1967, Boston 1972, Tokyo 1975, Fukuoka (Japan) in 1981, and even a bonus cut from Tokyo in 1985, this mixed bag of eras and styles illustrates well the pre and post mid 1970s hiatus Miles Davis, a period highlighted in the aforementioned new film.